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Keith Vaz: To ask the Secretary of State for Education and Skills what proportion of Ofsted inspectors are from ethnic minority backgrounds; and if she will make a statement. [59512]
Jacqui Smith: This is a matter for Ofsted. HM chief inspector, Maurice Smith, has written to my hon. Friend and a copy of his reply has been placed in the House Library.
Mr. Marsden: To ask the Secretary of State for Education and Skills what proportion of children with special educational needs in England are on a school action plan. [58947]
Maria Eagle:
The following table shows information on pupils in maintained primary, secondary and special schools and non-maintained special schools who are supported at School Action and School Action Plus as part of the graduated approach to meeting the needs of children who have special educational needs (SEN). Thetable also shows children with SEN but without statements who attend maintained nursery schools, Pupil Referral Units and independent schools.
27 Mar 2006 : Column 647W
Derek Wyatt: To ask the Secretary of State for Culture, Media and Sport what discussions she has had with the London Development Agency and Newsfax International with regard to the Olympic compulsory purchase area. [61109]
Mr. Caborn: Neither my right hon. Friend the Secretary of State nor I have had any such discussions with the London Development Agency or Newsfax International.
Sir Gerald Kaufman: To ask the Secretary of State for Culture, Media and Sport when she will reply to the letter dated 8 February from the right hon. Member for Manchester, Gorton, with regard to Paul Buckles. [60007]
James Purnell: I understand my right hon. Friend the Secretary of State replied to my right hon. Friend's letter on the 20 March 2006.
Mr. Holloway: To ask the Secretary of State for Culture, Media and Sport how much financial subsidy was given to the England Commonwealth games team. [61221]
Mr. Caborn: I refer the hon. Member to the answer I gave to the hon. Member for East Londonderry (Mr. Campbell) on 23 March 2006, Official Report, columns 48081W.
Mr. Pickles: To ask the Secretary of State for Culture, Media and Sport how much funding from the UK Film Council has been allocated to (a) DNA Films, (b) The Film Consortium and (c) Pathe" Productions in each of the last five years. [60002]
James Purnell: The UK Film Council was set up in 2000 and took over administration and funding of the existing Arts Council England (ACE) franchises' contractual agreements. Funding has been allocated over the past five years as follows:
The Film Consortium and Pathe" Productions had spent their allocations by 2003, so have no spending showing in 2004 or 2005.
Mr. Pickles: To ask the Secretary of State for Culture,Media and Sport how many films were made by (a) DNA Films, (b) Pathe" and (c) The Film Consortium using the £95.67 million funding from the Arts Council between 1997 and 2003; and how many of them made a profit. [60003]
James Purnell: 51 feature films were made by DNA Films, Pathe" Productions and The Film Consortium using funding from the Arts Council England's film franchises between 1997 and 2003. The total worldwide box office generated by these films to date is in excess of £150 million.
Many of these films generated box office in excess of their production costs. As the UK Film Council does not have access to the details of the films' individual marketing spend worldwide or the revenues generated worldwide from their continued exploitation through video, DVD and television medium, it is not possible to calculate any profit made by these films.
Mr. Pickles: To ask the Secretary of State for Culture, Media and Sport how many films which have received funding from the UK Film Council in the last 10 years have (a) broken even, (b) made a profit and (c) made a loss. [60004]
James Purnell: Since, the UK Film Council was set up in 2000, it has funded 117 films. While many of these films generated box office in excess of their production costs, the UK Film Council does not have access to the details of the films' individual marketing spend worldwide or the revenues generated worldwide from their continued exploitation through video, DVD and television. This information would be needed before the break-even point of a film could be calculated.
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