Select Committee on Culture, Media and Sport Minutes of Evidence


Examination of Witnesses (Questions 160 - 177)

TUESDAY 22 JUNE 2004

CHANNEL 4, S4C

  Q160  Alan Keen: May I ask a very simple question, John? Can you paint us a picture of what would happen if the BBC ceased to exist in so many years' time? If it were given away, sold off, what would the broadcasting arena be like? What would be the advantages and disadvantages?

  Mr Newbigin: If the BBC was, as you said, sold off, then what would happen is that over a period of time there would be a degrading of the quality and the level of innovation and the range of skills that are available in British broadcasting, and the long-term consequence would be dire.

  Mr Scott: If I may add, one would need to ask how would the new body be funded? Because if it was funded by advertising it would have significant impact on ITV, Channel 4 and Channel 5 as well.

  Professor Stephens: Could I add to that, that certainly from the point of view of Wales and the culture of Wales and the politics of Wales, the contribution of the BBC to Welsh life has been immense since the 20s, not just in terms of news gathering and regional—now devolved—and national news, but also in such things as the National Orchestra of Wales, and the support it has given to young singers, and so on; it has been an immense cultural asset. As we look to the long-term future of the commercial broadcaster, ITV, and the kind of economic models that are coming out with digital switchover, and how far PSB can be sustained in that atmosphere, then I think that the presence of the BBC in the national regions is of acute importance.

  Q161  Alan Keen: Is there any way you can tell us how it could maybe be democratised further than it actually is at the moment?

  Mr Newbigin: In our submission to DCMS we suggested a structure which is actually closer to the Channel 4 structure, which is that there should be a Management Board, which is a proper Management Board of the BBC, which might include some non-execs, and that they should report to the Board of Governors and the Board of Governors should be an arm's length regulatory body with clearly a majority of lay persons, but it also ought to include some heavyweight broadcasting expertise and it should be broadly representative of the population of Britain. That, in our view, is the best way to make the BBC more accountable. If, in the long-term, it were to come fully under Ofcom then that would be the second stage in that process.

  Mr Scott: I think that if each of our services had a more explicit remit laid down, which was measurable, accountable and transparent, that would be a proper role for the governors to supervise and report on, and actually agree those remits at the outset.

  Professor Stephens: I suppose there could be an argument for strengthening the regional bodies, the Broadcasting Council for Wales, the Broadcasting Council for Scotland, and so on. At the moment they have an advisory role but not a budgetary or regulatory role in the proper sense. So that is an area that could be explored.

  Q162  Derek Wyatt: Good morning. I have been on record as wanting to try and persuade the BBC to create a UK film channel only, and Channel 4 has some experience of that. If I fail to persuade BBC governors and new management to do this, do you not think that there should be some way that we can address that which is missing in the public sector, by top slicing 5% or 10% of the licence fee, and, if you could, would that have influenced the way in which you have approached film in the last two or three years yourselves, Channel 4?

  Mr Scott: There are two issues there, one of production of the films and then the running and the organisation of a channel. Our Film 4 channels, I am glad to say, are doing well and will be profitable this year, and that is a great achievement. On the production side, as you know, we have had to scale back our ambitions. A couple of years ago we found that the structure which we were pursuing was not really effective, and in particular we had scaled up an operation in the hope of getting a decent American studio deal, which we did not get in place. So our production model has gone back to where it had been in the time when we were being successful. We are commissioning films out of the main channel's programme budget and those films are beginning to come through now. As for the running of a UK film channel, are you suggesting that that would only have British films on it, or be broader than that?

  Q163  Derek Wyatt: No, I was thinking of a British film channel. You have huge film libraries that are just laid bare, which would need digitising, but there is a cultural need to show film. If you cannot show it on the BBC then why should we not have a public service UK Film Channel? The logic escapes me at the moment.

  Mr Scott: I have not seen a business model for that.

  Q164  Derek Wyatt: There is not a commercial business, as you know, and I have talked to the commercial entities, but why could there not be a Public Service Channel?

  Mr Scott: It sounds a very interesting idea.

  Professor Stephens: Could I add, that wearing my other hat as a governor of the BFI that obviously I would be delighted to see more film on, by whatever means possible.

  Q165  Derek Wyatt: But we will not attract children, we will not attract the next generation unless there is a public service need, and that is a failure; that is what everyone says the public service means. It is a failure of the commercial, or you cannot run a UK film channel?

  Mr Scott: I really do not know the complexity of the rights position and where those catalogues sit and who owns them, but I am certain that those are all issues that can be dealt with.

  Q166  Derek Wyatt: So let me ask you all, are you in favour, therefore, of being able to apply for a fund so we could top slice the licence fee? Film is not the only channel that the BBC does not do; it does not do sport, it does not do sport health, sport psychology or sport education. It could easily run a sport channel but chooses not to.

  Mr Scott: Whether it is the role of the BBC licence fee to do this or whether it is something which the Film Council should look at, I do not know, but it is an interesting idea.

  Mr Jones: It seems to me that the question is what then gets cut in order to fund the additional channel? We sometimes portray our own dilemma in deciding how we decide on our priorities by saying we could spend the whole of our programme money on making a single blockbuster film each year, but then you would not have a television channel. Somewhere in the range between that absurd extreme and the other pragmatic policy there is the truth of what we do, which is to fund up to two films a year because we think that is appropriate. But your proposition is that something would have to go in terms of the general presence of broadcasting at the moment.

  Q167  Derek Wyatt: Forgive me, but BBC3 is watched by less than 2,000 people an hour and costs £100 million; it would cost less than £100 million for a UK film channel.

  Mr Newbigin: I would have thought with the BFI and the Film Council exploring the possibilities of E-cinema that, if one was going to look at a film channel, to do something on broadband is something that would be worth exploring and would be infinitely cheaper than starting a television channel.

  Derek Wyatt: I agree it would be cheaper in broadband if we can get the bandwidth. Thank you, Chairman.

  Q168  Rosemary McKenna: You may not be able to answer this question, but I think it is interesting that the creation of S4C, did you at any time consider making a similar arrangement in Scotland, because there is an upsurge in Gaelic broadcasting in the language in Scotland? Has that ever been considered or would you consider it in the future?

  Mr Scott: I think that it was briefly considered some time during the 80s and the outcome of that consideration was the setting up of the Gaelic Television Fund, which was then providing programming, which was transmitted on ITV's Scottish Services, and I think on the BBC as well but I am not entirely certain.

  Q169  Rosemary McKenna: There certainly is not anything like the volume.

  Mr Scott: The commercial impact on Channel 4, if we had Scotland separated away from Channel 4, would be quite severe; it is obviously a large audience for us. I hope people in Scotland enjoy our programmes as well, so it is probably good to have Channel 4 there and a Gaelic Fund.

  Professor Stephens: Of course, as the new digital age evolves Channel 4 will be UK-wide side by side with other broadcasters such as ourselves, which is a very good thing for viewers—they are provided with a diversity of programming. We are very aware of the needs of Gaelic speakers for greater coverage and more programming. I think that the difference in Wales over the years has been the political will to make the language survive. At the moment the language is, as you know, compulsory in schools; it   is the avowed intention of the Assembly Government that it should survive and that it should be encouraged. Therefore, the position is somewhat different in political terms over the whole of the country, and I think we are the beneficiaries of that political will. However, one could argue that the small drop in the number of Gaelic speakers at the moment is an argument for enhanced coverage because we are all the losers when a certain culture disappears.

  Q170  Chris Bryant: S4C, it is interesting that you said it is good for viewers that you have Channel 4 and S4C alongside each other in Wales, but I guess it is difficult for you because you have lost a third of your audience in the last three years. But today is not about you, it is about the BBC. You argue in favour of the licence fee, but you are funded by grant-in-aid and I guess you want a bit more grant-in-aid as well, and the World Service is funded by grant-in-aid and not by the licence fee. Why are you in favour of the licence fee? Why should it not just be grant-in-aid, as it is in Holland?

  Professor Stephens: I suppose it is an argument we would have to have with the Treasury as to the way in which they would wish the licence fee to become a grant-in-aid. Would that then have repercussions for their own rate of inflation, RPI, whatever? I am sure that there are issues around this subject, which they have already debated. I suppose the old way of looking at it was to say that this is the buffer zone between an arm's length government intervention and the broadcaster. I am not quite certain that that argument prevails totally.

  Q171  Chris Bryant: Are you compromised by being funded by grant-in-aid?

  Professor Stephens: No, we are not, and I would say that the fact that Parliament in a sense sets the licence fee is in itself a little bit of a compromise on the absolute independence of that fee. It has been a useful device, which currently most people subscribe to, and, as we heard from Lord Burns, the research and the Ofcom research shows that at the moment it is not under immense threat. Therefore, all we are saying is, so long as that remains a viable way for people to pay for their Public Service Broadcasting then we are supportive of it.

  Mr Jones: And the size of the population of the UK gives you a product of the licence fee, which enables a very wide, rich range of services to be provided, which would not be the case in a smaller country where other mechanisms have to be put in place in order to sustain what is considered to be a desirable service.

  Q172  Chris Bryant: A different question. At the moment you get 10 hours a week from the BBC, produced by the BBC for you, and that comes out of the licence fee, and you are going to lose 10 hours a week of English broadcasting from Channel 4 when Channel 4 is available to everybody in Wales?

  Mr Jones: More like 70 or 80 hours.

  Q173  Chris Bryant: A week?

  Mr Jones: Yes.

  Q174  Chris Bryant: So an enormous hole in both money, because you are not able to sell the advertising, and in terms of programmes. Would it not make more sense in this new Charter just to put you into the BBC?

  Mr Jones: The reason why S4C was set up as a separate channel and as a separate authority was in order that there should be this space, which gave primacy to the Welsh language, and when you have 200 to 300 English language channels that argument still prevails in respect of giving that space, where the Welsh language has primacy in Wales. The reason a separate authority was set up was to ensure that there was a body which had the interests of that channel as its primary function. A separate funding stream was set up, again so that that primacy was sustained throughout. We think those arguments are still as strong as ever.

  Q175  Chris Bryant: But there must be costs to having two structures, to having a separate Board, a separate organisation, a commissioning through to the BBC, and, at the same time, you have no power really to say to the BBC, "Excuse me, you are spending lots more money on English language programming in Wales, but you are not spending proportionately the same amount of money on Welsh language programmes that you make for us." So actually you lose out.

  Professor Stephens: We are a very hybrid organisation; we take advertising, we take sponsorship and so on, in an upfront way which is not currently the BBC model. So I think there are some problems as to the way in which we are a suitable fit for the BBC. Having said that, I do not think that there are sufficient savings in just the movement from a single Board, which is probably costing in the order of £200,000 per annum, to actually make up for 70 hours' loss of programming. The most important point—and I think this is a serious one, because I take your point very seriously—when I am trying to be very good and very moral I try my best not to suffer from institutional-itis, and to say, "I am defending the present structure at all costs." In the interests of the viewer we have to look beyond that. When you look at the print media in Wales, at the lack of diverse voices in that print media, when you look at the power of the English Press in Wales, as opposed to Scotland, when you see what could be happening to ITV Wales, I do think it is important that there is more than once voice in Wales, and that is one of the principal arguments for the existence of a separate channel.

  Q176  Chris Bryant: Thank you very much for that. One question to Channel 4—and it looks as if you are going to get away without any questions about Big Brother today, which is going to be quite an achievement—on the governance of the BBC, do you think it will make any significant difference if the governors were to become more independent from the Board of Management, as Michael Grade seems to be suggesting, as well as obviously independent from government?

  Mr Scott: We certainly believe that is the direction they should move in. As John was saying earlier, we envisage a Board of Management with perhaps non-executive directors, who would manage the business and the governors as regulator at some distance, arm's length, in their own building, with a degree of separation. We think that would strengthen the whole structure of governance at the Beeb.

  Q177  Chairman: Just to proceed on the question that Chris Bryant was putting about funding the BBC through grant-in-aid. I made some headway in persuading Harold Wilson, when he was Prime Minister, to do exactly that, but Denis Healey, who was Chancellor of the Exchequer, would not have it because grant-in-aid can only come out of general taxation. The licence is hypothecated tax for which the Chancellor does not have to find the money; you are a public sector organisation but you find your own money. It is in a sense a rhetorical question, is not the only future for funding of the BBC in those circumstances either to go on being funded by the licence or to find its own way of funding in the way that Channel 4 finds its own way of funding?

  Mr Scott: We believe that the licence is the correct way of funding the BBC. If they were to be funded through subscription I think what we would find is that perhaps half the country would want to pay it and it would have to be £200 a year, and the other half of the country could not afford it or did not want to pay it, and I think much of the benefits of the universality of the BBC Services would be lost. I think that if the licence fee is the right way, even after switchover we will find that many of the DTT Free-view boxes will have no conditional access slots and cards. Even at that point I do not think that the equipment which will be in people's homes would enable a simple charging mechanism. I think the issue on the licence fee—and we believe in the licence fee—is the question of how much should it be? I think there is scope there to look at the quantum of it and the cost to the various BBC Services and what things we want them to do. I support a licence fee.

  Chairman: Thank you very much indeed; we are most grateful to you for attending.





 
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