Select Committee on Culture, Media and Sport Written Evidence


Memorandum submitted by Chinese Cultural Centre

CHINESE DANCE DEVELOPMENT

  The Chinese community began actively developing its traditional and contemporary dance programmes in the UK since l990. However we are saddened that to-date, its progress has been limited to the point of stagnation due to lack of support from government funding bodies.

  It is a well-known fact that there is a skills shortage in Chinese arts in the UK. Anxiety has been expressed at the dwindling number of Chinese people going into dance, music, film-making and to a lesser extent drama. There are no schools or institutions adequately equipped for the training of Chinese dance. There is no structure in the arts for their career development and this is especially so in dance where a dancer's performing life is limited. Currently, there is only one organised dance company in the UK—The Chinese Dance & Mime Theatre Company. It was formed in l989 comprising of a group of professional and semi-professional dancers trained in China, Hong Kong and Taiwan. It is presently a resident dance group with the London Chinese Cultural Centre (CCC). The CCC produces its new dance productions annually for touring nation-wide as part of its annual Chinese New Year Festival and other on-going programmes for the benefit of approximately 10,000 Chinese and non Chinese audiences per year. Notable venues are the annual Mayor's Chinese New Year Festival at Trafalgar Square, Queen Elizabeth Hall, Cockpit Theatre, Linbury Studio Theatre (Opera House) and Harrow Arts Centre as well as the Civic Theatre (Doncaster), Mitchell Theatre (Glasgow), The Tyne Opera House (Newcastle), The Guildhall (Cambridge) and Oxford Town hall. Resources for the productions came out of the CCC's annual festival budget and occasionally project funding from foundations and trusts.

  In the last decade various Chinese dance groups have approached the Arts Council of England and more recently their regional office in London to seek opportunity for development funding. It is our dilemma that there is no progress in their efforts. Without a consistent and long term nurturing scheme for Chinese dance in the UK, new young individual/group finds it particularly hard to establish themselves in the absence of an infrastructure and clear career paths.

  Chinese dance derives from Chinese Opera and the rich diverse dance and music culture from over 50 minority nationalities in China. The London Chinese Cultural Centre is in a position to access China's leading dance doyen who would be more than pleased to accept our invitation as a resident dance consultant to assist in the development of training and education for Chinese young people—thus enabling a resource of future artists.

  The success and popularity of the dance training classes for the Chinese Supplementary Schools conducted by the CCC is an indication of the potential need for more extensive training provision for the younger generation. Presently due to limited teachers and finance the classes are only available to the students on Saturdays and Sundays.

  Our objective is to seek support in the development of traditional dance in order to provide cultural continuity. In the meantime we intend to develop and create new dynamic contemporary dance projects, neither East nor West but a cultural fusion expressive and relative to the arts in Britain today.

  The Chinese community has a potential to contribute a wide range of colourful and wonderful multi-disiplinary and inter-disciplinary activities for the advancement of the Cultural Diversity Programme for London. This would not only provide a service for the improvement of the quality of life in the Chinese community but also indirectly offers its traditional festivals into a tourist attraction in London for the local and overseas tourists.

  We therefore welcome this opportunity to bring the awareness of the lack of Chinese dance development opportunity to the select committee.

30 April 2004





 
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