Select Committee on Culture, Media and Sport Written Evidence


Memorandum submitted by Carole Tongue and David Ward

INTRODUCTION

  Over the past decade there has been huge changes in the broadcasting sector with the growth in the number of channels available to the viewer and the development of new platforms for delivery. In the face of these changes, public service broadcasting has remained a constant feature of the UK broadcasting ecology, despite forecasts for its imminent demise. The BBC is strong, well funded and it provides a range of services that are unmatched in terms of creativity, innovation and volume by any other broadcaster in the world. We believe that the BBC largely works well as the main public service broadcaster in the UK, though there is always room for improvement and we believe this can be achieved through developing a more effective system for assessing its performance. The key issue that we have focused upon therefore is accountability and how to sustain the BBC as not only a pioneer public broadcaster, but as a modern public institution that accounts for both its activities and funding in an independent and transparent manner.

  Accountability is crucial to both the maintenance of legitimacy for the BBC and in a regulatory capacity to ensure that the BBC fulfils its obligations in all of its public service activities. The BBC has, and continues to be a positive and central institution in British cultural and political life and the public should continue to have access to its full range of services. The more platforms that the BBC can provide services on, based on public service principles, the more that the public will benefit from having access to a diverse range of quality media based services across platforms. To this end the Government should strive to secure and guarantee the future of the BBC during the Charter review process. It should at the same time put in place a transparent and adequate framework for assessing the activities and performance of the BBC in order that value for money, quality and an assessment of how the BBC has met the requirements of its Charter are satisfactory.

In the context of scope and remit, how should the BBC be funded?

  The above activities are made possible by the unique funding and remit the BBC enjoys. The funding from the public purse is crucial to ensure that the commitments set out in its Charter are satisfactorily met. The BBC reaches every citizen. It belongs to the people of Britain and it is part of an exclusive group of institutions that are governed by certain principles in their range of activities and are wholly concerned with providing a public service. It has done this with success and value for money. The BBC has a duty to serve a range of needs and tastes and it is essential to the maintenance of a diverse and plural television ecology that the BBC invests in and reacts to these needs.

  The main funding alternatives to the licence fee have been argued for some time and have been raised in both the report by the Peacock committee in 1986 and more recently by the Davies report into the future funding of the BBC. It is widely agreed that until better options are available the licence fee should remain the main source of income for the BBC. It is only when options become realistically available we should seriously consider the alternatives. For the foreseeable future we do not believe there is an alternative to the licence fee, as any alternative would lead to a seismic shift in the television landscape and a loss in the public service values that the Government has stated are principal public policy objectives.

  Previous assessments of other funding options have rejected the main alternative to the licence fee (a mixed model of licence and advertising revenues), as unsuitable both in terms of the detrimental impact on the commercially funded broadcasters in the UK and programming. Evidence from experiences in the European Union would support some of the conclusions made by these reports, especially in cases where advertising revenues have become a large proportion of revenues for public broadcasters. In these countries the public service broadcasters have become engaged in aggressive competition with the commercial sector to the detriment of themselves and the sector overall.

  In this sense the only alternatives for funding the BBC are seen to be from the public purse or subscription. The strongest solution of which, we believe is the licence fee.

FUNDING THE BBC FROM GENERAL TAXATION

  Although this funding model would allow for more progressive mechanisms to be employed there are certain disadvantages of linking the funding of the BBC to general taxation policy. Firstly, it raises issues of political independence, a core principle that underpins the activities of the BBC. Secondly, by bringing the funding of the BBC more closely into government taxation policy it would be open to the vagaries of changing political policies on taxation and government spending.

  The Government now recognises that public services in the UK have been fundamentally damaged in the past by cut backs and the lack of funding under previous governments for these organisations, and has undertaken a programme to inject adequate resources back into the public sector. We cannot afford a similar situation for the BBC and it must retain its independent funding in order for it to fulfil its public service obligations. We must draw on the lessons of other public services where short-term spending cuts have brought about a decline in the quality and range of services that the public has access to. In one sense the BBC has been extremely privileged that it has retained the licence fee, which has meant that it has not had to suffer the cuts in budget that was witnessed in the NHS and other important British institutions under previous governments. Such would be a major disadvantage of abolishing the licence fee and replacing it with a system funded through taxation. As we have seen in the past it is very difficult to rebuild these organisations once governments have embarked on radical spending cuts affecting public services.

FUNDING THE BBC FROM SUBSCRIPTION

  Subscription, amongst other funding solutions has been recommended as a replacement for the licence fee by a recent report by the Broadcasting Policy Group. Although there may well be arguments to support a greater degree of consumer freedom in the choice of television services we believe there are fundamental problems with this model and the licence fee remains a more productive funding solution.

  The introduction of a voluntary subscription fee would inevitably lead to a loss of revenue in a transitional phase. Little or no research has recently been conducted on who would offer to take out a voluntary subscription to the BBC and thus what income the BBC would enjoy to plan for the future, at this crucial point in the development of the British television industry. Even considering mechanisms that would subsidise the BBC in an interim period the instability caused to the Corporation would have incalculable effects. Public television services would also, given the loss of critical mass the BBC currently benefits from become more expensive for the end user and this would act as a deterrent for some sections of the community to engage with programming that not only entertains, but also informs and educates. It would dilute key principles of public service such as universalism and inclusion that have underpinned our television and radio services for generations.

FUNDING PUBLIC SERVICE BROADCASTING FROM CONTESTABLE FUNDING

  The second important issue is how public money is allocated. The idea of an Arts Council of the airwaves first explored by the Peacock Committee and more recently taken up by the Broadcasting Policy Group suggests that the break up of the BBC and the redistribution of public money across the sector specifically for public service programmes would positively benefit British viewers and listeners. At this point in time we cannot see what benefits there would be for the viewer and listener of such a system of radical reform.

  Contestable funding is seen as a mechanism to encourage the sector as a whole to make public service programmes that under perfect conditions will be scattered across numerous television channels. It assumes that commercial companies will be offered sufficient incentives to make these programmes. There is little evidence to support such a claim in the current British television landscape that funding by this method would be adequate in moving the commercial sector towards a more public service orientation. Controversy would undoubtedly arise if public money was allocated to subsidise commercial channels, some of which now invest in public service programming and others which do not.

  The importance of the culture of an institution and the role played by the BBC both as a benchmark for other broadcasters in the UK and as a focal point for listeners and viewers is key to the British system and this would also be swept aside. According to the BBC audience research department some 52% of the British public tuned into BBC television news on September 11, demonstrating a remarkable sense of loyalty and trust the public have for the BBC. In short, without sufficient evidence to the contrary, the licence fee supporting a strong central institution remains the most effective mechanism to produce and distribute public service radio and television. It would simply be counter productive to dismantle the current system just for the sake of innovation. The present system is not the major problem facing public service broadcasting in the UK.

  Neither would it solve the issues of the disadvantages of having a funding solution tied to general taxation. Funding would be prone to increases and more likely decreases following the overall economic climate and government spending policy, without an adequate mechanism for assessing the real financial needs of a dynamic and healthy public service in broadcasting. With a television system of over 200 channels the system would be administratively complex both in the selection of projects, as well as regulating the successful applicants to ensure that the programmes that have been awarded financial support have actually achieved the quality threshold that would presumably underpin such a system. It would do little to alleviate the inherent problems of defining issues such as quality and diversity and could have an unanticipated consequence of diluting the principle of public service in British broadcasting. We are still left with the problem as to what constitutes a public service programme, and perhaps more crucially who defines what is or what is not a public service and we would be in danger of ghettoising public service programming and scattering it over the whole schedule to the confusion of the viewers.

THE ADVANTAGES OF THE LICENCE FEE SYSTEM

  The value of the licence fee system is that all households that have a television set contribute. This means that the licence fee is set at a rate that the large majority of households can afford. As the DCMS has pointed out the current fee will be raised to £121 in April 2004, a fee of a little under £11 per month in line with the current agreement with the BBC. The licence fee ensures a consistent level of funding necessary for the BBC to provide a wide range of programming and services. In 2003 the total revenues from the licence fee enjoyed by the BBC were £2,658 million. Together with its commercial revenues this makes the BBC the sixth largest media enterprise in Europe according to company turnover and the second largest public broadcaster after ARD in Germany.

  This income does not go to shareholders. It is invested in producing and distributing a growing range of audiovisual services on a non-profit basis. Because of this the BBC invests over £1 billion in original programming and is a major contributor to our society's culture, creativity, jobs and skills in the British audiovisual industry. According to the European Audiovisual Observatory ZDF/ARD and the BBC invest the highest levels of resources in original fiction of any broadcaster in Europe.

  The licence fee enables a consistent, stable and high level of investment in British programmes and it creates the conditions that provide the BBC adequate revenue to provide its core British services independently of commercial imperatives. It allows the BBC independence in programming and scheduling decisions that is crucial to the fulfilment of its Charter requirements.

  Even if we reached such a time when realistic alternatives were available the value of the licence fee should not be underestimated, nor should the advantage of a system whereby every household in the UK that has a television set contributes to the funding of the BBC. In many respects it is the key to both the range of activities undertaken by the BBC, as well as how the BBC fulfils its obligations in this range of activities. It is not only what programmes are produced, but the whole approach to the production and distribution of radio and television programmes as well as other media based services that makes the BBC stand out in British broadcasting today.

  Although we believe that at the present time it is only through public money that these services can be provided in the quantity and quality that they are currently supplied. However, the potential value of measures such as subscription should not be underplayed. If the system can be used to devise a method for compulsory subscription, that cuts down on administrative resources in collection and processing then this should be welcomed. But the key is that subscription should be compulsory to all television households as an enabling mechanism that allows forward planning and stability.

  We see the main weakness of the licence fee is that it is regressive and it is simply unfair to apply a flat fee on households that enjoy highly differentiated incomes throughout the UK and this is a legitimate complaint that must be taken seriously. In this respect the licence fee must be seen by the public to be able to account for households that may not be in a position to pay the annual fee and consideration should be given to making the licence fee less regressive. A more progressive licence fee would benefit all of the community and provide for a more inclusive mechanism. To this end the Charter review process should investigate making the licence fee more sensitive to different income levels whilst at the same time ensuring the levels of funding are proportionate to the costs that the BBC incurs in fulfilling its remit.

SETTING THE LEVEL OF FUNDING—A COUNCIL FOR PUBLIC SERVICE BROADCASTING

  Any assessment of funding must take into account the needs of the BBC as well as value for money to ensure that public money is well spent. It is crucial that the licence fee is set at a level that is proportionate to the costs incurred by the BBC in fulfilling its remit as a public service broadcaster covering the whole range of interests in the UK. The licence fee determines what the BBC is able to do and in this sense it is important to underline the BBC's central role in our society's creative and cultural spheres. It is also true that the funding of the BBC has become a far more complex issue with the growth of competition in broadcasting.

  Setting the licence fee is always a political question in the UK and it is quite right that the parliamentary process reviews the allocation of such large sums of public money. All too often the arguments over the level of the licence fee have been prone to political pressures. We believe that it is necessary in the first instance for the issue of funding to be removed from the primary political domain and from lobbying by the BBC and other interested parties. Given the complexity of the modern broadcast sector a permanent council should be established that is accountable to Parliament with the task of assessing the financial needs of the BBC.

  Any such council would be responsible for assessing the level of the licence fee as to whether it is adequate and proportionate as well as whether it needs adjusting. In this manner Parliament and the public would have access to a broad range of information and evidence based recommendations, which would provide solid foundations to underpin public policy.

  The council should be comprised of individuals with knowledge of the industry that is able to act independently of both the Government and the BBC. Appointments to such a council should be independently adjudicated. Past reviews of funding have largely been dealt with by ad hoc committees and a permanent council would be better placed to fully report on the needs and spending of the BBC and take into account market conditions. We therefore would recommend a permanent body charged with setting the level of the licence fee, which it concludes as appropriate to the needs of the BBC.

  In regulating the BBC we should strive to achieve proportionality against a clearly defined remit that will clear up any unjustified criticism of the BBC in its output and spending. The BBC has already made great strides in accounting for its performance, but a clearly articulated remit setting down the aims and objectives of the Corporation together with a system of independent regulation will not only ensure that the BBC continues to fulfil its public service remit, but will also make the system transparent and open to public debate and scrutiny.

  The BBC should, however, not be allowed to go beyond the range of services that are either legitimate public services, or where it does operate commercial services, what is necessary for the Corporation to fund its public services activities. Proportionality and the separation of accounts for public and commercial services provided by the BBC is the key issue here and, in line with the European Commission's approach to the funding of public broadcasters in Europe. The BBC already provides a separation of these activities.

How should the BBC be governed and/or regulated and what role should be played by the Office of Communications?

  It is important that the governance of the BBC is both independent from government and BBC management. The self-regulatory culture of the Board of Governors has been largely successful throughout the history of the institution, but it is prone to be influenced by the management of the BBC and its composition is largely unreflective of the diversity of modern society.

  Though we would endorse self-regulatory practices at the BBC, there is a strong case for reform of the nature and constituency of the current board of governors. There is now a broad consensus that the unrepresentative nature of the board of governors as well as their dual role in governance and regulation is an anomaly and it is crucial to modernise the present arrangements.

  We would suggest that more suitable structures be considered in the Charter renewal review in order to ensure more independence for the regulation of the BBC. A solution may well be to separate the regulatory and strategic functions of the Board in order to achieve full independence for the regulatory aspects of the BBC and this would entail changing the role of the present Board of Governors and reducing both its capacity and size, whilst introducing an independent council to act as the regulator of the BBC.

  A Council for Public Service Broadcasting composed of qualified experts would have a remit to rigorously assess the performance of the Corporation in all its activities. A system of this kind has already been established in Norway where there is a specific council established to monitor and assess the performance of the broadcasters that have public service obligations. The Allmennkringkastingsradet (the Public Service Council) is responsible for reviewing the performance of the broadcasters, which come under its remit, pursuant to the obligations detailed in the Broadcasting Act, NRK's statutes, and the commercial broadcaster's concession. We would suggest such a model offers a strong alternative to the current arrangements.

  To ensure minimum replication of functions any proposed council should function in a dual role to both assess the performance and the funding needs of the BBC and therefore combine similar functions as to the ones undertaken by the KEF in Germany, together with undertaking an independent review of the BBC's performance and activities. A two pillared structure covering funding and regulation would provide a systematic and efficient framework for an independent review of the BBC in these crucial areas. With an independent secretariat, legal standing and a separate facility for a council of this kind, independence would be maintained from the Government and the BBC ensuring no conflicting roles for the council.

  The advantages of this system are clear. An expert council that acts independently of the BBC and government has the potential to depoliticise the question of funding and assessment of the BBC's activities. The duties of this body would include a continual assessment of the performance and the financial requirements of the BBC and it would be well suited to regulating a modern and increasingly complex Corporation. This independent body in turn would be required to report annually to Parliament. We would also suggest that this body was legally independent of Ofcom and able to operate across sectors to best undertake its role as regulator. Although we understand that given Ofcom will be responsible for tiers 1 and 2 of the new regulatory framework some degree of cooperation would be productive, but we would like to see the 3rd tier of the framework wholly independent from Ofcom as is envisaged in the Communications Act.

  A more developed system for monitoring compliance is also essential with minimum and in some cases maximum thresholds employed on certain genres of programming. In the Netherlands they have employed this system with success and the public broadcasters have a ceiling placed on them for entertainment and at the same time minimum thresholds for important programme genres such as art and culture. This allows a balanced assessment of the output of NOS and ensures the public channels remain loyal to their remits. Programme reach should also be encouraged across programming and a system developed to ensure that the BBC is reaching all parts of the viewing and listening public, with minimum reach thresholds in areas such as news and documentary put in place.

  The council should be efficient, combine the necessary expertise to undertake a thorough assessment of the BBC's finances and activities and have the resources to be totally independent in its activities. Furthermore, it should be composed of a small but effective team that has an evidence based approach to regulating the BBC rather than a political one and operate as a permanent office.

  We would suggest a separation between the powers of the current Board of Governors especially in their dual role as both "guardians of the public interest" and, as "strategic directors" of the Corporation. By dividing these functions a greater degree of separation of these roles will be achieved, and as a consequence the regulation of the BBC will be independent from the management of the Corporation. The BBC would retain some form of scaled down Board of Governors to undertake the strategic role that it presently performs as strategic directors, if practicable.

  The council responsible for the assessment of the BBC would account to Parliament on an annual basis and give recommendations as to the funding and performance of the BBC. Where necessary the parts of the current review process that the BBC undergoes would remain to ensure a consultative and rigorous review process. The BBC has already embarked on a broad information campaign to inform the public of its activities and its statement of programme policy sets out the objectives for the Corporation annually and this should be continued.

In a changing communications environment, does a 10-year Royal Charter and Agreement with the Secretary of State, together, provide the most appropriate regime for the BBC?

  The Royal Charter has acted as the legal basis of the BBC since it became a public corporation and is ill suited to set out the duties and responsibilities of the contemporary BBC and we would suggest it is not renewed and is replaced with a more suitable instrument. We would like to see something far more permanent both in terms of reviews of the BBC's services and its legal standing and obligations.

Given expected growth in digital TV and likely developments in the Internet and other new media, what scope and remit should the BBC have?

  Over the past decade there has been rapid innovation in communications technology that has brought about huge changes not only in the delivery of audiovisual services, but also their production. The BBC has embraced these changes and with government consent (and scrutiny) embarked on a programme of expansion in Internet and digital (niche) television services. New technology has been a central part of government communications policy for the past decade. The BBC has been at the forefront of these developments firstly by supplying one of the most developed and comprehensive web-based services in the world and secondly by taking over, together with BSkyB and Castle Communications the digital terrestrial platform from ITV Digital in a strategic partnership to support and drive roll out of digital television services and broadband.

  Throughout the history of public service broadcasting an important part of the BBC's strategy has been to develop and embrace innovation in radio and television and in this tradition it has moved into Internet and digital television services. In this respect the modern day concept has shown itself to be dynamic and responsive to developments in technology, as it has expanded services to include the Internet and niche television channels. In our opinion this is in line with the concept of public service, as the concept cannot remain tied specifically to traditional media. As new platforms develop it is important that a space is reserved for public services that reflects the diversity of the population and their requirements, not just as consumers, but also as citizens across platforms and medium.

  Given the multiplicity of channels and platforms for the delivery of information, education and entertainment, citizens and consumers still require indigenous programming made specifically for them that enables them to make sense of a complex world and a huge number of sources of information. If digital television is going to enhance pluralism and viewer choice it is important that the BBC continues to invest in new digital services, and offer a range of public services, particularly thematic channels composed of local and national programming produced specifically for British viewers and listeners.

  It is also important that the Government lays out the responsibilities of the BBC clearly across different platforms and that performance can be measured against these set objectives without stifling the institution. These requirements should include both quantitative and qualitative measures in order to assess the annual performance of the BBC in contributing to the following objectives:

    —  A democratic and/or pluralistic society;

    —  National, regional and local culture;

    —  High quality programming;

    —  Meeting high journalistic standards;

    —  Investment in the indigenous audiovisual industry;

    —  Providing a universal service.

    (Betzel and Ward 2004)

  It is, as crucial today as it has ever been to steer the broadcasting market in order to derive maximum benefits, to as many viewers as possible. It is therefore necessary to have the right regulatory structures in place to enable the BBC to take advantage of the new opportunities that multi-channel television and broadband offer, whilst also guaranteeing that its central activities remain governed by core public service principles.

  References

  Machet, E, Pertzinidou, E and Ward, D (2002) A Comparative Analysis of Television Programming Regulation in Seven European Countries: A Benchmark Study. NOS.

  Tongue, C (1996) Tongue report on the Future of Public Service Broadcasting in the Digital Age. Adopted by the European Parliament. September 1996.

  Betzel, M and Ward, D (2004) The Regulation of Public Service Broadcasters in Western Europe. In Ward (2004) (Ed) Special issue of Trends in Communication Public Service Broadcasting: Change and Continuity. Issue 12, No 1. LEA.

April 2004





 
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