Select Committee on Culture, Media and Sport Minutes of Evidence


APPENDIX E

 (RE)DEVELOPMENT PROJECTS

 (a)   Royal Shakespeare Company (RSC)

  1.  Over the last 18 months the RSC has been through a significant period of organisational change. The appointment of Sir Christopher Bland as chairman and Vikki Heywood as Executive Director, working closely with Artistic Director, Michael Boyd, has brought about a significant renewal of the management team and structure. The organisation now has the management capacity and flexibility to undertake a significant capital project whilst maintaining the scale and diversity of its operation both nationally and internationally. As a result of improved performance and savings as a result of improved efficiency, the organisation is returning significant surpluses and is on course to eliminate its current accumulated deficit.

2.   The capital project

  Arts Council England has been working very closely with the RSC in reviewing their plans. In early 2004, we asked them to consider a detailed review of options for their redevelopment, for which we have made an allocation of £50 million. The RSC have undertaken a rigorous option appraisal considering three detailed options with the preferred option being one that places the new large auditorium for the RSC within the existing RST building. This option retains the important heritage elements of Elizabeth Scott's building, primarily the front façade, foyers and the fountain staircase. Arts Council England has given its support to this option, as has the Chief Executive of English Heritage. This removes the issue of the proposed complete demolition of the Scott building. Advantage West Midlands, the regional development agency, has publicly announced its support for the Stratford redevelopment.

3.   Next stages

  The RSC is now in the process of procuring their architectural team and plan to make an announcement of the chosen architect in April 2005. The company is in the process of applying for formal planning permission for a temporary theatre structure in the car park of The Other Place theatre in Stratford. The proposal is for a six hundred-seat auditorium. This will form the transitional performance space for the RSC during closure during 2007-08, but will also form a key part in the complete works of Shakespeare season the RSC are hoping to stage during 2006. The redevelopment is scheduled to be completed by 2009. The Board has capped the redevelopment expenditure at £100 million; comprising £50 million from Arts Council England, £20 million from Advantage West Midlands with what we believe is an achievable fundraising target of £30 million from the private sector. Arts Council England continues to work with the RSC on ensuring that there are sustainable medium and long-term plans for the company's presence in London as well as national touring. In the last year the company's work has achieved high critical acclaim both nationally and internationally and audience levels are high.

 (b)   South Bank Centre

  4.  Find below information relating to the South Bank Centre. Please note that while requested within this inquiry, the South Bank Centre is not a theatre and is intended to provide an alternative on the South Bank to the National Theatre.

  5.  The capital project is for the redevelopment of the South Bank Centre estate, which includes the Royal Festival Hall, Hayward Gallery, Queen Elizabeth Hall, Purcell Room, Jubilee Gardens and Hungerford Car Park. A Masterplan has been drawn up by Rick Mather and Associates. The Arts Council's allocation to this project is £40 million, including a £5 million allocation recently agreed with DCMS.

6.   Key points

    —  Organisationally, the South Bank has a strong executive team, including David Parkhill, Chief Operating Officer, Ian Blackburn, Project Director and Morven Houston, Finance Director, supporting Michael Lynch, Chief Executive.

    —  Plans for the refurbishment of the Royal Festival Hall (£74 million) are at the final tender stage of a two-stage process, which will allow for a high level of cost certainty. The contract will be let in March/April 2005 following an OGC/Key Stage Review, which is taking place shortly. Closure is planned for July 2005, re-opening in January 2007.

    —  Good progress has been made on the Extension Building; an effective method of financing this project has been put into effect with the result that the project is now in construction (£18 million project cost). The new building will create new retail units and space for the South Bank's staff, maximising the public space that can be made available within the Royal Festival Hall.

    —  Contracts for the retail and restaurant elements of the Extension Building are complete and licensing issues have been resolved. Landscaping works along the riverside will enhance the relationship of the Royal Festival Hall to the Thames.

 (c)   Bridewell Theatre

  7.  The Bridewell Theatre, a small-scale producing and receiving venue for musical theatre in the City of London, closed in December.

  8.  The venue has faced closure since last year when its landlords, the St Bride's Institute withdrew grant support and imposed a substantial rent, following their own reduction in funding from the Corporation of London. The theatre's situation was discussed during the select committee enquiry into musical theatre in 2003-04.The Arts Council had awarded the theatre a grant towards consultancy costs to search for a potential new home and to develop a viable business plan. The Arts Council also succeeded in levering a one-off award of £30,000 from the Corporation of London to match an ACE award for operational costs whilst the business plan was developed.

  9.  The board of the Bridewell took the decision to liquidate the company having explored a number of options for the theatre's future. The Arts Council was clear that it was not in a position to meet the theatre's annual running costs (in excess of £300,000 per year) through regular subsidy.

  10.  The Arts Council regrets the Bridewell's closure and is in discussions with the former Artistic Director about the possibility of future funding for specific musical theatre development projects through grants for the arts.





 
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Prepared 30 March 2005