Select Committee on Culture, Media and Sport Minutes of Evidence


Examination of Witnesses (Questions 1 - 19)

THURSDAY 14 MAY 1998

MR ROBIN YOUNG, MR ANDREW RAMSAYAND MR MICHAEL SEENEY

Chairman

  1. Gentlemen, welcome. Mr Young, we doubly welcome you: first, because we are pleased to see you, and, secondly, because we congratulate you on your appointment. No doubt we will have a long and extremely happy relationship. Would you like to make a brief opening statement before we proceed with questions?
  (Mr Young) Chairman, thank you very much for your welcome. I begin by introducing Andrew Ramsay, Head of the Finance, Lottery and Personnel Group, and Michael Seeney, Head of Strategy Unit. This is my eighth day in the post, so it is a bit daunting for me.

  2. You have not yet been asked to approve the new executive of the Royal Opera House?

  (Mr Young) That would be a state secret. It is a little daunting to appreciate that every Member of this Committee knows more about my new department than I do. I hope that you will bear with me if I cannot answer your more complicated questions. Obviously, either I can write to you later or ask one of my colleagues to give the right answer on my behalf. By way of introduction, my last two jobs involved the running of a newly-integrated government office and co-ordinating domestic and economic affairs in the Cabinet Office. I very much hope that I bring from those two jobs skills, interests and approaches that will help in my new job, in particular an ability to work in partnership with other government departments, government agencies and the voluntary and business sectors to achieve objectives rather than working through one department only. In particular, in the Cabinet Office I was responsible for helping to tackle cross-cutting wicked issues which I hope will be useful in approaching the tasks of this department. Finally, in my previous jobs I had quite a lot to do with relationships with sponsored bodies. It is clear already after only eight days that that is key to the successful implementation of this job. I do not know how it will work, but I think that I bring with me some skills and experience that should help.

  Chairman: We have never doubted the supreme skills of yourself and your colleagues. I am sure that those skills will be highly relevant to what you are doing now.

Mr Fearn

  3. My question is directed to Mr Ramsay. Ninety-five per cent of the department's expenditure takes the form of grants to other bodies, which must be rather frustrating. Is it right to say that you have very little control over what happens to that expenditure and output?
  (Mr Ramsay) There are two aspects to that. One is policy control and the other is financial control. I think that you are talking mainly about the policy control. As you rightly say, we issue most of our money upfront out to the bodies for which we are responsible. What we have been considering over the past couple of years in a major way—we will be looking at it again in our current departmental spending review—is how to strengthen the links between what we want to achieve as a department and what our bodies provide for us and do on our behalf. The key element is the funding agreements which set out for each of our bodies what we want them to achieve and the targets that they have to meet for the money that the public through the department provides. We want to reflect back into our own outputs and achievement measures what those bodies achieve on our behalf. Tightening up that relationship is at the centre of making sure that it is not a frustrating relationship of the kind to which we have referred.

  4. Are there any new bodies or do the same old ones keep coming up? Does it depend on policy?
  (Mr Ramsay) There are new ones coming along. One of the central matters that we have looked at in our spending review—I expect that we will refer to it a good deal, although it has not yet been completed—is whether the array of bodies that we have is the most effective set to deliver the department's objectives and whether we could get more money on to the ground with a different arrangement of bodies from the one we have at the moment. As you have indicated, sometimes new ones come along. We now have the New Opportunities Fund—another lottery distributor—set up by the Lottery Bill that is now before Parliament.

  5. There has been an admitted error in the department's brief for the accounts produced relating to the Arts Council administration costs. How did that occur?
  (Mr Ramsay) It was to do with the running costs of the Arts Council which are funded from two sources: the lottery and grant-in-aid. Those two sets of accounts have to be kept clearly separate. As to the report, two matters should be referred to. First, there was a mistake, which we certainly acknowledge, in that some of the lottery-funded running costs were shown in the line that should have referred only to grant-in-aid, so the figures were rather higher than they should have been. Secondly, it is quite difficult to estimate precisely at the start of the year the split between lottery-funded and grant-in-aid-funded money. That affects the figures as between plan and outturn. The Arts Council has a clear formula by which it divides up its various costs according to whether it is lottery-funded or grant-in-aid-funded. That is audited and made quite clear, but sometimes it is difficult to estimate right at the beginning of the year how the figures should be divided up.

  6. Did that come out during the audit, or was it discovered before the audit?
  (Mr Ramsay) First, your Clerk drew our attention to the fact that the figures in the report were not correct. Then we looked back and discovered what the right figure should be, and for that we are grateful to him. Secondly, as to the process during the year it is a matter of seeing how according to the formula the costs pan out. In the outturn they are allocated correctly to the lottery account or grant-in-aid account.

Chairman

  7. To follow up Mr Fearn's line of questioning, without in any way tempting you to enter areas of policy which are more appropriate for ministerial decision, how is it possible to protect the principle of additionality in relation to, say, grants to the Arts Council? Ministers have come before us in a steady stream in both the previous Parliament and this and assured us, I am sure honourably, that it is their determination to protect additionality, but Arts Council funding has gone down in both cash and real terms. How do we know that that would have been the position even if there had not been very substantial lottery funding? Is there any way in which you can make the additionality principle more transparent?
  (Mr Young) We have looked at lots of ways of trying to show that that principle is alive and well. It is central to the discussions in the spending review that is now going on. It is no great secret that there are those who suggest that we could do with lower public spending figures because of the existence of the lottery. Needless to say, we stick firmly to the importance of the additionality principle. I hope that we shall be able to show that to you in the results of the spending review. In this sense we are on the side of those who must preserve that principle for very obvious departmental reasons. But the implication behind your question is quite right. It is almost impossible to prove what would have been in the spending programme line had the lottery not been there.

  8. Obviously, when the spending round is being decided long before it gets to Ministers you are involved in conversations with the Treasury. Is there any inclination on the part of Treasury officials at the point when it is all being negotiated at official level either explicitly or implicitly to indicate, "Well, there is an enormous sum of money from the lottery, so you will not need quite so much, will you?"
  (Mr Young) Obviously, we work very closely with our Treasury friends. We would hate to accuse them of any such thing. However, it is true that they use all manner of arguments in examining the adequacy of our spending line. It would be amazing if someone at the Treasury had not thought of that line of argument. But they also use lots of other lines of arguments which would challenge our spending plans. The comprehensive spending review process has aired all the arguments rather more fully in both principle and practice than in the past. I assure you that that is not the only line of attack against our spending line. That is the one that we find more easy to resist on principle with the help of the argument in favour of additionality which you mentioned right at the start.

Mr Fabricant

  9. Sticking to the line of the Treasury, the department appears to be introducing, sensibly, across all government departments the concept of resource accounting which takes into accounts the assets that are owned by government departments. To make for more efficient use of those assets, a notional charge of 6 per cent is to be applied as if it were a loan from the Government. I understand that the Department for Culture, Media and Sport owns assets like Trafalgar Square, which does not generate much money, although it generates a lot of pigeons and tourists. How do you begin to value Trafalgar Square? Is the 6 per cent to be applied to Trafalgar Square plus all the other assets owned by your department?
  (Mr Young) That question opens up another area of potential dispute between the department and the Treasury. We have not yet reached agreement on whether our so-called heritage assets should be valued for the purposes of resource accounting. Of course, the purists would say that all assets of the Government should be valued for the purposes of resource accounting so as to apply the percentage approach that you have described. Heritage departments and others have said that there is really not much point in valuing, say, Trafalgar Square or Stonehenge or many other assets because decisions on what to spend on repairing paving stones in Trafalgar Square are unlikely to be affected by the notional value of that heritage site. We have been putting forward what we think is a respectable argument that it is a waste of money to value heritage sites. The decision on whether or not to spend money on them will not be affected by that valuation but by other considerations, not least the value to the nation of keeping its heritage in good condition and to sustain it. That is now being looked at by the Treasury and the NAO. The Financial Reporting Advisory Board (FRAB), with which I am sure the Committee is familiar, is looking at valuation issues like this. I am sure that there will be other cases in government across the board where departments like ours put forward special cases. But we think that the decision on maintaining our heritage will not be helped at all by a valuation in terms of resource accounting.

  10. But if the decision goes against you does it mean that your expenditure plans will be affected because the 6 per cent of the asset value will be deducted in effect from the total grant given to you by the Treasury?
  (Mr Young) I think the truth is that we will fight that one when we come to it. At the moment we say that the excellent resource accounting principle should not apply to heritage assets for the sort of respectable reasons that I have outlined. If those arguments do not prevail then we will have to argue for exceptional treatment once valuation has taken place, and for the general rule not to be applied.

  11. I know that it is difficult for you to make an assessment, but you must have some timescale in mind. When do you think that FRAB, the NAO and the Treasury will make up their minds one way or another and let you know how they will treat this matter?
  (Mr Young) The note that I have been passed says "this year".

Chairman

  12. You are not the only department that owns part of the government estate. Do I take it that there are rules which apply across the departments rather than that each department is involved in a separate transaction with the Treasury?
  (Mr Young) I think that on such matters one would need to ask the Treasury about this. But, broadly, the heritage departments do not include just our department but other interests like the Scottish, Welsh, Northern Irish, MoD, Inland Revenue and House of Commons departments. We are all a band of brothers for the purpose of discussing with the Treasury the application of heritage issues to resource accounting. But there are lots of other issues about resource accounting that are being pursued by FRAB with which I am not so familiar.

  13. Although this may not be fair to you, you may be able to solve a problem that I have been thinking about for nearly a quarter of a century. When I was a very junior Minister at the Department of the Environment I was in charge of the Palace of Westminster and deciding how much needed to be spent on it, and yet it did not belong to the Government. This is a royal palace and as such it is highly relevant to your activities. How is the barrier made clear between what is a royal palace and the property of the two Houses of Parliament and what is the function of a government department? If you are not able to answer that question I shall not criticise you, but I wonder whether you can solve a long-standing problem?
  (Mr Young) I was working for you in the Department of the Environment on the 1974 Rent Act. I could not answer that question then; nor can I answer it now. If either of my colleagues can assist they are welcome to intervene. I am afraid that it is a "pass" from us.

Mr Fabricant

  14. Your annual report is excellently produced but, given that we live in an environment where both the arts and heritage say that their grants are being cut, can you tell me how much it costs to produce a report like this? The annual report of a company must be glossy because you need to "hype" up the company to achieve a good price/earnings ratio, but who reads this apart from rather sad people like us on the Select Committee? Apart from the accounts on the first few pages, the rest of the information can be extracted in other ways. Is it worth the amounts that you will now tell me it cost to produce?
  (Mr Young) All departments are obliged to produce annual reports. This one cost £42,000. That includes the cost of putting it onto our website. I am told that that is more or less the same cost as last year, but the cover price this year is lower. Therefore, you get better value for money this year than last. I think that your question can be put to all government departments who are obliged to produce annual reports. But we think that we are in line with the practice of other departments, except we believe that ours is better produced.

  15. It is certainly creative, and it should be given that you are a creative department.
  (Mr Young) Thank you for that.

Ms Ward

  16. You explained earlier that you had found difficulties and problems in the Arts Council accounts. Are you satisfied that the over-expenditure on administration by the Arts Council can be justified and that you know the reason for it?
  (Mr Young) To go back to Andrew's response to an earlier question, it was not so much an overspending as a redefinition of what was spending by the Arts Council on its normal revenue costs and what was spending by the Arts Council as a lottery distributor. What we saw there was not an overspending or underspend but a different definition of spending as between spending on lottery distribution functions and spending on Arts Council support. I think that that was the substance of Andrew's earlier reply.

  17. You are saying that there has been no overspending according to the Arts Council accounts?
  (Mr Young) I think that is right.
  (Mr Ramsay) Not significantly. To move on to the more general issue as to whether we are satisfied with the amount that our bodies spend on administration, and the Arts Council in particular, the DCMS has looked very hard at what is spent on delivering things and whether that expenditure can be reduced. In particular, it is worth mentioning that the new chairman of the Arts Council has made it his particular objective to ensure that the Arts Council itself works in the most effective way. He will be looking very hard at the administration costs on both the lottery side and the grant-in-aid side.

  18. The report talks about establishing meaningful performance measures. How do you plan to do that when most of your department is concerned with passing money on to other distributing bodies?
  (Mr Young) I think that that will be key to the successful implementation of the results of our spending review. The key is to achieve the right relationship with our sponsored bodies. After all, we have powers of appointment and grant-in-aid over these bodies. It seems to me that the key is to reach funding arrangements which ensure that they deliver the Government's objectives. We will give them a clear statement of the strategy, objectives and monitoring arrangements. Under our funding agreements with them they will be obliged to report back to us on how they are delivering on the objectives that they have been set. This already happens but we will develop it further to tighten it up or make it more open. Our funding agreements will say that as a condition of the grant-in-aid that we give them they must aim to achieve a number of outputs and report back to us annually on how they have achieved them. Once the spending review is over and the department's overall objectives have been established—we have sent you a draft which is the final page of the memorandum—we will then work out fresh monitoring arrangements which we believe will show whether they are achieving their objectives under our new overriding departmental objectives. Therefore, the overriding departmental objectives can be traced through into new objectives and monitoring arrangements for our sponsored bodies. That is how we see it operating. I hasten to add that it is easier said than done. Just as we have new objectives for the department as a whole, we will be trying to follow those through with each of our sponsored bodies and monitor them. If they fail to meet them we will then discuss frankly and firmly with them how to improve them.

  19. Can constituents be assured that there will be some accountability emerging from those performance measures?
  (Mr Young) Yes.


 
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