Select Committee on Culture, Media and Sport Written Evidence


Memorandum submitted by Fosterart

  Thank you for the opportunity to respond to your inquiry. I am a relative newcomer as an art market professional, having had a 25-year career in IT and banking prior to starting this business two years ago. A collector for a number of years, I started the business to "foster art", ie to develop additional audiences for contemporary art. My goal was to get more great work into circulation by breaking down the barriers that prevent people from experiencing art in the first place, including reducing the cost and risk of the "art transaction".

  After looking at several alternative ways of meeting this objective, we decided to go down a new path by establishing a "virtual" collection of artist-owned work that is vetted by a panel of experts and available for borrowing or purchase. We've called it the Fosterart Collection. Because we have established relationships with like-minded artists that want to have their work in the public domain, the Collection is a reliable source of high-quality work.

  (Diagram not printed here.)

A.  PROACTIVE DISTRIBUTION SERVICE FOR ARTISTS

  Artists are invited to submit work. If selected by an independent panel of experts, the work is included in the Collection and then actively placed with subscribers. This service is an additional income-generating channel for artists and is maintained alongside any existing gallery arrangements. (Collector-owned work is not precluded from being in the Collection, but the focus is on Artist-owned work.)

  Participation in the Collection is intended to be prestigious, with an ethos of public service, lifetime relationships with artists, quality work, and economic sustainability. The project/exhibition space at 20 Rivington Street, in collaboration with members of the selection panel, is used to profile artists participating in the Collection.

AN ART MANAGEMENT SERVICE FOR SUBSCRIBERS

  Art in the Fosterart Collection is proactively placed with institutional or private subscribers on either a hire or purchase basis. Subscribing to the Collection is a good way to support contemporary artists on a long-term basis, continually experience new work, and invest selectively. The goal is to form long-term relationships with companies and public institutions and manage some or all of their art collections.

  We have agreements with several NHS Trusts that allow them to borrow work from the Fosterart Collection, provided that sponsorships can be arranged to fund the subscriptions. We have already installed work in two locations and are actively seeking sponsors. If this programme is successful, thousands of health service workers and members of the public will have the privilege of experiencing some of the best contemporary art available in a less reverential setting. Hopefully, companies will be inspired to both sponsor work in the NHS and borrow work from the Collection to benefit their own employees.

CURRENT STATUS

  The Collection is officially launched with the first exhibition on 3 March 2005, at 20 Rivington Street. The selection panel has been formed and the first round of invitations and selections took place in late January with over 50 artists participating. Five companies are currently subscribing to the Collection.

  A copy of the artist agreement is enclosed (not printed).

12 February 2005


 
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