Select Committee on Culture, Media and Sport Minutes of Evidence


Examination of Witnesses (Questions 180 - 199)

THURSDAY 29 JUNE 2000

MR DAVID QUARMBY AND MR PIERRE-YVES GERBEAU

  180. You are clear that you have settled every issue with them?
  (Mr Gerbeau) Yes.

Chairman

  181. Claire Ward has just asked you, and Mr Faber, whom I am going to call next, asked Boots when they came here at a recent session, how it was that they had failed over this prolonged period to pay the money that was due to you. Mr Faber and my other colleagues may take a different view, but it seems to me their answer was somewhat opaque. Could you tell us how critical to your finances and your application for further money the failure of Boots to pay up for such a long period was?
  (Mr Gerbeau) First of all, to give credit to my sponsors, when I arrived we were at war with them, because basically as a company we did not deliver what we promised. My first initiative, by the way, was to fix the Zone sponsored by Boots, which was the famous Body Zone, where we had an average of an hour and a half waiting time and half the Zone not working, so we were solid after not even two weeks in. It was kind of ongoing negotiations and, more importantly, ongoing trust, getting back around the table. I am very happy to say that our sponsors are all now partners, which is a much better way to do business. It was a critical issue at the time to get the money in, and we were trying to share our concerns.
  (Mr Quarmby) I want to say that the scale of the outstanding money from Boots was important in cash flow terms, but not great in relation to the overall finances of the project or in relation to the second additional application to the Millennium Commission.

Mr Faber

  182. If I could follow up on the issue of sponsors briefly as well, after Boots appeared before us they wrote to us saying that they were never made aware by NMEC of the scale of NMEC's cash problems. Would you say that was true?
  (Mr Gerbeau) I think we were sharing on a daily basis with our sponsors.

  183. So they knew perfectly well what the position was?
  (Mr Gerbeau) Yes.

  184. Let me be clear, the three-quarters of a million that is still outstanding is not from Boots?
  (Mr Gerbeau) No.
  (Mr Quarmby) No.

  185. Who is that from? Is it from Tesco?
  (Mr Gerbeau) Tesco, yes. At the same time it is a difficult situation, because there is a financial position that is part of it, but we are doing a lot of marketing activities and promotions with them. So it is a kind of a weird issue where you have sponsors, you have partners now, and they are really working with you to make it better, and on the other hand there is some commercial dispute.

  186. Mr Quarmby, we have heard a lot this morning about how successful the Dome is. Why was Jennie Page sacked?
  (Mr Quarmby) Perhaps I can answer that, Mr Chairman, by going back over the history at the close of last year and the beginning of this year, and let us recall what it was that went right about the Dome and for which Jennie Page was, I think, uniquely responsible. First of all, it was delivered on time and broadly to its budget. It did, I think, fully meet the aspirations of those who conceived the Dome in the first place, which was first of all the previous Government and then endorsed by this Government. I think that, as I have mentioned already, there were regrettable delays to some visitors on New Year's Eve, coupled with the fact that not all the Zones were offering a full service for the first two or three weeks of the project. I should just say in parenthesis that that is a shorter shake-down time than one would ever expect of any visitor attraction. My colleague, PY, who has run these kinds of businesses, would say that you always allow a soft opening and then a formal opening much later on when you start to market it. So there was the problem of New Year's Eve, there were the difficulties in the early weeks of delivering the kind of visitor experience that we needed, but I think it was clear—and I think Jennie said this herself at this desk only last week—that the team was exhausted. Being a director of the company, I was aware of the quite enormous and unprecedented effort that went into completing the project to open on New Year's Eve. The team was exhausted, and Jennie herself said it needed fresh management to do what is a very different task from turning a huge construction project, with an unmovable opening date, into a customer-focused visitor attraction. The Board felt, in the early weeks of January, that fresh management was needed in order to get to grips with the low visitor numbers, fixing the visitor experience and re-invigorating the team to take on this completely different task of running a successful customer-focused visitor attraction. At the end of the day, the Board felt—and it is very regrettable from Jennie's point of view—that a change of chief executive was required. In PY I think we have absolutely the ideal person to run the Dome for this year, and I have never met anyone who has quite the instinct for the business, nor the command of the business in running a visitor attraction that PY brings to this.

  187. So the errors that were made or what had gone wrong prior to January were Jennie Page's fault, but what subsequently went wrong was Mr Ayling's fault because he then, of course, resigned as well? Where exactly does culpability stop at the Dome? Who is ultimately responsible and culpable for what has gone wrong?
  (Mr Quarmby) There is no question that the Board has to accept responsibility all the way along the line, and the Board does.

  188. We heard back in 1997, as I reminded Miss Page last week, when we had Michael Grade, Mr Ayling and others in front of us, that they all told us everything would be all right, they were professionals in this field. Mr Grade, I think, indeed chaired the Litmus Group which must bear the responsibility for many of the problems which went wrong with the original design of the Dome. I have not seen any other Board members leaping up to resign as well.
  (Mr Quarmby) When do you think they might have wanted to do so?

  189. I do not know. I am asking you. It just occurred to me that some of the people who might have taken a little bit more responsibility have failed to do so.
  (Mr Quarmby) Mr Chairman, I think we should look at the things that have gone wrong at the Dome in the context of the total project delivery. I am not prepared to accept the implication that the Dome is a disaster in any way. It is an extremely successful project. Some things did go wrong. The Board acted very quickly to address those and to take ameliorative action, in my view, in a timely and appropriate way. I do not think anything would have been served by mass resignations of the directors. It is conventional in the private sector, indeed, it is conventional in government that if major things go wrong, the man at the top pays the price. That does not mean to say that the rest of the team walks out.

Chairman

  190. Could I just interject before Mr Faber goes on? If he will allow me to say so, I believe his question is going to the heart of the issue. On the one hand, you did have a quite extraordinary achievement which other Millennium projects have not always succeeded in emulating, namely to deliver a huge construction project on time and open on the date on which it should. We have been looking at other Millennium projects over the last few weeks, and there are not all that many of them that could do that. So in terms of its being a successfully delivered construction project, there can be no faulting it, and I do not think anybody around this table would fault it. On the other hand, right at the beginning of our inquiries—and this is our fifth—we had before us an expert on visitor attractions who gave what this Committee regarded as extremely valuable advice on how the New Millennium Experience Company should proceed. As far as we can tell, very little of that advice, from an expert on visitor attractions, was followed. While, of course, the security issue that caused the problems in Stratford was sui generis, nevertheless would it be your view that while this cannot be faulted as a construction project, government organisations are not the best organisations to run visitor attractions?
  (Mr Quarmby) Could I say first that I do not feel that the New Millennium Experience Company is a government organisation. We are a Companies Act company, with an accountable board, with a very clear public dimension to our task and our mission, but we set out, and continue, to run the Dome as a commercial business in the best way we possibly can. I am afraid I am not familiar with the advice that you are referring to, Mr Chairman, which was given to the Committee in one of your early hearings. My own view—and I know a little about the tourism industry, as you will be aware that I have been Chairman of the BTA since 1996—is that I think if I talk about the Dome as a visitor attraction, as PY himself has already said, it is a unique kind of project, it is not a theme park, it is not a trade show, it is not a museum, it is set out to be something innovative and very special. I think the fact that 6 or 7 million people will have been through it and will have enjoyed it by the end of the year shows that we have not got it all wrong. I do believe there are some lessons that can be learned of an operational nature, which, with the benefit of hindsight, we might well have applied. I think perhaps the most significant is that the type of team you need to create something like the Dome is not necessarily the same kind of team as you need to run it as a visitor attraction, and I think if there is a lesson I would take away from our experience, it would be that. We needed to have brought in earlier than we did the kind of expertise which PY brings, in order to ensure that it succeeded operationally from day one and had the right approach and the right customer focus.

  191. You talk about the benefit of hindsight, Mr Quarmby, but we offered you the benefit of foresight, because our very first Report dealt with these issues when we had an expert in visitor attractions before us. I see no point in recriminating, and there are lessons to be learned, but since it was not any of us members of this Committee who can claim the credit, but an expert who came before us, it might well be that it was an error not to take great account of what he said to us and what other experts in the field were saying at that time, well before the opening, more than two years before the opening.
  (Mr Quarmby) Chairman, I think it would not be fair on my predecessor and my previous colleagues for me to comment on that, because I do not know what that evidence was, I do not have it in my mind, I do not have it in front of me. As far as I know, a good deal of it might well have been taken, but I will certainly, when I leave this Committee, go and read your Report and what was said there and judge for myself the extent to which the advice was not taken and could have been taken.

Mr Faber

  192. The Chairman is absolutely right, the problem has been the creative design involved in the early stages of the Dome. Indeed, Mr Gerbeau a moment ago, for all the success of the Dome as you portray it, said—and his exact words were—"We were at war with our sponsors because the Zones had not been delivered successfully." That is what he said just a moment ago. The Zones were not delivered successfully because the method of design and the way in which it was gone about was not sufficient. I do not know if you heard Mr Evans on Radio 4 last week giving his interview. He, as I understand it, was a content editor for the Dome. I asked Miss Page about him two weeks ago. He, as I understand it, was one of the few people in charge of the creative design of a £800 million or so project, who described his previous experience as having a background in idea generation and some architectural knowledge. What on earth was he doing in charge of delivering the creative content of the Zones? He has done us all a favour by admitting now that in fact the content of the Zones was done to, as he put it, the lowest common denominator. That is a pretty damning indictment.
  (Mr Quarmby) Mr Chairman, I do not think one should overstate what Mr Evans's role was in the total design.

  193. He was talking himself up on the radio, was he?
  (Mr Quarmby) I am sorry?

  194. He talked himself up in the interview?
  (Mr Quarmby) That would be for the Committee to judge. There was a clear responsibility for the overall design content and the creative process by a board committee chaired by Michael Grade, which was colloquially known as the Litmus Group, which I think is well known to you. There were a large number of advisers on that group. There were what were called godfathers, advisers of great standing, who looked after—godfathered—the designs Zone by Zone. There was a team of management of which Mr Evans was one. So I think it would be quite wrong that either he should claim or that you should believe that he was in any sense overall responsible for the creative design of the Dome. If he believes that there was an element of "dumbing down", he is entitled to that belief, but I do not believe the Litmus Group would take that view, nor would the Board.

  195. In your last set of published accounts for March 1999 the cost of the Zones was put at £202.3 million. I am not aware that the Committee has a breakdown of the cost of each of the Zones. Are you able to provide us with that?
  (Mr Quarmby) We can give you some up-to-date information on the cost breakdown of our revised £758 million budget, and that will give detail of —

  196. I am interested in the Zones cost. I am interested in particular in the cost per Zone, as against that original budgeted cost, within that £202.3 million.
  (Mr Quarmby) We can provide that information.

  197. Thank you.
  (Mr Gerbeau) To move on, at the end of the day today I am looking forward instead of backwards, because I think it is very important for me and for the organisation to look forward. I think there are changes that have been made. Some things are working, some things are not working, but at the end of the day 3 million people love it. If you look at the show, I think this is the best show ever built in the world, and everybody is looking at it that way.

  198. I admire what you do, Mr Gerbeau, but I am afraid I would still like to know a little bit more about the accounting of the Dome.
  (Mr Gerbeau) We will give you the detail.

  199. I am sure. My problem is not with whether people like it or do not like it, but the vast amount of money that has been spent on it, and how that money has been spent, which we, as a Committee, have not been told and the public have not been told at all. I would like to carry on with the accounts for a moment, if I may. Mr Quarmby may be in a better position to help here. Again going back to the March 1999 published accounts, £289 million is the cost of the actual structure and infrastructure of the Dome itself. Are you able to tell us what sum within that is for the Rogers Partnership for the actual delivery of the Dome?
  (Mr Quarmby) Chairman, perhaps I could I say in general answer to that, that in each annual report we have given a cost breakdown of the kind that you are referring to. We are due to publish our annual report for the year to the end of December 1999 within the next two or three weeks. That will contain updated information. It will be laid in the House later in July. I am sure you would appreciate that it would not be appropriate, with the protocol of the House, for me to reveal that information ahead of the publication or the laying in the House of the annual report, but that detail will be available in overall terms. I cannot tell you now, I am afraid, what the amount of the construction cost that is attributable to the Rogers Partnership is, but I am sure we can make that available to the Chairman under the normal conditions under which we provide that information.


 
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