Select Committee on Culture, Media and Sport Minutes of Evidence


Examination of Witnesses (Questions 20-29)

2 FEBRUARY 2005

MR RICHARD DOUGHTY, REAR ADMIRAL JOHN HERVEY AND MR SID ANNING

  Q20 Chairman: In the Treasury who is the Minister?

  Mr Doughty: I am afraid I cannot remember the name.

  Q21 Chris Bryant: I think it is the Paymaster General, Dawn Primarolo. You have referred to English Heritage and I just wonder whether you have had similar experiences in Scotland and in Wales? I do not know what it is called in Scotland but in Wales it is CADW. Has that not entered into it at all?

  Mr Anning: No.

  Mr Doughty: I do not have experience of that.

  Q22 Chris Bryant: We might need to find that from another source.

  Mr Anning: One of the good things that has come out of the Cavalier is the volunteers who have put a tremendous amount of time on board the ship. Something that needs to be thought about is that those skills need to be passed down to the younger generation to keep those going. That saves a lot of money through volunteers.

  Q23 Chairman: There is no NVQ, there is nothing at any level in further education that would retrain them, as it were?

  Mr Anning: That is right.

  Q24 Chairman: That is the issue, is it not?

  Rear Admiral Hervey: The Naval Historic Dockyard at Chatham looked at the question of whether they could introduce actual training for people but the rules and regulations about running that sort of organisation that you have to meet are very, very restrictive and up to now they have frightened them off a bit.

  Q25 Chairman: We have a very energetic Learning and Skills Council in Kent and Medway, have they been approached?

  Rear Admiral Hervey: I honestly do not know. I think Sid is absolutely right about the question of volunteers. Every day that the volunteers put in is counted towards the matched funding, so it works in more than one way.

  Mr Doughty: In our case, we are working with the Learning and Skills Council because we are relying on being able to train people up to work through our project so that it becomes a centre of excellence for the maritime heritage. Can I just come back to a point Mr Hawkins raised about whether there is rivalry because I am not aware of this rivalry that Mr Anning speaks of, I am only aware of co-operation. One thinks of the Maritime Curators' Group and the work that they are doing and all the other umbrella organisations that work well together. We are in a competitive environment in terms of drawing down resources but certainly if I think of the work that has been done through the Maritime Trust, for example, it has all been in the spirit of co-operation. The fact that Cutty Sark has the challenge that it now has today in terms of raising the capital it needs is a reflection of the fact that the monies that it has raised in the past it has put into other projects. The Maritime Trust, the former owner of the Cutty Sark, has probably done more for maritime heritage than any other organisation other than the Heritage Lottery Fund itself. It is not just historic ships that have benefited all around the country, it is also museums. For example, the excellent fishing museum in Anstruther would not have been set up without the core funding that came to Cutty Sark nor the boat museum in Windermere. I think there is a spirit of support. I have to highlight and commend the work that John Payton has done with the National Historic Ships Committee because for the last three years or more on a very limited budget he has been doing exactly what this new Unit is being charged with undertaking. I know that John goes round and gives advice to organisations. Sometimes those small organisations do not always listen to what they are being told. As I say, putting in a grant application is a very, very complex procedure. We have only been able to do it because we have drawn on the advice and expertise from a large number of people.

  Q26 Mr Hawkins: Can I explore that a little bit more. In his written evidence to us, Mr Anning has referred to some schemes as being "madcap schemes" which may have been encouraged by the Heritage Lottery Fund. I just wonder if you can give us some examples of what you regard as "madcap schemes"?

  Mr Anning: I spoke to the Heritage Lottery Fund and I asked for a break down of Cutty Sark's Lottery bid because I thought it was very high. I was met with a certain amount of prevarication. What I asked for were costings for the fabric of the ship and costings for interpretation. I understand that some things are not quite clear-cut and cross over into each other. (The fabric of the Ship is sometimes part of the interpretation and vice versa). What I was told was that there was loads and loads of paperwork—this I understood, and said, "that I did not want all the paperwork". I then said I wanted to make it as clear as possible as to what money was being spent on the Fabric of the Ship and what money was being spent in interpretation, that was all I asked for. Then commercial confidentiality came in, which was another red herring, and I said, "I am not asking for Mr Bloggs' name, all I am asking for is how much he is charging for his work". In fact, I was referred back to Mr Doughty for that and I asked him that question myself. I just believe that the Heritage Lottery Fund should be a bit more transparent over these things. It is public money and I think we have a right to know what is being spent on what. That is something that I think needs to be opened up quite considerably.

  Q27 Mr Hawkins: In other words, what your evidence to us really referred to was the lack of information about how public money is being spent rather than being a criticism of other individual projects?

  Mr Anning: My view is this: every pound saved on a scheme is a pound that goes to another ship. I am very pleased that the Cutty Sark has got this, believe me, they need it badly, but my concern is the interpretation, the amount of money that is going on interpretation. I understand that a certain amount of interpretation is needed to sell the ship, to make it attractive, we know that, but to raise a ship with Kevlar and put glass around it to make it look like it is going through the water is a waste of money to me, especially when, as the Chairman knows, just up the river is the Medway Queen which only a few months earlier was turned down for funding. The Heritage Lottery Fund in here says that the Cutty Sark should not put a bid in above £10 million. I do not know why they said that because the way I look at that is they are saying, "You can have £10 million and no more", and that is before they have even looked at it. I just want to see fair play. That is not taking anything away from the Cutty Sark, I want to see that ship brought back up to a good standard but not to the detriment of everybody else.

  Rear Admiral Hervey: I think that there is a parallel with when we were trying to save Cavalier. I know that Chatham Historic Dockyard Trust, who are operators and managers of the consortium, were given a very clear steer that they should not ask for more than two million or they would not get anything at all. The same answer was given to the director of the submarine museum because at the time politically it was seen as being bad news to have a huge figure constantly publicised. Of course, the hope was that one could come back incrementally and break down part of it that could be done for two million and then come back for some more perhaps to do another bit, which was virtually what they did in the submarine museum. It gives the feeling all the time that there is no trust between the two sides in the handling of this sort of thing.

  Mr Doughty: I have to say I think the point is it is ludicrous for anyone to turn round and say that heritage is not worth more than £10 million of public money but, let us be clear, it is not the maritime heritage sector that is being singled out here, I am sure that is advice that is being given by Heritage Lottery Fund officers to any potential applicant who comes forward. The point is that there is a diminishing resource that the Heritage Lottery Fund has available to give to the very many good causes that it has to process. I understand why they bring in the thresholds that they have to enforce, it is just very difficult for all applicants because I have no doubt that the quality of bids is getting higher as the resource is getting lower.

  Q28 Chairman: Are there any ships overseas that are in danger that you know of?

  Mr Anning: There is one in the Egyptian Navy that enthusiasts are trying to bring back.

  Rear Admiral Hervey: It is a Black Swan class frigate. I was talking in the Army and Navy Club last night to Michael Gretton who is running the business of trying to save her and they have got to the point where they are doing quite well at raising the money and they are now waiting to get the technical assessment by the team who are going out there to have a look at her. Basically she is in quite good stead. They have never tried to adapt her to do anything else so from the point of view of if you want something from the Second World War she is in quite good shape.

  Q29 Chairman: Gentlemen, can I thank you very much. One thing I will do is I will ask the clerk to write to Dawn Primarolo so we can get a better understanding of the VAT position and we will publish that.

  Mr Doughty: Thank you.

  Chairman: Thank you very much indeed.





 
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