Select Committee on Culture, Media and Sport Minutes of Evidence


Examination of Witnesses (Questions 560 - 579)

TUESDAY 26 OCTOBER 2004

OFCOM

  Q560  Mr Doran: I still find it difficult to understand the comments in there, for a number of reasons. One is, the whole history of ITV is about regional broadcasting. I have been involved in very heavy battles with my local television company to try to retain that. I certainly got a lot of popular support for it. It also seems to me that is where there is the potential to make a lot of money and distinguish themselves from the other rather bland commercial competitors—and I exclude Channel 4 and Five from that. When we get into the digital world the competition will not just be the BBC—it is a much wider competition. The idea we could be moving towards a situation where Channel 3 loses even in the digital age that quite distinguishing feature strikes me as being something I would want to avoid.

  Mr Stoller: I think there will be a shift when we are actually in the digital era between what is imposed upon any television company, Channel 3/ITV, and what they choose to do themselves. There is an article in the Financial Times today—

  Q561  Mr Doran: But we are told they are lobbying you quite heavily to reduce—

  Mr Stoller: There is an argument that the distinctiveness of the channel will actually take broadcasters towards doing more regional or less regional. Our concern is not with that—it cannot be because that is what would happen post-digital—it is what happens in the meantime to the existing statutory obligations, and how we move from where we are now to where we will be post-digital when we will not have the ability to impose this sort of obligation. There are certain things we think are essential and central and should be reinforced in this interim period. One of those is regional news. We are recommending the strengthening of the quotas for the production of programmes for the network outside London in the regions and in the nations; but there is one area of programming which is non-news regional programming in England outside peak time which we know is expensive. Our research and our analysis show us it is not hugely valued by viewers when they are asked, and their behaviour reinforces that because they do not watch it. Therefore, in this new compelling commercial circumstance which we know we and the operators are going to find ourselves in, it seems to us that to reinforce the   importance of regional news, to reinforce and indeed  lift the obligations to produce network programming outside London, balanced by a reduction in non-peak time, non-news regional programming, is a way of managing the transition.

  Q562  Mr Doran: It is difficult to escape the interpretation that all of the major responsibility, the statutory responsibility, perhaps eventually will be shoved onto a much more worthy BBC?

  Mr Carter: Not now, not in the next two years, not in the next three years but it is inescapable than in 10 years' time, which is broadly the potential period of the BBC Charter Review, the direct-able public service broadcasters, if one looks at today's provision, are the BBC and Channel 4.

  Q563  Alan Keen: During Frank's questioning Stephen Carter said "we do not have a specific remit" so it will have to be a personal view. One of the nice things about this inquiry is because we are asking all the witnesses who come before us about the BBC—and ITV have no remit or responsibility for the BBC—we have been able to ask people for their personal views. Can I free you now from the Ofcom remit? One of the tasks we have got is to look at the changing pattern of broadcasting, and one thing which has been particularly interesting is the absolute certainty that we are changing from what I would describe as the "theatre" aspect of TV, sitting in front of the fire with the TV on a Saturday night watching whatever programmes come in front of us; this is definitely going to change, we are told, so   people will select programmes, probably programmes that were originally shown on the previous Thursday night and watched on a Saturday night. Can you paint a picture of what you think TV will be like? We have to look ahead because of this 10-year period we keep talking about to 2016. How do you see it changing?

  Lord Currie of Marylebone: In the Fleming Lecture which I gave a few weeks ago, which has been referred to, I did a bit of crystal ball gazing. Firstly, it is a very dynamic scene. Secondly, I think a lot of patterns will remain the same for quite a lot of people; but I think we will observe very different behaviour amongst young people, who will very rapidly start to exploit the new technologies that are available—what I describe as the "collision between broadband and broadcast". I think in that area there will be very major changes in behaviour; perhaps the whole concept of a channel will soon be eroded—already with PBR and Sky+ that concept is eroding—I think it could be a very different scene; which is why we painted the idea of a public service publisher spanning these two different spaces that are coming together; because I think it is very important, looking forward, that if the purposes of public service broadcasting are to be delivered in this new age, we rethink the forms of delivery in order that those purposes are achieved.

  Q564  Alan Keen: We have always known that the BBC has an effect on keeping the quality high comparing this country with the United States, for instance, where you can sit in a hotel room and go through the channels and not find anything worth watching at all. With people being able to select programmes, can you paint a picture of how the BBC will be in 10 years' time? Will there just be a publisher, a producer of programmes, with channels that people will select themselves, and obviously other channels with the BBC and ITV as well if people get a satellite delivery of their television? What will the BBC look like in 10 years' time? What will the change be from now in 10 years' time?

  Mr Carter: We really are into crystal ball gazing.

  Q565  Alan Keen: You are the experts.

  Mr Carter: Not at crystal ball gazing!

  Q566  Alan Keen: You have focused all your working life on broadcasting. It is fascinating to get people in front of us like you and be able to draw on their experience.

  Mr Carter: Part of the answer to the question, we strongly believe, depends upon your report and Parliament's decision on the length of the Charter and the level of funding. If you look at it from a basic level there is £3 billion worth of public money that goes into this form of market intervention. I happen to share David's view that the future in 10 years' time is a fantastically exciting future. I share your view that the BBC has been a significant contributor to quality, but I also happen to think that we as a nation are very good at this stuff. We produce outstanding content. We are very good at the creative industries. Part of the reason why we recommended the public service publisher is because it seemed to us we have a track record (partly contributed to by the BBC but partly contributed to by skills, training, education, culture and language) to be good at creative content and the distribution of it. The opportunity it seems to us is to be a leading nation in digital provision and broadband take-up; to have a strong role for the BBC, but to liberate the opportunities for other providers of content and to allow people to make more free choices about what they wish to watch and when they wish to watch it. That does not seem to us to be threatening to the BBC, which is why we said we thought there was an important role for the BBC to be appropriately funded over that time period so that it could continue to make a strong contribution. I suspect it will be less channel-driven. I suspect it will have to get into more and new forms of content distribution. I suspect its schedule construct will be unrecognisable in 10 years' time. Its investment in applications and services, rather than programmes and channels, I suspect will be quantum by comparison to where it is today.

  Q567  Alan Keen: The print media spends an awful lot of money setting out TV schedules and the programmes that are available from the minority channels. Radio is the poor sector. With the wealth of stuff which is on the radio how in the future will we know what we are missing if we do not find out what is on? How will radio fit in?

  Mr Stoller: I am very happy to step back to radio for a moment, although it is not directly my remit any more.

  Q568  Alan Keen: You are already freed from the remit.

  Mr Stoller: One of the interesting factors is that radio has tended to lead convergence; and that actually the movement of radio, the initiative of radio which the industry and the BBC have taken in the area of digital radio, the extent to which digital radio has spread beyond DAB onto a range of other digital platforms means that radio is in some ways pioneering a number of these issues. One of the things that radio discovered a long time ago and is reinforced by its digital experience is that the communication of listings, and therefore the ability to identify individual programmes, is very difficult in streamed channels. One of the advantages which digital technology brings to radio, and also to television, is the ability to identify on-screen or on an accompanying screen what is being broadcast and what is being broadcast next. One of the interesting things, looking at digital television, for new adopters (and I am a fairly new adopter) is when you press the digital button to move from analogue to digital you get printed information or lettered information on the screen; and that I think is one of the things that radio has learned and is exploiting with digital and, as television moves into a more fluid stance, may well apply there as well. In addition, the role of the electronic programme guide—for television, radio and for the converged thing that emerges between them and the other communications technologies—becomes increasingly important.

  Q569  Alan Keen: I was thinking about being in the motor car, and presumably what we will do when we are at home is to ask to be told when astronomy is on the radio, and for the car radio to switch on or for the mobile phone to remind us to switch on at 5.05 when we are driving along. Going back to the BBC, I asked them last week about democracy, because we are all shareholders of the BBC and they have done a magnificent job by making us feel that it is our BBC; but there is little effort put into the democracy. The BBC said they are going to do something about listening to the people who pay for them. What thoughts have you had on introducing some democracy into the BBC to those people who pay for it; rather than some nice good people being appointed by DCMS to sit on the Board of the BBC with no real connection with the people who pay their money every week?

  Lord Currie of Marylebone: I am not sure Ofcom as such has thought about that issue and deliberated on it.

  Q570  Alan Keen: Just as individuals. I have already freed you from the Ofcom remit. Do you think that the licence fee payer should have some direct influence on who is on the BBC Board of Governors?

  Lord Currie of Marylebone: Direct representative mechanisms can be rather difficult to make work. I think what is crucial—and this is true as much for Ofcom as it is for the BBC—is that the BBC understands its viewers and listeners; that it understands the people it is seeking to reach. Just as we need to fulfil our functions, we absolutely have to have very good research which tells us what ordinary consumers and ordinary citizens think about what is happening to the communications industry. Being extremely well informed seems to be absolutely at the heart of what we are doing and what the BBC has to do.

  Q571  Alan Keen: I used the word last week, should we be looking somewhere between a Tesco democracy where Tescos provide the food that people keep on buying and, therefore, they know that is what people want, which is what you are talking about. Has Tony, for instance, given any thought as to whether the licence payer should have any direct input into elected representatives?

  Mr Stoller: I think it is noticeable that the public processes which arose post-Nolan have tended to place on boards a rather different spectrum of people than would have applied previously. That seems to me to be extremely important. There should be a clear public process followed. As David said, actually arranging representative mechanisms which go beyond the representative mechanism which exists here is very tricky indeed. It does seem to me   that your scrutiny brings that universal representation, in a way in which any other mechanism would be, to a degree, a pale imitation.

  Q572  Mr Flook: What element of the BBC's £2.6 billion is public service broadcasting in your minds?

  Lord Currie of Marylebone: I think we have indicated that in doing a Phase 1 report we looked at how well the public service broadcasters were delivering against their remit. I think we came to the conclusion that they were broadly doing so but there were aspects that could well be enhanced and sharpened. Have we done that calculation?

  Mr Carter: It is a powerful question, and I think the answer is: no-one could tell you the answer; and that is part of the problem. What we are saying is, going forward that does not seem to be a good place for anyone to be, including the BBC. I am sure that is part of the thinking behind the public value test. One would hope that the public value test, if it ends up being a reality and is a useable mechanism, would allow that question to be answered. What we have said is that we believe all of the BBC's programmes and services should to some degree contribute to the purposes and characteristics of public service broadcasting.

  Q573  Mr Flook: So that is an aspiration and not a prediction? My next question was going to be: do you see that ratio or that percentage increasing as we move towards a digital age of what is public service broadcasting?

  Mr Carter: If you look at the fragmentation association with digital take-up, what that serves to do in relation to the BBC is to show into much sharper focus its contribution to the purposes and characteristics of public service broadcasting; because it will be more evidently different in its provision than the multiplicity of other providers; whereas when it was essentially a duopoly that sharper focus was not so visible. I think inevitably the direction you paint will happen.

  Q574  Mr Flook: I should have prefaced my remarks by saying I really like the idea of a public service publisher. I think that is very clever and very innovative. You put a value, which I think we can easily come to, of £400 million as ITV and Five's analogue broadcasting ability; that is eroded. You then come up with a figure that the public service publisher would have to play with of £300 million. How did you get to £300 million? Keep in mind in your answer, will that be enough if the BBC's, on your own say so, public sector element increases, which was an aspiration and not a prediction.

  Mr Carter: We do not know is the answer at this point. We undoubtedly derive the £300 million number in part from the £400 million current provision, as you rightly say. We judged £300 million to be a sensible funding sum to put out in the initial proposal, because it seemed to us to provide the necessary level of reach and scale without being so distorted to the market. Part of what we are doing at the moment is consulting on the entire idea, including the funding level. It may well be that it is the wrong number or, indeed, it needs to be judged differently depending upon the source of the funds.

  Q575  Mr Flook: I note in our notes (and I think you may well have provided it) the expected growth in households over the next few years will give the BBC roughly an extra 10% in income or an extra £260 million, but that is going to make it even bigger so your £300 million in itself how will that grow in real terms?

  Mr Carter: I think these are all questions to be answered and in part will be answered, assuming the idea has merit and flies, by the funding mechanism. If, for example, the chosen funding mechanism for the PSB was the augmented and enhanced licence fee then inherent in that would be a benefit associated with growth in the absolute number of households. If, however, you chose the funding method of hypothecation of spectrum receipts then you might need to find either a retail prices mechanism or some other mechanism to keep pace both with the cost of doing business—

  Q576  Mr Flook: An X-plus rather than an X-minus?

  Mr Carter: Indeed. I think it will in part be determined by the source of funding.

  Q577  Rosemary McKenna: Good morning, gentlemen. I am very much of the view that the BBC  Charter Renewal should include a 10-year programme, because I believe with what you described as broadcast versus broadband it is absolutely essential the BBC are in there providing high quality programmes. It is quite clear from particularly the young people we have spoken to—and we went and spoke to a school and college to find out how young people view and listen to the radio and watch television—that they will choose, and the way they view in the future will be very much a matter of choice. They will not sit down and watch right through an evening's broadcasting, it will be a matter of choice. Would you agree that it is essential that the BBC Charter Renewal must include a total  and absolute commitment to high quality production of all types of entertainment, as well as news?

  Lord Currie of Marylebone: I think that is in broad terms what we have said in our report. The point you make is a powerful one, that it is the behaviour of young people which has provided the indicator of the way things are changing. It is very important that broadcasters retain the loyalty viewing of that young cohort of people.

  Q578  Rosemary McKenna: How then would you protect the range of provision, because clearly what is going to happen is when young people watch commercial television they are going to fast-forward and skip through the advertising, and if they do not get advertising revenue then they are not going to be able to provide the quality that is going to provide real choice against the BBC? How would you, as Ofcom, protect that?

  Mr Carter: I am not sure that is in our gift and I am not sure it should be. Clearly one means of protecting it is providing an alternative provider of high quality content which takes us back to our public service publisher idea. Clearly another source of provision of more directed content is the remit, range and role of Channel 4 which, whilst it is an advertiser-funded broadcaster it is a not-for-profit advertiser-funded broadcaster and, therefore, in that sense more directable. Partly it goes back again to the earlier question about the level of obligations levelled on the commercial shareholder-funded broadcasters which are obligations they would not choose to execute if it was solely for the market to provide this. There are some judgments involved there which we are currently consulting on. Fundamentally, if you look over the time period of your question, some of those things will come to pass or not.

  Q579  Rosemary McKenna: You cannot do anything to ensure real choice and competition for the BBC?

  Mr Carter: We have put an idea out which we think has the potential to provide choice and competition. I am not sure I share your cataclysmic view of the quality of the alternative provision in the market. If I look at the television market for 2004 by comparison to 1984 overall does it provide more choice, more variety, more control, more interesting things, more investment, more innovation? Yes, it does.


 
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