Select Committee on Culture, Media and Sport Minutes of Evidence


Examination of Witnesses (Questions 360 - 379)

TUESDAY 7 SEPTEMBER 2004

BECTU, EQUITY AND NUJ

  Q360  Michael Fabricant: I have to confess, listening to what I heard just now, you seem to be more concerned with the welfare of your members, which I suppose you are paid for, rather than the welfare of the licence payer who actually watches and views radio and television. I wonder if I may just concentrate on the NUJ, and if anybody else wants to come in then please do so. I am asking you these questions on the basis that I very much support the BBC and want to see it continue and go from strength to strength. Yet the NUJ seem to be arguing against any change at all. One of the areas that came up in the Communications Act, when it was a bill going through Parliament, was the question of how much time should be made available to independent producers. I argued on the bill, for example, that radio producers should be guaranteed a particular percentage; yet the NUJ are saying there should not be any independent production at all. Why?

  Mr Dear: Looking at the submission it says "independents should continue to provide programming". We do not think independents should not provide programming either for television or radio, but certainly we think the value of the BBC's in-house production and the economies of scale it can bring and the immense wealth of experience and expertise that it has is a tremendous benefit to the country and to the broadcasting ecology as a whole. That is why we support the BBC maintaining that. I am not rigid on 25%, 26% or 24%, whatever it might be, in terms of production. I do think that the BBC has to have its own strong in-house production base in order to allow it to make the kind of programmes we think are necessary to deliver on public service broadcasting.

  Q361  Michael Fabricant: The NUJ also argue that the commercial activities of the BBC should not be sold off. Although there is a large turnover, with the sale of BBC programmes overseas and various other commercial ventures they get into, the actual net profit and contribution towards programming is actually very small and leads the BBC into whole areas of controversy about whether it is competing fairly or not with commercial companies who are not funded by the licence fee. Why do you oppose any change to that at all?

  Mr Dear: I support what the BBC have done in terms of talking about a public value test about any of its activities, whether they are public service ones or whether they are commercial activities. The commercial activity is around £160 million which is additional to the licence fee money, a very small amount. I think 95% comes directly from the licence fee; something like 3% from the subsidy to the over 75s; and the rest from its commercial activity. So a small amount, but important money that can be reinvested in public service broadcasting in the industry and in programming. I would hate to see that that would be thrown out on a point of principle, without applying this public value test to any of its commercial activities, or indeed any of its other activities at all.

  Q362  Michael Fabricant: Finally, the BBC, as you know, are toying with the idea of providing ultra local news programming, community news programming, in up to 60 different cities. While I can see that might well lead to more employment of journalists it reminds me rather of the early days of BBC local radio with which I was involved, which started off as BBC Radio Brighton but no longer exists any more because it became BBC Radio Sussex, and that became South Coast Radio based in Guildford, which is nowhere near Brighton. The BBC has moved away from that and now they seem to be moving back again. I would like your comments on that and how that would relate to independent community broadcasters, who are trying to do much the same thing. Will that not take resources away from national news and international news coverage, for which the BBC is so recognised as being a first-rate performer?

  Mr Dear: We certainly hope that it will not take resources away from national and international news. That, of course, depends on the level of resources the BBC is given as to whether or not they are able to carry out properly resourced the 60, or however many, ultra local news services. We are certainly very supportive of the idea, but I do think they have to be properly resourced, and they have to maintain the standards for which the BBC is known. It should not just be one person with a microphone. They have to be proper news services if they are going to be done. That, of course, is a question of resources; and that would depend on whatever the final settlement is in terms of BBC funding for the future. In principle highly supportive of them, especially at a time when the ITV network is busy pulling out with a 12% reduction in regional output in 2002-03. I think it is very important there is good quality local news for people to make informed decisions about what is happening in their local area.

  Q363  Mr Hawkins: I have one general question and then one specific one about one of the submissions BECTU have made to us. The general question: there has, I think, been a fairly widely held perception that the BBC has made a number of very expensive mistakes in relation to its digital services. While recognising you all have responsibilities towards your members, would you accept there is a public perception that some of the financial decision-making in relation to digital services, on-line services, has been pretty disastrous in the BBC's recent history?

  Mr McGarry: They have done a bit better than ITV, as a starting point.

  Q364  Mr Hawkins: Our inquiry is into the BBC, because we are talking about licence fee payers' money. Suggesting that somebody else has done worse is not a defence of the BBC?

  Mr McGarry: No, and I am sure you will be putting these questions to the BBC directly. We would not be in a position to defend every decision they have made. I think many of the decisions they have made have been under pressure from government and what they perceive the government's ambitions to be in this area and have sometimes been over-influenced by that and invested slightly mistakenly in some of those areas.

  Q365  Mr Hawkins: You do not think there was perhaps a danger, rather than being subject to government influence, that it was a desire to wish to be up with the latest technology, to be perceived to be the leaders, which caused people to plunge so disastrously an awful lot of licence fee payers' money?

  Mr McGarry: I would not accept your description of it, but I think there is an element of that. Yes, I think the BBC has wanted to be at the forefront of those developments, because I think it sees that as being compatible to its other main function of providing the main terrestrial network channels. I think it is probably right to be there. As for individual decisions, I could not argue about those. I think it is a very difficult area in which to make judgments—not knowing how people are going to want to adapt their watching and viewing and having to experiment to a degree. I think it is very difficult to predict how audiences will respond to different levels of services. Therefore investment is a bit risky but at least the BBC has been in a position to invest and has in fact taken on a leadership position in most of those new technological developments.

  Mr Dear: I think it has also had tremendous successes. BBC News On-Line is the recognised world leader as an on-line news service. We are always more than happy to admit that the BBC makes mistakes in deciding to fund some things over others; and we will frequently have arguments to say, "More resources should be put in here and less in there". There will be mistakes but, on the whole, it has been a valuable addition to its public service broadcasting role especially in terms of promoting things like media literacy, on-line learning, language learning and all those kinds of things. BBC News On-Line has been one of the real success stories of the last 10 years of the Charter for the BBC.

  Q366  Mr Hawkins: Can I turn now to my specific question on BECTU. If we have interpreted correctly your submission to us on this, as part of the opposition to any idea that the BBC could be funded from advertising, you are saying, "Nor, incidentally, does advertising ever provide free television to viewers, since the cost of TV commercials adds an estimated 11% to 13% [you say] to average household bills". I was fascinated to find out a little more about how you come to that conclusion.

  Mr Bolton: By using the tools available to everybody: looking at companies' expenditure on advertising; how much of that is on television advertising and what percentage of a product price that makes up. You get to a figure by doing that. I do not think there is huge disagreement about the figure we have used. I think the people involved in research would tend to agree with that kind of figure. In the more general sense, in terms of the BBC gaining funding from advertising, not only would that have an adverse effect on the BBC but it would probably have a disastrous effect on the rest of the broadcasting economy which is in some degree of trouble in this country already.

  Q367  Mr Hawkins: Is not the contrary argument to your interpretation of fees to say that companies are going to advertise anyway, and they will use whatever media are available to advertise. If you suddenly did not have any television advertising at all, companies would still want to advertise. Because companies are going to advertise anyway, I do not think most members of the public would think, "I am paying 11-13% more on my household bills because companies want to advertise on television". It may be an argument you feel helps your cause against advertising, but I do not think it is one which would really be accepted by the general public?

  Mr Bolton: Let me put it in a slightly different way and that is: it is clear from our submission we support the BBC as being the cornerstone of public service broadcasting. If there has been a debate about what public service broadcasting is, if that has been a pan-European debate, one of the areas with the greatest question mark over it is the status of those broadcasters in Europe that had mix funding, some from licence fees and some from advertising. That is where the competition becomes really difficult. Are they competing fairly with the rest of the market? Generally speaking the answer to that has been, "No". I think the BBC, taking advertising, would place the BBC in a position of very great danger.

  Q368  Mr Hawkins: One final, very short question. One point which is often made to me by constituents is that effectively the BBC is now the same as every other broadcaster because there are advertising breaks, it is just their advertising breaks are advertising their own programmes. What do you say to that?

  Mr Bolton: It is reinforcing a brand which all of the broadcasters do. I do not think there is anything wrong with that. There is a very strong brand in terms of what it does. People recognise it is promoting its own programmes. I see nothing wrong with that.

  Mr McGarry: The specific point that BECTU made about advertising—it does not seem to appear in our other submissions—we are all one in relation to the general view of not thinking it would be possible for the BBC to be in whole or part funded by advertising. There seems to be a general consensus that that is the situation. What we do have in this country is a very successful mixed economy of broadcasting. We have a private sector, commercially funded sector and we have a publicly funded sector. It is rather strange that almost uniquely that public funded sector is in fact being criticised because it is successful. From our point of view, we ought to be congratulating, welcoming and celebrating the fact that the public funded sector of the broadcasting industry in this country is, in fact, as successful as it has been.

  Q369  Chairman: Without taking any sides on that, I repeat that Channel 4 is a public sector publicly owned television organisation which is funded by advertising.

  Mr McGarry: And would suffer dramatically if the BBC were to compete for its advertising revenue.

  Chairman: So that is self-interest and nothing to do with principle.

  Q370  Rosemary McKenna: During our inquiry we looked at how television, not will be delivered in the future, will be received in the future. One of the things which is very clear is that there will be much more recording of programmes by various mechanisms modern technology allows people to have—TiVo and various different ways they can record, select and decide how they are going to view. It has been suggested to us that advertising will be of much less significance in the future because people will be able to cut out the adverts from the programmes they record. They will want to watch a film all the way through, will not want to watch the adverts and will be able to do that. They will be able to record concerts from commercial radio and all sorts of things without the advertising. Advertising will have to be delivered in a different way which means, I suppose, in one way the BBC are ahead of the game because they do not have that problem. Taking on board this is going to be happening over the next ten years, and there is no doubt about that because people will be viewing television in a different way, what would your view be on that basis for continuation of the Charter and the licence over five, 10 years or whatever? It is a different angle from the questions you have been asked before.

  Mr McGarry: It may well be there will be a decline in the traditional source of television advertising as we have known it over the last few decades. We should not be presented as being against advertising on television. That is not a position of principle or anything else that we take. A lot of our members work in the creation of television commercials and, therefore, they have an interest in that. There may be a decline in that form of advertising and, consequently, the source of income that comes from it. As I said earlier on, it seems to me that in all these changes it is all the more important that the BBC should be there firmly funded by the licence fee so that it is in a position to provide the ranges and qualities of programmes others could aspire to. It puts an even greater pressure on a secure future for the BBC.

  Mr Bolton: If we have a concern it is not just about the BBC within that context. If you look at the date when they have analogue switch-off and the whole thing is delivered in a digital manner, there is a really serious concern that the business model which underpins ITV at that moment in time collapses. I do not know—and I do not know if anybody in ITV knows—what the answer to that is yet, and that places a great number of our members who work for those companies and their employment in great peril. I think that matter has been given urgent thought and urgent consideration. It would be facetious of me to say we have an answer to that particular problem at this moment in time.

  Mr Dear: If the BBC were to have advertising it would change its mix of programming very definitely—would have to. If advertising across the board were to decline and you had to look at another source of funding, the only other potential is something like subscription or pay TV, which of course then takes out the universality and accessibility for all people to be able to access those services. It could mean the commercial sector could lose 35% of its advertising revenue, and that would be a 35% loss to programme-making and content, so I do not see either advertising or subscription as attractive alternatives to the licence fee.

  Q371  Rosemary McKenna: Given that scenario where people will watch in different ways and it will be much more difficult to measure, do you believe that the audience share should be significant in the future? I believe that the BBC should be funded to produce programmes that are a benchmark for broadcasting throughout the world. Do you agree that basing it all on audience share is false premise, because it will be difficult in the future to measure audience share? Is that the most important thing the BBC's future should be based on?

  Mr Dear: I do not believe it was set up on the basis that it had to have a certain level of audience share. It was set up to educate, entertain and inform and it still needs to do those things. The rest of the media are very critical of it. If it produces a programme that is brilliant but nobody watches we slam it. If it produces a programme people think has been dumbed down but millions of people watch it then we slam it for dumbing down. It has to be able to mix those two things to be able to cater right across the board. I do not think that audience share, therefore, can be the only factor you look at. It has to sometimes be taken into account. If nobody is watching a programme there could be no point in making it. I think reach and accessibility are much more important than audience share for the BBC if it is to truly stick to its public service values.

  Q372  Mr Doran: Looking at your evidence collectively, if your views were accepted there would not be any great change in the structures of the BBC, just a little tinkering here and a little bit there. I am interested in particular because I think you are the experts in this and the people in broadcasting. One of the things we are seeing, and my colleagues have mentioned this in their questioning, are very substantial changes in the landscape of broadcasting, certainly since the last Charter review, and extremely substantial changes in the technology. We have been looking at the technology, and one of the things which appears to be coming clear to me is that things are going to change very substantially over the next few years, certainly within the life of this particular review. I wonder whether the status quo really is an option?

  Mr Bolton: I am slightly uncomfortable being portrayed as being in a position where the three unions sitting at this table here are defending the status quo. I have been dealing with the BBC one way or another for the best part of 30 years—20 of them as a trade union official and ten as an employee—and it has been my experience that unless you are willing to accept that the BBC is at the cutting edge of technological change, and unless that is accommodated and negotiated through, the BBC will fade away and die. It is part of what we do. It is part of what we are. In trying to help the BBC negotiate through the staffing difficulties that arise from the technological change, when I first had anything to do with the BBC 20 or 30 years ago 95% of its staff were permanently employed, and today approximately 50% are. The BBC was the first Broadcaster in Europe to actually negotiate and have electronic news gathering, we are not Luddite in our approach to the BBC, but I see the Charter as being a facility to allow the BBC to change to actually deal with the technological change that is coming along.

  Mr Dear: And should be driving it. Driving the digital take-up is something the BBC can do. One statistic: the majority of training in technological change and adapting to technological change is carried out by the BBC. 38,000 training days a year are given over by the BBC, more than the whole of the rest of the industry put together, and that is people taking up, understanding and learning the new technologies they are going to have to work on. It has a good record in that—something we pushed it very hard to do, and we are pleased that it does. We wished the others would do more to keep up with it, to be honest.

  Q373  Mr Doran: Let me take it forward a little. Some of the evidence we are hearing is pointing in the direction of quite substantial changes, for example, in the way in which consumers want to control the product they receive. We know about TiVo and various other technological developments. One recent fact-finding was that we were presented with a scenario by one very influential individual who suggested that what we may be seeing is a slow deterioration and decline in normal terrestrial broadcasting, to the point where terrestrial broadcasting—digital or analogue- could become a fairly low end niche market, where advertising would not provide the income it does at the moment, for example, for commercial broadcasters. In a scenario like that it was speculated that the people who would win were the content producers—which puts the BBC in a very strong position—as compared with, for example, my local television company which produces a very small amount of its own broadcast. That must mean substantial changes for the staff. I think most of them would be positive, but I am interested to hear how you are preparing for that if you accept that sort of scenario, and what it will mean for the people inside broadcasting?

  Mr McGarry: I am not sure we would accept that scenario or the timescale in which it has been advanced, but it is a question which needs to be addressed. I do believe all three of us sitting here can say very honestly and genuinely that we have led the people we represent in a process of reform and change and the acceptance of change. If you just think, for example, in relation to the rights which actors and others in Equity enjoy in the programme material, we have adapted and extended those to cover all the new areas and the new technologies. I think essentially the point you are making is the best argument I have yet heard, with respect, for the future continuation of the BBC funded as it is. It is the only guaranteed way of securing the production base; which I think is absolutely essential, not only from the point of view of training but, indeed, having all of the abilities to make programmes over a whole range and quality one wants to expect in an otherwise uncertain area of commercial activity and investment in television production. We do need that investment from the licence fee into the production base because otherwise it will disappear.

  Mr Bolton: It is probably no accident that the National Training Organisation, the Sector Skills Council for the audiovisual industry, where the BBC has a huge influence, is seen as a trailblazer in terms of training in this country and is leading the way in trying to define the needs of the employees over the next five to ten years.

  Q374  Mr Doran: If the scenario I present is accurate or even close to accurate, what you could see is a very distorted market where you have a preserved megalithic BBC and a very much fractured market everywhere else, surrounded by very, very small companies.

  Mr McGarry: The answer to that scenario does not seem to me to in any way damage the BBC.

  Q375  Mr Doran: Except it is a very distorted market.

  Mr McGarry: Rather that than no production base at all, surely? Who else is going to make programmes? Most of the new channels exploiting the technologies, as far as my members are concerned, are not really investing much in programming production at all. Largely the BBC, to a lesser extent ITV, and to an even lesser extent Channel 4 are investing in that programme production. The BBC is absolutely key to it. Whereas if you look at what Sky is producing in terms of originated drama that would be challenging to audiences in this country, you would have to look long and hard to find any.

  Q376  Alan Keen: I am not discounting what you are going to tell us, if anything, but we are going to interview and talk to young people, because when we are talking to you and most of the people we have as witnesses here it is the people who have been brought up on the BBC over the years and are used to being presented with a schedule. When we went to the States we were told by two people, and one particular person was not putting an argument but was he was absolutely dogmatic that people will not be presented with schedules of programmes, or if they are they will not take any notice of them. We have already seen a decline in individual channels viewing numbers, obviously because there is more choice. If this comes along, where the future viewers and listeners have no interest in being presented with a schedule of programmes—and this is one of the strengths of the BBC, and I am a strong supporter, and it has been mentioned a number of times by your panel this morning—presenting a whole variety, some of which would be definitely defined as public broadcasting and others as wonderful entertainment and mixed up with education, if in fact all the public want to do is draw down from whatever programme they want to watch, what future is there for the BBC if nobody wants to be presented with a schedule? It is not easy for you to respond to but it is something we have to face.

  Mr Dear: I think that is a tremendously exciting future for the BBC, rather than a negative one. If you take the Olympics, even with digital TV you press the red button and you can decide not to watch the 4 x 100 metres but you can watch the world record attempt at pole vault or the long jump. The ability for people to demand what it is they want to see and when they want to see it of course is going to increase through technology, but think of the tremendous archive that the BBC has in terms of people being able to demand that kind of stuff. There also has to be a certain point where you have watched everything there is to watch or you want to watch and people have to make new and original programmes and original content, and that is where the BBC really comes into it strength. Pay TV only reinvests 3% into original production; the BBC reinvests the vast majority back into its own production and into other productions. I see it as an exciting future for the BBC where it has to compete on the basis of the best content. From all our points of view that is what we want—strong content that people want to watch. When they watch it and how they watch it will be up to them, but you still have to have the content that people want to be able to watch.

  Q377  Ms Shipley: Part of the BBC's unique selling point is listening to discussions through public service broadcasting and it comes back to that time and time again. I think it would be very helpful to have on record what each of you defines as "public service broadcasting" because it does seem to be something of a moveable feast from time to time.

  Mr McGarry: The easiest answer is to say that you know it when you see it.

  Q378  Ms Shipley: That is not a definition.

  Mr McGarry: I know. I think it is a system of broadcasting which provides for the totality of the available audience a range and series of programmes of quality which do fulfil what Jeremy was quoting earlier, to educate, inform and entertain. I do not think you can say there is any one programme—and I was asked last time I came to your committee, "Did any particular programme qualify as public service broadcasting?"—I think you have to look at the service as a whole and see the balance of it and the range of choice of programmes that are delivered because there is an audience for them, and not necessarily driven by the size of audience. I think the broadcaster, to qualify as a public service broadcaster, must fulfil that remit.

  Q379  Ms Shipley: How is it a public service to entertain?

  Mr McGarry: I believe it is. If you asked anybody—


 
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