Select Committee on Culture, Media and Sport Written Evidence


Memorandum submitted by ArtsNK

EVALUATION OF DANCE COMMISSION FOR CHILDREN

  A great deal of dance workshop activity takes place throughout North Kesteven especially in primary schools, but a gap in contemporary dance performances specifically for children was the reason that this project was undertaken. Dance NK wished to commission a company to produce a performance specifically for the 8-11 age range which was suitable for small scale touring to complement the work that was already taking place.

ADVERTISING

  The commission was advertised nationally through a mail out to companies listed in the Arts Council's green list and information was also mailed to all national dance agencies and regional arts boards. Following this we received applications from six companies, three of which were invited to interview.

INTERVIEW

  The interview took the form of a workshop by a member of the company who would be teaching on the tour if the company was successful. This was followed by 45 minute interview. This interview involved a presentation from the company to give an outline and idea of the company's style of work and the nature of the performance they would produce for the commission. The workshops were watched by representatives from Arts Council England, Dance NK, North Kesteven District Council, local primary and secondary schools and Lincolnshire's Education co-ordinator. These people formed the steering group for the commission. The three companies invited to audition were Assault Event Company, JazzCotech Dancers and Mavin Khoo Dance. All three companies taught good workshops which showed the nature of the company's work and workshop style. From the interviews, however, it became clear that JazzCotech had not fully understood the nature of the commission and were not going to create a professional performance with their dancers but were going to teach dances to children in each school. The ideas presented by Mavin Khoo were felt to be unsuitable for the 8-11 age range and he did not appear to have fully understood the implications of rural touring. Assault Events proved they understood the nature of the commission and rural touring and also presented ideas that would include local children in the creative process making them the ideal candidates for this project.

  Assault commented that the application process had proved good for them as the specific nature of the commission meant that they could clearly define their project and therefore their application.

CREATION PROCESS

  Within their interview Assault presented the idea of having a children's research group in the three partner primary schools to assist with the development and creation of the piece to ensure that the work was relevant, suitable and interesting for the target age range. The first step of this was a story development workshop with the company's writer and two artistic directors. During this workshop children gave ideas on story and plot development, gave feedback on music and were asked to create character names. These ideas were then used in the development of the story. These groups continued to be involved in the process through costume, prop and poster design projects, they also gave feedback on publicity and were all invited to see a work in progress sharing. All schools that bought a performance also received a pack devised by the company which had classroom based activities which could take place prior to the show. These initiatives from the company have been praised by all involved, particularly the schools. The steering group also commended the company on their use of the three research groups and it is felt that this input from children from the beginning has really enriched the development of the project.

  The company also worked with a dramaturg for the first time on this project and found this very beneficial to assist in character development and also to ensure that the story structure was clear. This was reflected in the final show.

TOUR

The Show

  The show produced, "The Quest", told the tale of two intrepid friends, Bitty Wicket and Shark Shoes. It showed the fantastic journey they took, facing challenges, hidden dangers and many surprises, after receiving a mysterious text message offering to make all their dreams come true. The show combined dance, live music and storytelling and was performed within a specially designed, self contained set.

  Feedback from audience questionnaires showed the following:

    —  98.2% thought that the performance was relevant to the age group it was created for;

    —  90.7% scored the show four or five in terms of effectiveness of the set (one being the lowest, five the highest)

    —  95.7% scored the show four or five in terms of overall enjoyment of the performance;

    —  41.9% had seen a contemporary dance performance before;

    —  100% said they would be interested in seeing another dance performance;

    —  78.6% of the audiences were aged 11 or under;

    —  75% of the audience had heard about the performance via the school; and

    —  37% had participated in a workshop.

  Everyone complimented the company on the show, its effectiveness and the way in which it had been received by audiences. The range of music was excellent although there had been a sound quality issue at a couple of venues but this had been resolved. The lights and set really added to the overall performance quality bringing it alive, adding different height levels as well as the "wow" factor. Some adults felt that the characterisation could have been more defined and the relationship between the characters clearer but it was generally felt it didn't matter if the audience interpreted things in different ways and children did not seem to have any problem with this. The structure of the show was strong, with some sections being obvious as to their intent with others being more open to individual interpretation. It had many different layers to it which meant that people of all ages could benefit from it. The company were again complimented on their relationship with the children both within the workshop situation and in the after show discussion. The after show discussion was meaningful and worthwhile as opposed to being general and non specific.

  The show had initially proved difficult to sell and though it is not clear why this was the case, some schools responded saying "it was too time consuming" or they had "too much on". However 16 performances were booked in total and many schools were extremely keen to become involved in the project.

Workshops

  Feed back re the workshops was very positive, many liking the link between the workshop and the performance and that some of the material taught in the workshop was then performed by the company. The workshops engaged the children and provided teachers with stimuli for future work. The Company were praised for their approach to working with children and the time they spent with them after the performance. Workshops in dance, song writing and music and dance were offered.

  Some children who probably wouldn't have normally come to the performance came once they had participated in the workshops. Some schools offered the performance free of charge to encourage those attending the workshop to return for the full experience.

  Most workshops took place during school time with an evening performance which was then open to parents and families as well as children. This helped to ensure that it did not become a school performance but was opened up to the wider community and friends and family.

Summary

  There were a total of 16 performances reaching an audience of over 1,200 and the accompanying workshop programme had over 1,000 participants. The project has met the new works and commissions assessment criteria as follows.

Innovation

  The commission has produced a brand new performance piece for the 8-11 age range in the area and has given Assault Events Company the chance to make their first work for that age group. They have developed an approach which works extremely well.

Empowerment

  The use of three research groups gave the children involved a true voice in all aspects of the creative process. They saw the development of their ideas from the beginning of the project and could see the fruition of their work in a professional setting, which is rare.

  As the show was specifically for the 8-11 age range, children who came to see any show saw a show specifically created for them, using ideas relevant to their age and interests. This engaged them, and gave them the opportunity to explain what was happening to older members of the audience, which is again rare.

  The partnership allowed Assault Events to retain artistic control but the guidelines of the brief ensured Dance NK received the show that they wanted for the region. So the partnership was positive for both partners.

  Schools also took responsibility for marketing their own show but were supported by Dance NK at all stages meaning the schools felt confident in selling the performance.

Impact on the Region

  The tour provided valuable performance back up for the education work Dance NK have been undertaking in the area, something which until now has been lacking. As the piece toured to 16 venues we have made contact with new schools that are now keen to undertake further dance activity in school.

Pushing the boundaries

  The tour provided the opportunity for people in rural areas to access professional performance without having to travel and reached a total audience of approximately 1,200. It also provided a social evening out to meet others from the village and a chance for families to attend an event together. Although dance is available through the Rural and Community Touring Scheme there is very little that is aimed at the 8-11 age range so the tour provided a rare opportunity for children of that age to watch professional contemporary dance.

Management

  The communication between the project managers and the company directors worked well on the day to day organisation of the project, ensuring that all relevant information reached the company in plenty of time and led to the project running smoothly. Having a cross section of people on the steering group worked well as each person had their own specialism which could add to the project. The company were especially grateful for the thoughts and recommendations of those who worked in the school environment as they could assess the suitability and practicalities of the project. Feedback from the work in progress was also valuable proving that the project was suitable and entertaining for the age range and feedback from adults who attended also proved positive and complimentary. All workshop leaders and audience members were asked to complete a questionnaire and the results from these are attached.

  Overall the project extended participation in and audience for dance through the workshops and performances with new participants and audiences. It accessed those audiences usually unable to attend arts performances by taking the work into their town/village. It furthered the relationships between Dance NK and schools in their region as well as developing the existing relationship between Dance NK and Assault Events.

THE ARTS IN NORTH KESTEVEN

  North Kesteven is a predominately rural district based in the heart of Lincolnshire and is renowned for its arts development programme. artsNK is a team of nine specialist workers and officers who deliver a comprehensive performing and visual arts programme to the residents of North Kesteven. Within North Kesteven there is the Terry O'Toole Theatre, a 268 seater theatre, Whisby Natural World and The Hub, a centre for craft design and making. To protect the work of artsNK and ensure future development North Kesteven District Council have recently entered into a 10 year partnership agreement with Leisure Connection Ltd who now manage the day-to-day delivery of the arts team as well as the Council's other leisure services.

ARTSNK DANCE PROGRAMME

  The dance projects and activities within the artsNK programme are decided upon in line with the District Council's objectives, the County Council's arts strategy and Arts Council England, East Midlands aims.

Our work includes work with young people, adults and the elderly, particularly those who no longer live independently or who have disabilities.

YOUTH DANCE

  We currently run nine youth dance groups in the district based in the towns of North Hykeham and Sleaford and the village of Welbourn:

  These can be broken down into the following groups:


Boys groups:
2
Groups for young people aged 11-14:4
Groups for young people aged 14-18:3



  The groups meet on a weekly basis and during the week we currently work with around 105 young people through these groups. We have the capacity to work with a maximum of 130, with this restriction being due to the space/facilities available and funding available to support any more sustainable groups.

  The regular groups are financed by the artsNK budget (which is funded by North Kesteven District Council, Lincolnshire County Council and Arts Council England, East Midlands) as well as a participant contribution of £1.30 per session. Some of the sessions are run after school and the school provides the space free of charge.

  As the young people come from different schools and many live in rural villages the groups provide an important point of social contact with peers. We also aim to bring groups from different areas together at least once a year to share the work they have been doing.

  These groups provide a sustainable environment in which to:

    —  Learn and develop.

    —  Dance technique.

    —  Performance skills.

    —  Creative skills.

    —  Increase confidence and self esteem.

    —  Meet new people.

    —  Form important group relationships.

    —  Promote an active life style.

  As an extension to these we also deliver one-off projects which are generally intensive and aim to develop more specific dance and performance skills and increase the young people's understanding of the opportunities available both in and through dance. Past projects include a dance exchange project between young dancers in North Kesteven and young dancers in London. Evaluation forms and interviews with participants made during the documentation of the project highlighted the importance of both the new dance skills they learnt and getting to meet new people/experiencing new places and cultures.

  The evaluation of this project is to be used to develop a project in 2005 which uses dance to create a cultural exchange between North Kesteven and Arhus, Denmark. We are currently applying for funding from arts funders and European partnership funding for the NK/Arhus exchange.

  Being able to use both the weekly groups and provide one off intensive projects allows young people in the area to progress their dance skills continually. Once they are over 16 years old they can progress to our Adult dance class, which again meets weekly and covers contemporary technique as well as occasional choreographic work.

OLDER PEOPLE/PEOPLE WITH DISABILITIES

  Currently we have two dance groups set within sheltered housing schemes:

    —  Welbourn         1

    —  North Hykeham  1

  The groups meet on a weekly basis and during the week we currently work with around 16 older people. We could work with a maximum of 18 people with this restriction being due to the space /facilities available and trained practitioners available to support any more sessions.

  The regular groups are financed by the artsNK budget (which is funded by North Kesteven District Council, Lincolnshire County Council and Arts Council England, East Midlands) as well as a participant contribution of £1 per session and the use of the space, free of charge, which is financed by North Kesteven District Council. Additional support has been given by Lincs South West PCT in providing equipment to develop these creative sessions.

  These groups provide a sustainable environment in which to:

    —  Learn and develop creative skills.

    —  Provide mental stimulation.

    —  Increase confidence and self esteem.

    —  Meet new people and create opportunities for social contact.

    —  Form important group relationships.

    —  Promote an active life style.

    —  Improve co-ordination, efficiency of cardio-vascular system, stamina, flexibility and strength.

  We are currently working in partnership with other local councils and Primary Care Trusts in order to train people on a nationally recognised course which develops their skills and safety working with this client group. This qualification (Extend) is recognised by many of those working with older people and gives them greater confidence in allowing us to deliver sessions within their care structures.

  On completion of the training we intend to provide sessions through the local area (including Gainsborough, North Hykeham, Sleaford, Grantham, Stamford, Spalding and the surrounding rural villages) in sheltered housing schemes, nursing homes and community centres/village halls. It is intended that we set up a network which meets annually to develop creative and artistic practices as well as share new information which will help us deliver the work effectively to promote active life styles in these settings.

  As well as PCT and Local Government funding we are also applying for lottery bids in order to keep these groups sustainable over the long term. The promotion of active life styles and maintaining independence has helped us work in partnership with local PCTs.

  These groups also provide a basis for us to develop other cross art form projects with this client group. In September dance, drama, music and video artists will be collaborating on a cross-generational project. This has been supported by Youth centres, local schools and the police as it aims to combat rural isolation, anti social behaviour and fear of crime.

DANCE EDUCATION—DANCE NK

Mission statement:

  To provide the opportunity for high quality dance to be enjoyed by the residents of North Kesteven either as a participant or as an audience member.

Our aims:

    —  To raise the profile, level and range of dance in North Kesteven.

    —  Offer a rewarding experience for those participating in dance.

    —  Support and assist teachers with the practical aspect of teaching dance.

    —  Increase the number of young people participating in dance outside of school.

    —  Provide employment opportunities for local dance practitioners.

    —  Increase and develop dance audiences.

  We undertake a large amount of dance education work in the region and this takes several forms.

  Two of the high schools in our region which have specialist college status have asked us to undertake dance programmes on their behalf. North Kesteven School is a Specialist Arts College and we undertake a six week block of work with four of their feeder primary schools. These sessions are mainly used to create performance based pieces. We also work with North Kesteven School to deliver a performance based residency for year nine pupils as part of its arts week. This involves 20 pupils who have elected to take dance at GCSE level working intensively over five days to create a piece for performance to other pupils and some general public on the final day.

  Carres Grammar School has Specialist Sports College Status and run a dance programme for their family of schools and their pupils. This provides a half term of dance activity for six feeder primary schools and project specific workshops for Sleaford and Kesteven High School. In addition we deliver a six week block of dance session in PE curriculum time for every pupil in years 7 and 8. This is four weekly sessions over an 18 week period.

  We have an ongoing relationship with many other schools in the district who buy in dance activity and many of these schools are developing this work so it becomes an annual event.

  We also offer special projects to support this ongoing work. Last year we commissioned a children's show for 8-11 year olds. This filled the gap in the provision of professional dance performance suitable for this age group and toured to 18 venues in the district.

  All this work aims to:

    —  Provide access to creative experience.

    —  Develop practical dance skills.

    —  Provide performance opportunity.

    —  Increase experience as audience member.

    —  Increase confidence and self esteem.

    —  Learn skills for group working.

  The work is often linked to other areas of the curriculum and therefore provide access to cross subject learning.

  We also deliver Teacher Training sessions and are looking to develop this with a new project in 2005 which will give teacher a three day training session and then they will be mentored in school while delivering a dance programme.





 
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