Select Committee on Culture, Media and Sport Minutes of Evidence


Memorandum submitted by the British Library

EXECUTIVE SUMMARY

  1.  The British Library is a great cultural institution with, at core, a mission to support research in its widest sense; we exist for everyone who wants to do research—for academic, personal, or commercial purposes. The Library is by definition a growing organism; its collection must grow if it is to continue both to meet the needs of research and innovation and also to act as a great cultural heritage resource for current and future generations of researchers from all walks of life. The Library is not principally focused on providing a museum experience and only selectively does it itself undertake primary research. The Library's principal offering is an intermediate good as part of the research process. The Library operates at the hub of the UK and world information and library networks.

  2.  The British Library occupies a prominent place in the intellectual and cultural life of the nation. It is an integral component of the research infrastructure and it plays a correspondingly significant role in ensuring the research excellence of the UK and in supporting creativity and innovation. The public value that the Library and its collection bring is essentially three-fold:

    —    it is a critical resource for UK research;

    —    it underpins business and enterprise through Its contribution to knowledge transfer, creativity and innovation; and

    —    it is a world-class cultural institution with a vital role as a holder of the national memory.

  It contributes to the PSA targets of three Government departments: DCMS, DTI/OSI, and DfES, and this has recently been underlined by the establishment of an Inter-Departmental Panel for the British Library and articulated in the Library's new Tripartite Funding Agreement.

  3.  Section 2 of this submission comprises a detailed account of the Library's approach to collection stewardship. The Library takes an integrated, format-neutral, life-cycle approach to the management of its collection. The Library would welcome the Committee's general support for its work in building, managing, providing access to, and in ensuring long term preservation of, its world-class collection.

  4.  The Library also seeks the Committee's specific support for:

    —    the good progress being achieved by the Library in attracting new audiences and in providing access to all those with an interest in researching any aspect of the collection both via the reading rooms and remotely, including (bearing in mind the Committee's previous interest)[1] through digitisation (paras 59-66 and 85);

    —    the importance of sustaining the real terms' value of the Library's acquisitions budget in general, given its underpinning role vis-a"-vis the UK research environment (paras 29-34 and 86-87);

    —    the importance of heritage acquisitions in maintaining the record of the intellectual heritage of the UK and the initiative of the Library in establishing a Working Group on the United Kingdom Literary Heritage (paras 35-40);

  the importance of completing the Library's Additional Storage Programme to ensure that the national collection is housed in fit-for-purpose storage with controlled environmental conditions meeting British Standard BS5454 (2000) (paras 41-45 and 89-90);

    —    investment in the digital infrastructure required to preserve and to provide long-term access to the UK's national electronic published archive (paras 54-58 and 91).

SECTION 1—INTRODUCTION

  5.  The British Library welcomes the opportunity to provide written evidence to the House of Commons Culture, Media and Sport Committee to assist in its inquiry "Caring for our Collections".

The British Library and its expertise

  6.  The British Library was established by statute in 1972 as the national library of the UK. The Library is one of the world's greatest research libraries and the main custodian of the nation's cultural and intellectual heritage. The Library's incomparable collection has developed over 250 years; it covers three millennia of recorded knowledge and represents every known written language and every aspect of human thought. The Library is the beneficiary of legal deposit, and it also purchases widely with a £17 million annual budget for material of research value. It is estimated there are well over 150 million items in the collection; these occupy over 600km of shelving. The Library's mission is to help people advance knowledge to enrich lives. The Library exists for everyone who wants to do research—for academic, personal, or commercial purposes.

  7.  The British Library is by definition a growing organism; its collection has to grow if it is to continue both to meet the needs of research and innovation and also to act as a great cultural heritage resource for current and future generations. The Library is not principally focused on providing a museum experience and only selectively undertakes primary research. The Library's principal offering is an intermediate good as part of the research process. The Library operates at the hub of the UK and world information and library networks.

Funding

  8.  The British Library is funded from the vote of the Department for Culture, Media and Sport (DCMS). In the current financial year (2006-07), the Library will receive £102 million in grant-in-aid from DCMS and it expects to receive £21.6 million in self-generated income from the provision of priced services, donations etc, enabling it to build, preserve and provide access to its collection in support of research, business, the wider library network and broader educational goals, through its reading rooms, through its exhibition galleries, educational programmes and loans to other institutions, through its remote document supply services, and through provision of information and bibliographic services.

  9.  In recent years the Library has been successful in securing project funding from a range of other public and charitable bodies, including £3.1 million from the Joint Information Systems Committee (JISC) for digitisation of sound and newspapers, and £1 million from the London Development Agency for the development of the Business and IP Centre. The Library has also recently been awarded Academic Analogue status by the Arts and Humanities Research Council (AHRC) from April 2006 until March 2011. No other national library in the world matches the levels of self-generated revenue earned by the British Library, and its fundraising record is also notable, currently over £5 million per annum.

Public and economic value

  10.  The British Library occupies a prominent place in the intellectual and cultural life of the nation. It is an integral component of the research infrastructure and it plays a correspondingly significant role in ensuring the research excellence of the UK and in supporting creativity and innovation. A recent independent economic impact study commissioned by the Library suggests that the total value added to the UK economy by the Library each year is at least £363 million, over £4.40 for every £1 of public funding.[2]

  11.  The value that the Library and its collection bring is essentially three-fold:

    —    it is a world-class cultural institution with a vital role as a holder of the national memory;

    —    it is a critical resource for UK research; and

    —    it underpins business and enterprise through its contribution to knowledge transfer, creativity and innovation.

  Thus it makes an important contribution to DCMS's key agendas, including not least its growing support for the creative industries and its contribution to the modernisation of the UK's intellectual property regime. It also plays a unique but essential role in facilitating knowledge transfer, innovation, enterprise and business growth, thereby also supporting the work of the Department for Education and Skills and the Office of Science and Innovation. The Library's cross-cutting role has recently been underlined by the establishment of an Inter-Departmental Panel and articulated in the Library's new Tripartite Funding Agreement.

  12.  The British Library's collection serves five principal user groups—researchers, the business community, the UK library and information network, education and the general public. Each year, we receive over 450,000 visits to the reading rooms, some 5,900,000 collection items are consulted in the reading rooms or are supplied via the Library's document supply service to remote users, and nearly 25 million searches are made of our public catalogue. We also receive over 850,000 visitors to our onsite and "virtual" exhibitions. Over 4,200,000 people overall access the Library's website (48.5 million page hits) each year.

  13.  Under the leadership of Chief Executive Lynne Brindley, the Library's Executive Team is pursuing a fundamental programme of change to modernise the British Library to deliver better and more responsive services in terms not least of broadening access, reaching new audiences, e-delivery and digital investment. One imperative of this highly challenging programme is to sustain the Library's collection purchasing power and to redistribute resources to front-line activities—the programme is targeted to realise £67 million cumulatively in operating savings by 2007-08. A recent National Audit Office report on the British Library concluded: "The Library has undergone significant and beneficial organisational change. The Library is much of the way through a major reform programme and it is already clear that the changes will make the Library better able to meet the needs of users, including those accessing the Library's services remotely".[3]

  14.  The Library is operating in a turbulent external environment. The internet generation has new and demanding expectations for swift, free and easy access 24/7 to information. Ever more rapid innovation and new technologies are transforming traditional models of scholarly communication, of information creation, dissemination, storage and access. In light of the impact of new technologies, the UK must develop a digital research information infrastructure to support the research process. Our response, as set out in our strategy for 2005-08,[4] is to redefine the British Library for the digital age to sustain it as a great world library for the 21st century.

SECTION 2—THE LIBRARY'S APPROACH TO COLLECTION STEWARDSHIP

Underpinning philosophy and skills base

  15.  The British Library applies the definition of care to the collections in the broadest sense. We take a holistic approach to the stewardship of our collection, spanning all phases of collection development and management. This integrated approach takes a "format-neutral" stance; that is to say stewardship encompasses all forms of analogue and digital materials. We have led on the development of a life-cycle approach to collection management, most recently through the Life Cycle Information for E-literature (LIFE) project.[5]

  16.  Each aspect of managing a collection item, from acquisition to access, is part of its life cycle. Life cycle philosophy and methodology means that the interdependencies between all the stages in the life of the collections are defined over the short, medium and long term. The Library is increasingly able to apply the methodology to assess the full costs associated with caring for its collections, digital or print, that is, the cost of acquisition, making accessible, conserving, preserving and storing. It seeks to obtain best value throughout the life cycle.

  17.  Our curatorial and other professional experts have the depth and range of knowledge and skills required to care for our collections during each part of the life cycle. As well as ensuring that we acquire the right material, whether new publications or heritage collections for our readers now and in the future, and at best value, our experts provide rich catalogue records to enable the public to navigate our collections, and selectively carry out original research for publications, exhibitions, international conferences and lectures. Paragraphs 59-66 describe our approach to access and services in some detail.

  18.  In conservation and preservation, as documented in paragraphs 46-58, our staff have expertise which is unrivalled nationally, and in many cases internationally, borne out by our project and thought leadership.

Overview of the library's collection

  19.  The British Library's collection of 150 million items truly holds the world's knowledge, spanning three millennia in all principal languages, covering all subjects, cultures and formats. The DNA of civilisation can be said to be contained in the Library's "comprehensive collection of books, manuscripts, periodicals, films and other recorded material, whether printed or otherwise".[6] It ranks among the world's largest and most comprehensive research libraries. The collection ranges from priceless historic manuscripts and early printed books to a wide range of contemporary publications, including fugitive "grey" literature, as well as electronic material, both born-digital and created through digitisation.[7] Annual acquisitions can average up to 2.5 million items, enough to fill 11km of shelving, thereby ensuring that the Library is always up-to-date with the very latest research and publishing from across the globe.[8] Material is principally acquired through a combination of legal deposit and purchase, with some donations and exchanges.


  20.  Long renowned as a centre for textual resources, published and unpublished, the Library is also a treasure-trove of visual and audio-visual materials. While our collection of 4,500,000 maps, second only in size to that of the Library of Congress, may be internationally acclaimed, our other visual materials cover a wide range of media from drawings, watercolours, paintings and sculpture to prints, posters and photographs. Photographic collections (comprising 400,000 original photographs plus much manuscript, including the Fox Talbot archive, and printed material) are being developed more systematically, with an eye to the focus of the Victoria and Albert Museum, with the Library concentrating on topography, travel, architecture, archaeology and the photographically-illustrated book.

  21.  Internationally, the depth and scope of the Library's sound recordings are quite unmatched. Dating back to the end of the nineteenth century, there are more than 3,300,000 recordings from every corner of the globe and from sources ranging far beyond the products of the national recording and broadcast industries. Around 10% of the holdings are unpublished, including oral history interviews, ethnographic field recordings, soundscapes and birdsong. The Library also has extensive collections of moving-image material, including commercially published music video, unpublished video recordings of performance art, and selected UK television broadcasts of the 1980s and 1990s, as well as material relating to world and traditional music. Also held are some 13,000 popular music promotional videos acquired by donation, and the country's most comprehensive collection of film music, acquired under voluntary deposit.

  22.  Setting out our corporate strategy for 2005-08, we identified one of our strategic priorities as being to grow and manage the national collection.[9] To meet this strategic aim, in April 2006 we published a consultation document focusing on some general principles of collection development and on specific collecting priorities for the arts and humanities and social sciences: The British Library's Content Strategy: meeting the knowledge needs of the nation.[10] The results of this consultation exercise will be published early in 2007, and a similar consultation on science, technology and medicine collecting and connecting strategy will follow.


LEGAL DEPOSIT ACQUISITIONS

  23.  One of the key roles of the British Library is as memory to the nation, which it mainly discharges through its responsibility for the national published archive. In the print environment, the Library is entitled by statute to the automatic free deposit by UK publishers of one copy of each of their publications. This right, currently embodied in the Legal Deposit Libraries Act 2003, originates in the Press Licensing Act 1662 which conferred this privilege on the Royal Library from whence it was transferred to the British Museum in 1757 and then to the British Library in 1973.[11] Although there are five other UK legal deposit libraries (one of them now in the Republic of Ireland), they do not have the right of automatic receipt of printed publications, but have to claim them, and their collecting is generally rather less comprehensive than the British Library's, very significantly so in the case of certain types of publication such as newspapers and popular magazines. In the last complete financial year, 2005-06, the Library acquired under legal deposit no fewer than 545,000 items, including 103,000 monographs, 282,000 serial issues, 155,000 newspaper issues and 5,000 other items. Despite the digital revolution, the country's printed publishing output has increased by about 50% during the past decade.

  24.  Non-print publications emerged during the twentieth century, initially recorded sound, then moving pictures, then microform, then handheld electronic materials, and finally online publications. As these non-print materials were not subject to legal deposit, the integrity of the national published archive in these formats depended upon a combination of Library purchasing and voluntary deposit. Inevitably, these arrangements have proved only partially effective, and significant gaps have opened up in the archive, not least in dynamic areas such as websites, most of which have already been lost to the nation. Accordingly, it became important for the Library to press for the extension of legal deposit to non-print matter. It did so continuously from 1974, the year after it came into statutory being, but it took almost thirty years for its campaign to succeed, in 2003, with the passage of the Legal Deposit Libraries Act 2003, a Government-sponsored private member's Bill.

  25.  The Act made little immediate difference, simply transferring the print requirements over from the Copyright Act 1911. The Act specifically excluded sound and film from its provisions, which continue to be deposited only on a voluntary basis, with the British Library and the British Film Institute respectively. In terms of other non-print media, the Act created a framework for subsequent legislation, through a series of Regulations to be brought before Parliament by the Secretary of State for Culture, Media and Sport. Thus, at the time of writing, unlike in several overseas countries, legal deposit in the UK is only operational for print material.

  26.  When the Act received Royal Assent (30 October 2003), it was generally believed that there would be a fairly natural progression of Regulations, subject to the mandatory Regulatory Impact Assessment, public consultation and to the affirmative resolution of both Houses of Parliament, probably beginning with a Regulation for offline publications, which since 2000 had been the subject of a voluntary scheme agreed between publishers and the legal deposit libraries, with the British Library as the default place of deposit. However, subsequently the Government's Better Regulation initiative, with its presumption not necessarily in favour of Regulation, has led to a growing emphasis on the need to prove that the do nothing option or a voluntary route would not be effective. The commitment by Government to establish the Legal Deposit Advisory Panel,[12] an Advisory Non-Departmental Public Body to assist it in moving forward with implementation of the Act, led to the creation of the Panel in 2005, and it met for the first time in September 2005. The Library is an ex officio member of the Panel. The first year of the Panel's work was necessarily fairly exploratory. The Panel's main decisions to date have been to relaunch the voluntary scheme for offline publications in 2007, to agree on the need for a voluntary deposit scheme for e-journals, and to accept the case in principle for a Regulation for non-commercial websites. However, the Library believes there is no prospect for any Regulation in any medium before 2008 at the earliest.

  27.  One particular dimension of voluntary action deserves mention, and that is the area of website archiving, especially the UK's public domain webspace, now the sole dissemination vehicle for the overwhelming majority of publishing, broadly defined, in this country. The British Library has been experimenting in this area since 2000, and, since October 2003, has led the UK Web Archiving Consortium,[13] its fellow members being the National Library of Wales, the National Library of Scotland, the Wellcome Trust, The National Archives and the Joint Information Systems Committee. The Consortium's archive site went live in May 2005 and quickly made the shortlist for the Digital Preservation Award in that year. Each member has a particular collecting development responsibility, the widest being that of the British Library, with a focus on sites of research interest, cultural value and technological innovation,[14] plus events-specific archiving, for example, the 2005 general election, the 7/7 bombings, and the 2012 Olympics. Much of this material is fugitive and/or rapidly changing, and—as the number of broken links (manifest in the dreaded internal 404 error messages) testify—it is immensely vulnerable, with huge swathes of information already lost for good.

  28.  For legal reasons, the Consortium has been working on a permissions basis, approaching the website owners. However, the success rate has been rather poor, only 27% in the case of the Library, compounding the inherent losses in the web medium. The Library therefore feels that a voluntary route to web archiving is unlikely to be effective. The Legal Deposit Libraries Act 2003 already permits harvesting by the libraries, once enabled by Regulation, and establishes the necessary legal indemnities, and the Library is now working with the Legal Deposit Advisory Panel to see how faster progress might be made towards a Regulation for archiving public domain sites. The Library is also collaborating with sister libraries around the world, through the International Internet Preservation Consortium,[15] to develop the essential technological tools which will automate the archiving process, including making whole-domain archiving on a snapshot basis feasible. The Library has just announced the successful development with the National Library of New Zealand of a web harvesting management system.[16]

Current purchased acquisitions

  29.  The British Library has an acquisitions budget of £17,389,000 in the financial year 2006-07. Of this sum, around 90% will be spent on new, contemporary publications, and about two thirds of that on serials. As the transatlantic league table research undertaken a few years back by the Research Support Libraries Group (RSLG) demonstrates,[17] this level of expenditure ranks the British Library on a par with the great American university collections such as Yale and Harvard. The Library far surpasses the investment being made by the major university libraries in this country, even Oxbridge. Indeed, relative to the United States and other countries, research library provision is disproportionately concentrated on the national library in the UK, a highly cost-effective method of public expenditure. As the Group commented in its final report: "The resources of the British Library are, we believe, one of the main reasons why UK universities are able to match, and in many cases exceed, the quality and scale of research undertaken within similar sized universities in other parts of the world."

  30.  Unfortunately, there are a number of threats to the Library's ability to sustain the value of the acquisitions budget. One of them is the enormous explosion in the quantity of information being published, which means that, even for an institution operating on the scale of the British Library, it is hard to keep pace. Output in many of the developed nations has risen considerably, while new publishing nations such as China and India are now emerging as their economies grow and their investment in research and education with it. The explosion is especially evident in electronic publishing, but is by no means confined to it. In the case of electronic material, content is increasingly accessed under a license, rather than being acquired in a holding sense.

  31.  Second, and perhaps more importantly, since the 1980s price increases of commercially published academic serials and monographs have risen well above normal inflation and already stretch the Library's grant-in-aid funding. Currently, for instance, annual inflation on the books, periodicals and other materials which the Library purchases is running at 6.6% per annum, compared to the Government's general inflator of 2.7%. In the face of increasing budgetary pressures, the Library regularly reviews and renegotiates contracts and subscriptions with publishers and suppliers to continue to obtain best value. However, it is not likely that this can be sustained over a longer period without some difficult decisions being made regarding the actual selection of material.

  32.  Third, academics and—to a somewhat lesser extent funders—have proved relatively reluctant to take up proposed new and (for libraries) potentially cheaper business models for scholarly communication such as open access (subscription free), and particularly author-pays models.[18] The Library is helping to promote change, not least through its recently-announced lead partner role in hosting, managing and developing the UK version of PubMedCentral, a free digital archive of peer-reviewed biomedical and life sciences journal literature.[19] However, at this time, only a tiny proportion of the outputs of the highest-quality global research still do not have to be purchased on a subscription model. At this rate, the Library would require an extra £5 million per annum by 2010-11 in order to maintain the current value of our acquisitions budget.

  33.  Fourth, and at the same time, there is an assumption that the Library will continue to underpin the UK research environment. Despite the digital revolution, there is a growing, not a diminishing, expectation of the Library's central role in national provision. Since the late 1980s, initially public libraries, then special libraries, and now university libraries have had, relatively, to retrench in terms of diminished acquisitions, as reflected in a whole array of library purchasing reports produced by groups such as the Society of College, National and University Libraries (SCONUL) and the Publishers Association. Evidence from SCONUL shows that, among its members, new acquisitions represent 2.3% of total stock, compared to 3.5% 10 years ago, and also that university libraries, like the British Library, are experiencing the challenge of inflation in the price of serials.[20]

  34.  Further testimony to researchers' growing expectations of the Library's role in purchasing contemporary publications, especially from overseas, is to be found in the early analysis of the organisational and individual responses to the Library's draft content strategy, already noted above (paragraph 22). There was virtually no support for any proposal to reduce our current level of collecting, or connecting to resources elsewhere, and yet at the same time there was strong demand for greater collecting in new disciplinary and interdisciplinary areas, or from emerging publishing nations. The point was repeatedly made that, in addition to supporting contemporary researchers, the British Library has a clear duty to collect in anticipation of future research needs. The final analysis of the responses to the consultation, and the individual responses themselves, will be posted to the Library's website in due course. In the meantime, the draft content strategy is important as a detailed description of our collecting strengths and priorities in arts and humanities and social sciences disciplines, and for the principal information formats.

Heritage acquisitions

  35.  The British Library's acquisitions focus is not simply on contemporary publications from Britain and around the world. We also make extensive retrospective purchases, especially of so-called heritage material, which is generally defined to comprise collection items which are literally unique, for example archives and manuscripts, or printed publications before 1900. Historically, much of this has been in private ownership, sometimes in private collections and sometimes on deposit in public repositories, but it is increasingly coming on to the open market, and much of it has been lost abroad, through the inability of British public institutions to be able to afford to buy it.

  36.  During recent years there has been mounting public and parliamentary concern about the nation's inability to retain some of its most significant patrimony. The issues were well-aired in the Goodison Review of 15 January 2004,[21] to which the Government has only partially responded; the Art Fund's research,[22] which generated an exchange in the correspondence columns of The Times during May 2006, to which the Minister for Culture, David Lammy MP contributed (on 16 May); debates in the House of Lords on British authors' archives on 13 December 200[23] and on the funding of works of art on 24 July 2006,[24] during both of which Lord Evans of Temple Guiting set out the Government's position; and in DCMS's current efforts to develop a strategic framework for heritage acquisitions, with particular reference to museums and galleries, in association with national collecting institutions and funders. Notice has also been given of an adjournment debate on special acquisition funds for museums and galleries in the House of Commons on 11 October, to be introduced by Sir Patrick Cormack MP.



  37.  While heritage acquisitions for libraries and archives may rarely reach the eight-figure prices of old master paintings (the John Murray Archive in the process of being bought by the National Library of Scotland being an obvious exception), they have been subject to significant inflation during recent decades. Substantial and important archive collections, for example, are now often priced in the £500,000 to £1 million range, with fierce competition from institutional and private collectors in the United States and, more occasionally, other countries. Major libraries, such as the Macclesfields' great historical library of science at Shirburn Castle,[25] have recently been broken up for auction and their contents dispersed across the globe. Through judicious management of its resources the British Library has been able to save for the nation an impressive variety of heritage material of exceptional quality, such as the Coleridge family papers which have recently attracted extensive international press and research interest.[26]

  38.  The importance attached by the Library to heritage acquisitions is reflected by the budget it has established for purchasing such items, equivalent to about 10% of the Library's total grant-in-aid-derived acquisitions budget, and representing £1,850,000 in the financial year 2006-07. This is supplemented by a number of British Library trust funds, the largest of them in terms of endowment being the Shaw Fund, although, for an institution which has been going for 250 years, the Library does not have huge endowments. The Friends of the British Library and the American Trust for the British Library also contribute to heritage acquisitions, each typically awarding grants totalling £10,000-20,000 a year for this purpose. The Library is systematically trying to build up bequests in this area. For the rest, the Library is dependent upon fishing in the same financial pools as the remainder of the cultural sector, particularly the Heritage Lottery Fund, the National Heritage Memorial Fund and the Art Fund.[27] The principal dedicated charitable fund for libraries and archives available to the British Library, the Friends of the National Libraries,[28] only has around £150,000 in total for disposal as grants to all applicants in any one year. In addition, the British Library benefits from the Acceptance in Lieu scheme administered via MLA.[29]


  39.  A case-study in the challenges of acquiring heritage material for libraries and archives is presented by the British Library's leadership of the campaign to improve the retention by the nation of English literary manuscripts.[30] The roll-call of writers whose archives have been lost to the nation, largely through sale to American universities such as Texas, Emory and Indiana, is now a long one; it includes major tranches of the papers of D H Lawrence, Graham Greene, Evelyn Waugh, Tom Stoppard, David Hare, John Osborne, Arnold Wesker, Ted Hughes, Ian Fleming, Malcolm Bradbury and Julian Barnes. Three of the six authors shortlisted for the 2005 Man Booker Prize for Fiction had already sold their papers to the United States at the time of the prize-giving. In the aggregate, British collecting institutions have insufficient funds to compete on a level playing-field in this market.

  40.  The British Library launched an initiative in 2004 in an effort to stem the outflow and to redress the balance. This has resulted in the establishment of a Working Group on the UK Literary Heritage, chaired by Lord Smith of Finsbury and with a representative national membership of collecting institutions, authors, funders and other interested parties. The Group is hosting an international two-day conference at the Library on 19 and 20 October this year to publicise the issues and to deepen engagement with stakeholders. We have also entered into dialogue with funders, MLA and HM Treasury. In the case of Treasury, the Group submitted, on 11 November last, two modest proposals to improve the situation by incentivising living authors to sell their archives to British public institutions. One proposal would have involved the loss of a small amount of tax revenue through extension of the douceur arrangement to living authors; the other would have been cost-neutral, entailing an anticipation of the Acceptance in Lieu arrangement while authors were alive, to enable them to better plan the disposition of their papers with their executors.

Physical storage[31]

  41.  The Library's collection of over 150 million items currently occupies 624.2 linear km of shelving of the total shelving capacity of 654.5 linear kilometres, which is distributed between the Library's two main sites at St Pancras and Boston Spa and its four other London stores (one freehold and three leasehold). This means an occupancy level of 95.4%. Given the annual collection growth rate, the Library is running short of space. The Library developed a coping strategy, through stock compression, deduplication and the commissioning of temporary storage, but it has now exhausted these possibilities. New physical storage has thus emerged as a critical capital need for the Library in recent years in order to adequately care for and make accessible the national collection.

  42.  Long-term preservation of printed and other analogue publications, not least those which are produced on acidic or other inferior papers, is hugely dependent upon establishing and maintaining an appropriate storage environment. Controlling levels of temperature and humidity is especially important, and the life-prolonging effects on books and periodicals of a proper environment have been frequently demonstrated through scientific research. These requirements have been carefully specified and are currently embodied in a British Standard: BS5454 (2000). At present, only the accommodation in the Library's flagship building at St Pancras fully meets these specifications—just 44% of the whole shelf-storage. Therefore, up to 85 million items are possibly stored in sub-optimal conditions. The most pressing of these is the newspaper collection at our Colindale site which will also be full in 2007, making the seeking of alternative storage arrangements a priority. As discussed in paragraph 90, the preservation of this collection is of the utmost importance to the Library and action is being taken to ensure that a significant part of our national heritage is not lost forever.

  43.  The Library has worked closely with DCMS since 2001-02 to address these challenges, and DCMS has been very supportive in providing two substantial capital allocations to date (totalling £24 million) as part of the SR2002 and SR2004 settlements to the Library to make a significant inroad into the problem. This is now enabling good progress to be made, although, as will be seen from paragraphs 89-90, there is still unfinished business in respect of newspapers and film-based media (such as microform) requiring cold storage, and no revenue funding has been forthcoming to meet the significant costs of associated book moves. The capital allocations were made in response to evidentially-based business cases by the Library which incorporated the results of original research, commissioned by the Library and externally validated, notably projections of publishing growth to 2020 (including the changing balance between print and digital publishing) and international comparative research into storage planning by the other major research libraries in the world.

  44.  The specific design solution being adopted was the outcome of extensive market research, option appraisal and procurement. The Library will be implementing an innovative and cost-effective high-density, high-bay and low-oxygen storage facility delivering the equivalent of 262 linear km of shelving, and with an automated retrieval system. This will enable the Library to cope with collection growth to 2022-23 for all printed publications apart from newspapers, and to relinquish some poor leasehold storage. In accordance with the Board's two-site property strategy of 2002, the building is being constructed on the Library's Boston Spa campus. When finished and fully occupied, by 2011, the amount of storage accommodation to the BS5454 standard will have risen to 65%.

  45.  The Library's innovative storage solution is now being emulated by Oxford University Library Services, a reflection of the extent to which the professional knowledge and experience gained by the Library can be shared with, and applied by, the wider library sector. The development of a high-quality and secure new storage facility at Boston Spa has also opened up the possibility of more collaborative solutions, especially with higher education libraries, and in respect of low-use printed material, both books and journals. With capital funding for library extensions and stores increasingly at a premium in higher education, a number of universities are looking to relying increasingly upon British Library holdings, augmented as necessary by stock transferred to the Library from their own institutions.[32] An interesting pilot exercise around low-use monographs was completed with the White Rose Consortium (Universities of Leeds, Sheffield and York) in 2005 and is now entering a second phase.[33] More generally, the Library has teamed up with the Consortium of Research Libraries in the British Isles (CURL) first to commission a consultancy and then to devise an implementation project around utilising the Library's storage facilities, and associated remote services, to optimal national benefit. It has been conservatively estimated that at least £100 million of capital investment in higher education library storage which might otherwise have been required, from the higher education funding councils or individual institutions, could be avoided.[34]


Analogue conservation and preservation

  46.  The scale of the challenge to care for the Library's collection is due to a number of factors. First, the sheer numbers—150 million items which equates to an estimated five billion pieces of paper. Second, most of the material is organic, and mostly cellulose-based that is susceptible to both chemical and mechanical deterioration. Third, the collection is very heavily used in a very (literally) "hands-on" manner—which is significantly different to many other cultural organisations' collections. The wear and tear to the 2.8 metre collection items issued in the reading rooms every year has an impact on the physical conditions of the collection. Fourth, a fundamental condition audit of the comparative physical state of all the Library's collection revealed that 86% of the materials are stable; and 14% are unstable, including 5% unusable. This 5% equates to approximately 1m items and is disproportionately concentrated in the newspaper collection. Early indications from the data on five of the six UK copyright libraries currently available are that the Library's collection is overall in the worst physical condition (most probably attributable to the heavier levels of use).

  47.  The Library has developed a repertoire of preventive and interventive techniques to prevent damage occurring to items in the collection, and to repair them if damage does occur. Furthermore, in caring for its collection, the Library operates a "mixed economy", combining in-house conservation expertise that is not available on the required scale externally, with outsourced routine operations that can be provided more cost-effectively externally. The Library's in-house conservation[35] department is the largest in the UK, with a budget of £2,377,000 and around 80 staff (£2,133,000 staff costs and £244,000 equipment and materials). The department carries out interventive conservation across the whole range of the Library's collection, from medieval manuscripts to Chinese scrolls to maps and printed material. The work ranges from refurbishment and making `phase-boxes' to the treatment of extremely friable birch bark fragments.

  48.  The preservation[36] department has a budget of £2,977,000. The majority of this (£2,423,000) is spent on external contracts, with £514,000 spent on about 20 staff who carry out work aimed at preventing damage to the collection. The contracts are mainly for the more routine treatments that are more cost-effectively carried out externally, together with some expert conservation in areas in which the Library does not, nor does it intend to have, expertise.

  49.  A major construction project is currently under way to create a new, purpose-built Centre for Conservation on the Library's St Pancras site due to open in 2007. The rationale for the British Library Conservation Centre is to turn an accommodation problem—whereby 50 Library conservation staff remain based on the British Museum site in accommodation that is expensive, unfit for purpose, and on short leasehold and 10 Sound Archive technical staff are housed in suboptimal short leasehold accommodation in Islington—into an opportunity. The new £15 million Centre, funded by Government, the Library and fundraising, has been explicitly designed to be a catalyst and enabler of change at the Library. An ambitious programme has been established that will result in state-of-the-art conservation studios, a visitor centre linked to the main exhibition galleries, public demonstrations and tours; improved conservation treatments and skills for the current cohort and new training courses for future book conservators (including a new foundation degree in book conservation with a university partner). There will be improved materials testing and microscopic examination facilities, and more opportunities to convey the findings of conservation research to the public.

  50.  In 2002, the British Library identified the need for conservation research applicable to caring for the collections in libraries and archives in the UK and internationally. In 2003, the Library appointed the first head of conservation research in a UK library or archive; this was followed by the creation of a similar role at The National Archives. The British Library produced a conservation research strategy in 2004, identifying how science would underpin the conservation of the Library's collection and enhance knowledge about it. The fundamental principle is that conservation research has to contribute directly to the long-term preservation of the physical collection, either by developing less interventive or more effective techniques for conservation, or by improving our ability to prevent damage to the collection. Wherever possible our tactic will be to form collaborative partnerships with other bodies (libraries, archives or academic institutions), both nationally and internationally, in order to maximise the use of resources and spread the workload. Applied conservation research also supports the Library's own research strategy by increasing knowledge about our collection; this provides an extra dimension to original research carried out by users of the Library and by curators.

  51.  The British Library attracted funding from the Andrew W Mellon Foundation for an international roundtable to produce a peer-agreed strategic framework of priorities for conservation research in the library and archive community in the next five years.[37] Under the Library's leadership, a collaborative national framework was produced with the other UK copyright libraries and The National Archives, and with a European and United States dimension, aimed at securing external funding for a five-year programme. The themes that emerged are: the "life cycle of the collections", including life-cycle prediction, natural ageing of materials and the evaluation of preservation strategies; the effects of the storage environment, including the selection of the optimum environment for different materials; and the non-destructive methods for assessing damage to materials.

  52.  In fulfilment of the aims of the strategic framework, the British Library has just been awarded $700,000 (one of the largest grants ever made for conservation research in the UK) from the Mellon Foundation for two projects. One project will research the condition of identical books in different nationally-significant libraries. Identical volumes held in the different environments of the six legal deposit libraries across the UK provide a unique research resource. The second project will research the emission of volatile organic acids by books and paper, again studying real-time collections at the UK copyright libraries and The National Archives. The scientific analysis will be outsourced to the Centre for Sustainable Heritage at the Bartlett School of Architecture at University College London and to the University of Strathclyde. The emphasis on applied conservation research and the collaborative, outward-looking approach reinforces many Library corporate strategies.

  53.  The British Library submitted written evidence to the recent House of Lords Science and Technology Sub-Committee Review of Science and the Cultural Heritage[38] and was subsequently invited to give oral evidence[39] to the Committee.

Digital preservation and storage

  54.  The virtual corollary to the storage buildings for the 624 km of the Library's tangible, physical collection is the need to store, preserve and make accessible the, at present (but rapidly growing), 200 terabytes of the intangible, digital collection.  The British Library is investing significantly in a Digital Object Management Programme whose vision is to create incrementally a management system that will store and preserve any type of digital material (whether born-digital or digitised) in perpetuity, provide access to this material to users with appropriate permissions, and ensure that users can, where possible, experience material with the original look and feel. This has never been done before by any national library and is pioneering work in the cultural heritage sector. The preservation-quality storage layer is already built, and partially populated, and a contract for the development of the ingest module has recently been let, following procurement. The Library's system will be a key component of the UK research e-infrastructure.

  55.  In conformity with its format-neutral approach to the stewardship of its collection, the British Library is actively addressing the challenges of digital preservation. In 2003, the Library was central to the establishment of the Digital Preservation Coalition,[40] formed by knowledge organisations concerned about the potential for the total loss of digital material. The Coalition now has 11 full members and 17 associate members. The Library's Chief Executive, Lynne Brindley, has taken a leading role in this area, being the founding chair of the Coalition, as well as the only non-US steering board member of the Library of Congress' $100 million digital preservation programme NDIPP (National Digital Information Infrastructure and Preservation Program). Within the Library itself, the first digital preservation co-ordinator post was created in 2003 and the first interdisciplinary digital preservation team in 2005.

  56.  The e-preservation of the documentary heritage is a new field of research. The British Library is moving from minor involvement in theoretical and demonstrator projects (such as CEDARs[41] and CAMiLEON)[42] to leading on real-time study of its digital collection. One example is the Joint Information Systems Committee-funded LIFE (Life Cycle Information for E-Literature) project,[43] collaboratively run by University College London (UCL) and the British Library, which defined the life cycle of the collection and preservation of key digital collections at UCL and the Library; and established the costs of the individual stages in the cycle to show the full financial commitment of collecting digital materials over the long term. The exemplars at the Library included the study of the life cycle costs of the 200,000 digital objects received under voluntary legal deposit since 2000. An extension to this applied research is now being sought.


  57.  Another major digital preservation project in which the Library is involved is PLANETs (Preservation and Long-term Access through NETworked Services), which has recently been awarded multi-million Euro funding under the EU's sixth Research Framework Programme. The British Library is leading the project consortium of 15 European national libraries and archives, universities and commercial companies, including the Dutch national library and Microsoft. The aims of the project are to enable organisations to take the steps necessary to ensure long-term access to their valued digital content and to create, evaluate, and execute preservation plans with a high level of automation. It will enable vendors to compete in a market place for differentiated preservation services and tools, and give European citizens confidence that their digital cultural and scientific heritage will be preserved and made accessible to future generations.

  58.  A third example of the Library's thought leadership in digital preservation is its work with Microsoft to ensure the longevity of the Office file format, which is the basis for so many e-documents.[44] The Library is a founding member, and provides the vice-chair, of the technical committee that is defining an open standard for Office file formats that will retain compatibility with Microsoft formats, and thus to address needs for ongoing interoperability and for long-term preservation. This exemplifies how the Library does not consider that the sizable challenges of e-preservation can be solved in isolation and is actively collaborating in applied research with parallel libraries and archives, with universities and commercial organisations, nationally and internationally.

Enabling access and delivering services

  59.  The Library's collection is not an end in itself. It can only come to life when enabled by appropriate access tools and services. Awareness of and access to our rich and varied collection is thus a primary function of the British Library. To support users in searching, navigating through the collection, discovering and accessing information we invest heavily in the development of search and navigation tools and systems, as part of our infrastructure.

  60.  In 2004 the Library took a major step forward in improving access to its collection by the successful implementation of the integrated catalogue, running on industry-standard hardware and software. This replaced 23 separate catalogues and databases, deploying bespoke and obsolescent technologies with limited interoperability, and gave users a single point of access to over 13 million titles. This programme was an excellent example of a successful IT initiative in the public sector, delivering the desired goals on time and to budget, and providing good value for public investment. The integrated catalogue is available on the internet at http://catalogue.bl.uk. Our catalogue records are also made available in many other ways, including through inclusion in the UK's two principal union catalogues, COPAC and SUNCAT.

  61.  Coming very shortly will be easier remote access and ordering via a new single entry point on our main website, through which users from anywhere in the world will be able to simultaneously search across the integrated catalogue, the nine million journal article references contained in the Library's Electronic Table of Contents, all the pages on the Library's website, and across "Collect Britain", a collection of over 90,000 digitised images and sounds. The Library will soon be launching, as a free online resource, the definitive catalogue of all English books published before 1801, whether held by the Library or not. It is also planned to develop the integrated catalogue still further over the next year or so, in particular by incorporating records for our archives and manuscript and our sound collections.

  62.  A major challenge facing the Library is the legacy of large amounts of catalogue data still in manual formats, for example in historic printed or card catalogues, often only available within the Library's reading rooms. These catalogues obviously need to be converted to digital formats in order to expose our collection completely outside the walls of the Library. The Library has invested over £500,000 in retrospective catalogue conversion projects since 2000, and as a result has made one million more records available to users via the internet. But much still remains to be done to convert older data and to enhance it to bring it up to modern standards and satisfy contemporary user needs. Many of these data are for internationally important special collections, including manuscripts, early printed books, and the bulk of our holdings in non-Western languages.

  63.  Such discovery tools enable our users to locate and order collection items, either to our reading rooms, or, where conservation and copyright permit, for remote delivery, usually in the form of a copy. However, this does not satisfy the increasing requirement for virtual desktop access to our collection. In an endeavour to meet this need, the British Library has been engaged in digitising items from its collection for over 13 years, during which period it has gained an acknowledged expertise, and deployed some innovative technology such as Turning the Pages(tm), the Library's award winning software providing a high degree of interactivity with virtual forms of significant manuscript or early printed material.[45] Over 20 million objects have been created as a result of this digitisation, mostly with the aid of additional income generated from the public and private sectors, and mainly (for legal and licensing reasons) out-of-copyright material, generally published before 1900. Our digitised collection ranges from individual iconic items such as Beowulf, Magna Carta, Lindisfarne Gospels, and Gutenberg Bible to mass digitisation of historic newspapers (three million pages to date) and sound (4,000 hours to date),[46] both projects substantially funded by the Joint Information Systems Committee, and nineteenth-century books (a minimum of 25 million pages, funded by Microsoft). The Library considers that it is making good progress in responding to the Committee's challenge on digitisation as set out in its previous report in 1999-2000,[47] and is encouraged by the National Audit Office's endorsement of its strategic approach to digitisation.[48]



  64.  Access to, and enjoyment of, the collection is also extended by a vigorous public programme, both onsite and remote. At its flagship building in St Pancras there is an exciting portfolio of free exhibitions, targeted at the broadest possible global audience, one which is notably diverse in culture, language and styles of learning. This comprises two new major exhibitions each year, privately sponsored, showcasing collection items in the Library's Pearson Gallery; year-round access to a selection of treasures from the Library's world heritage collections in the Sir John Ritblat Gallery; new topical displays mounted every three months in spaces available in the Library's front hall and Treasures Gallery; and displays of works of art around the whole building. In selecting items for exhibition, care of the collection is a paramount consideration; for example, the Library has recently introduced a rotation policy for its most iconic items, to ensure that they are rested for six months after an 18 month period of display. As can be seen from our "what's on" pages,[49] the exhibitions are accompanied by a series of public lectures, debates, readings and performances, in the building and on the piazza, which bring new audiences to the Library, and raise awareness of its collection.

  65.  Closely allied to the public programme at St Pancras is a programme of regional outreach and co-operation with the UK public library network and regional agencies. Turning the Pages(tm) is included in the Library's complementary virtual learning environment, the Online Gallery, along with views of current and past exhibitions, and short research articles by our experts. The Library's learning programme promotes the development of young people's research skills and engagement by schools and lifelong learning audiences with world culture and heritage. We deliver an onsite programme of workshops, exhibition activities and major educational projects with schools, further education colleges and youth and community learning groups, and ensure public activities meet appropriate learning and access criteria.

  66.  The Library has worked hard to attract new audiences and provide access to everyone with an interest in researching or enjoying any aspect of its collection. As a result, according to market research commissioned by the Library from MORI, public recognition of the Library has risen to 75% across the UK from under 50% five years ago.

Intellectual property rights

  67.  The Library's collection essentially comprises the intellectual property rights of third parties. Only a relatively small minority of it is out of copyright or has rights vested in the Library itself. Accordingly, access to, and care of, the collection must operate within the constraints of the UK's intellectual property framework. The Library is fully respectful of third-party rights and advocates a position of balance between the needs of users and rightsholders, in support of a healthy and innovative knowledge economy. However, as we have made clear in our lengthy written evidence to the ongoing Gowers Review of Intellectual Property, evidence which is still unpublished but summarised in our recently-launched intellectual property manifesto,[50] there is a pressing need for copyright to be re-interpreted for the digital age, in order to maintain the historic balance of interests. As the digital collection of the Library grows, a significant number of problems have arisen regarding long-term preservation of and access to digital items.

  68.  One particular area is Digital Rights Management systems (DRMs) which, through Technological Protection Measures (TPMs), apply certain controls to the use of e-material. These have recently been subjected to scrutiny by the All Party Parliamentary Internet Group, to whose inquiry the Library contributed.[51] These controls, and the associated contracts and licenses to use the material, have total protection in UK law, with no practical processes allowing for legal circumvention in the interests of access by disabled users, long-term preservation or where the system prevents the exercise of statutory limitations and exceptions under copyright law. In a random sample the Library discovered that 28 out of 30 licenses offered by publishers and suppliers were more restrictive in terms of rights than copyright law permits. In other words, through new technology, the principles of copyright law are being undermined.

  69.  A second area affecting statutory limitations and exceptions to copyright concerns fair dealing and library privilege. This is critical to the Library since these rights underpin our ability to provide copies of in-copyright collection material for the non-commercial research and study of our users, either to take away from our reading rooms or for remote supply through our document delivery services. The World Intellectual Property Organisation is clear that digital is not different, that these limitations and exceptions are equally applicable to the digital as to the analogue environment. UK law is silent on this matter, allowing some rightsholders to challenge the Library's ability to supply copies of material electronically under library privilege.

  70.  The Library is similarly concerned that, under current copyright law, we are not able to make copies of sound or film recordings for archive (preservation) purposes. As we have seen in paragraph 21, the British Library Sound Archive is one of the largest archives of music and other audio works in the world. Many audio and film formats are fragile and transitory, and they require the urgent creation of preservation surrogates. Alongside the need to clarify the law in this respect, the Gowers Review is in turn examining the length of copyright term in sound recordings. The Library strongly believes that the current term of 50 years strikes an adequate balance between rewarding the creator and encouraging innovation and creativity in society through the use of sound recordings by the public. Any extension (a term of 95 years is mooted, taking almost the entirety of the UK's audio history out of the public domain) would bring even more material into copyright and therefore restrict still further the making of copies for preservation, thereby increasing the likelihood that the collection will suffer from decay and lower use.

  71.  The national library collection also contains what are known as orphan works—published and unpublished material where the copyright owner cannot be traced, despite reasonable endeavours on the part of libraries, thus rendering it impossible to secure specific permissions to reuse the material, for instance in digitisation projects. For fear of subsequent legal challenge, libraries and, indeed, publishers are reluctant to reuse these works. Creating a framework for dealing with orphan works, preferably one that mirrors the proposed "light-touch" approach of the United States, is vital for ensuring digital access to a large part of the national collection. An allied issue with unpublished works created before 1989 is that they have a transitional term of copyright protection to reflect their perpetual copyright status under previous UK law; the Library contends that they should be brought under the standard copyright term for literary works of life plus 70 years.

Security

  72.  In caring for the collection, the Library has to strike an appropriate balance between security on the one hand and access by legitimate users on the other. These two interests are, in essence, in constant tension with each other. The Library takes a risk-based approach to the security of the collection, built around a combination of physical security measures and robust policies and procedures. In common with other national collections, and in response to the well-publicised international threats to cultural property, this is an area in which we have made increasing investment, of money and of staff time, over recent years. A high-level collection security steering group keeps the matter under constant review, and is supported by operational staff, including a new full-time post of head of collection security. Taskforces are immediately convened to investigate major suspected incidents. Fortunately, known thefts from, or serious damage to, the Library's collection are relatively uncommon and, where they occur, they are pursued vigorously by the Library, as will be evident from the recent extensive media coverage of the Library's efforts to secure justice in the case of Edward Forbes Smiley III, an American dealer who stole antiquarian maps from seven public and private collections, including from the British Library.

Deaccessioning

  73.  As part of its balanced and long-term approach to the stewardship of the collection in its care, the Library has developed a transparent policy on deaccessioning, which is summarised on its website.[52] This represents a combination of the statutory limitations on the disposal of collection items, laid down by Section 11 of the British Library Act 1972 in respect of material transferred from the British Museum, and the policy on other collections of the Library's Board, at any given time, which was last revised in February 2003.

  74.  In summary, the Library has a cautious approach to the disposal of collection items, in practice mainly confined for printed items to the deaccessioning of duplicate copies once the service requirement for duplication has elapsed (a consideration which especially applies to superseded editions of reference works and additional copies of journals purchased to support the remote services of the document supply centre). Requests to dispose of items held in a single copy require the express permission of the Board. This caution reflects: the Library's recognition that much of its collection is not to be found elsewhere in the UK; the lessons learned from disposal exercises of the 1990s; and (as noted in para 45) an emerging buy-in from higher education to the concept of the British Library providing a national research reserve, as the most cost-effective way of the nation preserving access in perpetuity to low-use library material. Beyond this, the Library naturally also has to keep under continuous review its policy on the print/digital transition for contemporary publications, where the same content has become available in identical or near-identical print and digital formats. Our current thinking in this area is set out in Section 3.4 of our recent public consultation document on our draft content strategy.[53] Initial analysis of the responses indicates a broad stakeholder endorsement of our intentions.

  75.  In these respects, the Library is in a very different position to most museums and galleries. Within the museums domain there has been a vigorous debate for the past five years or so about whether it is right and proper for museums to hold so many of their collections in reserve stores and for them not to be exhibited to the public. The Museums Association has recently announced an open consultation as part of its updating of its own ethical guidelines on museum disposals.[54] But artefacts are not the same as books. The role of research libraries, and the British Library in particular, is conceptually very different. Our primary purpose is not to exhibit, indeed only around 1,000 of our 150 million collection items are physically displayed to the public at any one time, but to build up collections to support current and future research in our reading rooms and via our remote services. Our measure of success is ultimately not footfall through exhibition galleries but our ability to provide researchers from all walks of life with the knowledge and resources to undertake their enquiries, and the staff expertise which will enable them to get the best out of those resources.

Cultural property

  76.  The same degree of due diligence which applies to deacessioning also obtains in our management of cultural property, the subset of our collection which has heritage status or other cultural associations. The British Library's first full-time cultural property manager took up post in October 2005. This was also the first such post of its type in any national UK cultural institution. The manager has been appointed to develop and lead implementation of an overall strategy for the Library's holding of significant cultural property, national as well as international, taking account of the complex external environment of legislative changes, and political, faith-related and other cultural sensitivities in which the Library must operate.

  77.  The remit of the cultural property manager at the Library therefore also includes questions of cultural restitution, an area of notable media interest and coverage at present. Examples from the Library's collections include the Beneventan Missal, which came before the Spoliation Advisory Panel,[55] and the Lindisfarne Gospels, the subject of a campaign to "restore" to the North-East. The Library responds proactively to such questions and is in a position to act on lessons learnt. The Library recognises and values the international stewardship role it fulfils and believes that it has an excellent record in curating its collection from whatever part of the world, particularly in today's culturally diverse Britain. As one of the world's foremost research libraries, the Library collaborates internationally with other bodies and institutions to increase the awareness, exploitation, and enjoyment of its world heritage collection. The Library considers that there is great educational and research value in maintaining the "universal collection" built up in our institutions and where the products of various cultures and civilisations can be seen together, compared and contrasted—not only by the citizens of the UK but by the many visitors every year from all parts of the world. This position is similar to that now being actively articulated by national museums and galleries.

  78.  A number of national and international fora have considered the ethico-legal issues that arise from such stewardship and considerable effort has been made to raise standards of ethical and moral practice in museums and other institutions.[56] It is increasingly possible that funding and good ethical practice may become linked. There have been four broad categories of developments:

    —    non-binding codes which are in effect mandatory or good practice;[57]

    —    Government advisory panels such as, in the UK, the Spoliation Advisory Panel and the Illicit Trade Advisory Panel;

    —    new legislation including, in the UK, the Dealing in Cultural Objects (Offences) Act 2003, the Iraqi Sanctions Order 2003, and the Human Tissue Act 2004; and

    —    mooted or possible legislation, such as implementation of the 1954 Hague Convention and Protocols, legislation designed to curb the sanctioned seizure of art in cross-border restitution claims, and the current Government consultation on Holocaust era spoliation legislation.

  79.  Looking forwards, the Library is currently codifying its due diligence requirements for prospective acquisitions. This will ensure that the Library is observing the DCMS Due Diligence Guidelines. In respect of its legacy collection, the Library is undertaking an audit of its most culturally significant material. It is expected that both these actions will reduce the risk of the Library to spoliation and restitution claims for material acquired in the future, and will enable the Library to more efficiently deal with issues arising from past acquisitions. The Library has also responded at length to all recent DCMS consultation papers on subjects affecting the stewardship of cultural property, and it maintains active links with sister cultural institutions, the trade and other interested and knowledgeable parties.

Working in partnership

  80.  The British Library is a great historic institution, with a critical mass of its own and a vibrant international brand. However, it is not an island. In caring for its collection, it seeks to work productively with a range of partners where there is a demonstrable mutual benefit. Some specific collaborations have already been noted throughout this document, for example in paras 46-58 on preservation and conservation. Here are summarised some of the more cross-cutting ones, affecting both the library and archive domains.

  81.  As set out in Section 6.1 of our draft content strategy,[58] collecting and connecting to information resources are particularly important as a basis for joint working, and we have a number of well-established relationships in this field. The Library was instrumental in the establishment and sponsorship of the British Library/Higher Education Taskforce of 1999-2001, the Research Support Libraries Group of 2002-0[59] and the Research Information Network,[60] which was launched in 2005 and has its administrative headquarters at the Library. We have forged increasingly close links with higher education research libraries in general and have been an active full member since 2001 of the Consortium of Research Libraries in the British Isles. We are working with the Joint Information Systems Committee (JISC) to develop a UK e-content policy framework to enable public sector organisations to collaborate and co-ordinate their e-content activities, making best use of limited resources.


  82.  We partner with individual libraries in specific acquisition areas, such as with the London School of Economics and the Institute of Advanced Legal Studies of the University of London, to improve national provision of overseas official publications, statistics, gazettes and law. In respect of the UK, we have strong links with the other legal deposit libraries, not least the National Library of Wales and the National Library of Scotland, and we provide extensive leadership to the national library and information community, in professional areas (such as the development of standards) and in policy areas, as evidenced by our leadership of a national consortium to secure improvements to Clause 2 of what is now the Terrorism Act 2006 and to highlight inadequacies in the current regime of intellectual property rights (see paras 67-71). Our library partnerships are also truly global. We have been a major player in the creation of The European Library and work especially closely with libraries in Europe, the United States and Asia.

  83.  We have increasingly formal relationships with a range of funding bodies and sponsors. Memoranda are in place with the Higher Education Funding Council England,[61] the Arts and Humanities Research Council (with whom we now have Academic Analogue status),[62] and JISC,[63] and we are working towards an agreement with the Economic and Social Research Council. We have attracted £10 million from the Lisbet Rausing Charitable Fund to administer an Endangered Archives Programme,[64] seeking to identify archival materials at risk in the developing world, to arrange their transfer to a safe archival haven in the country or region of origin, and to create surrogate copies for distribution by the Library. This exemplifies how the Library's standing in the archives domain is gaining increasing recognition, and we are in discussion with the National Council on Archives to see how our expertise and reputation may be better harnessed. We are working with The National Archives on a range of joint activities, including conservation research for libraries and archives. We similarly have much contact with the MLA, at both national level and through the new regional partnerships (where we have worked especially closely in the South-East and North-East). We have long-standing links with many of the major scholarly publishers and have recently concluded an innovative hybrid business model agreement with Thomson Gale to make available our collection of out-of-copyright British newspapers online. We are similarly working with Microsoft as a technology partner for our Digital Object Management programme and as sponsor of a project to digitise and make freely available a substantial number of our nineteenth-century books.



  84.  While we do not underestimate the challenges of partnership working, including the management overhead, we believe that the Library's reasoned and selective approach to collaboration is paying dividends in terms of the stewardship of our collection and the services we offer to researchers and the public, and offers an additional return to the nation on the investment which is made through grant-in-aid in the British Library.

SECTION 3—CONCLUSIONS

Access

  85.  The biggest strength of the Library's collection is that it is accessible to researchers from a variety of backgrounds and research needs and, in a digital environment, is becoming more accessible with our ongoing partnership work on cataloguing and digitisation. Care of the collection is inconceivable without access. We are continually seeking to expand our accessible material to benefit the research base in the UK and abroad. In order to maintain the rapid progress of opening up the collection, the Library needs both continued public investment and to repeat successful projects with the private sector. There is a risk that any reductions in core funding, including in staff expertise so carefully built up over the years, will lead to a slowing of this process and compromise the Library's excellent progress on access.

Acquisitions funding

  86.  In his evidence to the House of Commons Education and Skills Committee, Sir Brian Follett, the leading proponent of collaborative research library solutions in the UK, commented that: "without the provision of resources at the British Library, university libraries would have to increase their expenditure on books and periodicals from approximately £150 million a year to around £400 million a year." The Committee report itself concluded that the Library's support here is invaluable, stating that "we are proud that the British Library is recognised as a world leader and we pay tribute to its work in providing research resources for higher education and for enterprise". The centralised model for library support for research implied in the onsite and remote services of the British Library thus represents tremendous value for money. It is in the national interest to do everything possible to maintain the Library's purchasing power in real terms into the medium-term future.

  87.  Against such a background, the Library is naturally apprehensive about the outcomes of the forthcoming Spending Review, in preparation for which we have been asked to model the impact of real-terms cuts building up to 15% and 21% by year three. If the 15% were to be applied to the Library's acquisition budget, and taking account of the differential inflation on publications (see para 31), we would suffer a permanent drop of 45% in purchasing power over three years. This would have a devastating impact upon our ability to underpin the UK's research in all its forms, at a time when researchers are increasingly looking to us for research information provision and support (see paragraphs 33-34). Such a shortfall could not be made up elsewhere. It is impossible to raise money for purchasing current publications, which are naturally seen as a core responsibility of Government for a national library, and it is increasingly difficult to raise money for heritage acquisitions in a more competitive fundraising environment. Our collection is at the heart of what the Library is and does; if investment in it is not sustained, we will be quickly relegated to the ranks of the second-rate.

  88.  More specifically, the British Library is working with other institutions to protect the UK's intellectual and cultural heritage and would like the Committee to note the importance of heritage acquisitions to the UK collection.

Physical storage

  89.  The British Library's collection is growing at a fast but steady rate, and therefore continued investment is needed to ensure that new and existing materials have the space to be stored and at the required British Standard. DCMS has hitherto been supportive of the Library's Additional Storage Programme, where capital funding has been provided since SR2002. The programme is incomplete, and additional investment is still required to meet three needs:

    —    revenue costs associated with the substantial book moves which will have to take place when the first new storage building at Boston Spa is finished in 2008;

    —    capital costs for a new storage facility for newspapers (discussed in the next paragraph); and

    —    capital costs for a cold storage facility for film-based media such as microform.

  90.  The national newspaper collection, housed at Colindale in North London, is one of the largest and most important historical collections of newspapers in the world, with many unique holdings, but it is under threat from its own fragility. Current storage conditions are not fit for purpose, in terms of temperature, humidity and other environmental controls. It has already been noted (para 46) that newspapers present our greatest preservation challenge, with 15% of the collection now inaccessible for research due to the deterioration of the newsprint. Moreover, Colindale will be operationally full by the end of next year. A twin-track solution is required. On the one hand, the creation of digital or other surrogates will help preserve the collection and facilitate greater access, especially through our reading rooms, alongside the rest of our collection. We will be bidding for funds from a variety of non-Government sources to enable this strand, in particular through a continuation of our digitisation programme. On the other hand, the transfer of the physical newspaper collection to environmentally-controlled storage will greatly enhance its longevity, and we are looking to Government to make this investment, to secure the future of this critical component of the national heritage.

Digital initiatives

  91.  In addition to addressing the pressures on physical storage, the British Library is committed to storage, preservation and access to its growing digital asset base. Much of this material is only available in electronic form, not least websites, and a considerable quantity has already been lost for good. Our responsibilities in this area should increase significantly as the Legal Deposit Libraries Act 2003 takes progressive effect. The outputs of our digitisation programme will also be important and augment this digital collection. This is a major part of our vision for a 21st century library—opening up the collection through a variety of digital means, wherever possible, beyond the physical confines of the Library, and making it accessible to new audiences that wish to research. To do this, we look to Government for support:

    —    to sustain our investment in the Digital Object Management programme (para 54);

    —    to accelerate, so far as practicable, the implementation of the non-print provisions of the Legal Deposit Libraries Act 2003 (paragraphs 23-28); and

    —    to ensure that the intellectual property framework is modernised for an e-environment (paragraphs 67-71).

Summary

  92.  In summary, we look to the support of the Culture, Media and Sport Select Committee for:

    —    the Library's ongoing work in building, managing, providing access to, and in ensuring long-term preservation of, its world-class collection, as described in Section 2;

    —    the good progress being achieved by the Library in attracting new audiences and in providing access to all those with an interest in researching any aspect of the collection both via the reading rooms and remotely, including through digitisation (paras 59-66 and 85);

    —    the importance of sustaining the real terms' value of the Library's acquisitions budget in general, given its underpinning role vis-a"-vis the UK research environment (paras 29-34 and 86-87);

    —    the importance of heritage acquisitions in maintaining the record of the intellectual heritage of the UK and the initiative of the Library in establishing a Working Group on the United Kingdom Literary Heritage (paras 35-40);

    —    the importance of completing the Library's Additional Storage Programme to ensure that the national collection is housed in fit-for-purpose storage with controlled environmental conditions meeting British Standard BS5454 (2000) (paras 41-45 and 89-90);

    —    investment in the digital infrastructure required to preserve and to provide long-term access to the UK's national electronic published archive (paras 54-58 and 91).

  93.  The British Library stands ready to give further oral evidence following this submission as required.

September 2006





1   "We strongly support the British Library in its endeavours to continue its digitalisation of internationally important books and manuscripts. We recommend that, wherever possible, those images should be freely available on the Internet. We consider that support for this process should be considered a high priority for Lottery or Government funding as appropriate. It should be the Government's avowed aim to establish the British Library as a hub for the United Kingdom and the international library network. This will enable the British Library to become a universal resource rather than the preserve of a relatively small number of users on the site-a library for the many not just for the few. The expansion of the British Library's role should not be at the expense of and should in no way compromise the performance of the British Library's core statutory functions"-Sixth Report of the Culture Media and Sport Committee, Session 1999-2000, Public Libraries, HC 241, p 86. Back

2   Measuring our Value: Results of an Independent Economic Impact Study Commissioned by the British Library to Measure the Library's Direct and Indirect Value to the UK Economy, 2003. Back

3   The British Library: Providing Services Beyond the Reading Rooms, National Audit Office, 2004, HC 879, http://www.nao.org.uk/publications/nao_reports/03-04/0304879.pdf Back

4   Redefining the Library: The British Library's Strategy, 2005-08, British Library, 2005 http://www.bl.uk/about/strategy.html Back

5   A collaboration between University College London Library Services and the British Library; for more information please see http://www.ucl.ac.uk/ls/lifeproject/. LIFE developed a methodology for analysing and costing the life cycle of a collection of digital materials. It tested this methodology by applying it to real life collections in a number of case studies and also developed a model for estimating the preservation costs of a digital object's life cycle. For an overview of the concept of life cycle collection management by a member of the British Library's staff, see Helen Shenton, "Life Cycle Collection Management", LIBER Quarterly, Vol 13, No 3/4, 2003, http://liber.library.uu.nl/ Back

6   From The British Library Act 1972, http://www.bl.uk/about/blact.html one Back

7   For more information about the Library's collection, see http://www.bl.uk/collections/ Back

8   For further statistics on our overall holdings and annual acquisitions please see the latest annual report at http://www.bl.uk/about/annual/2005to2006/pdf/stats.pdf Back

9   http://www.bl.uk/about/strategic/growmannatcoll.html Back

10   Please see http://www.bl.uk/about/strategic/contentstrategy.html Back

11   For an introduction to many of the events and issues summarised in this section, see Clive D Field, "Securing Digital Legal Deposit in the UK: The Legal Deposit Libraries Act 2003", Alexandria, Vol 16, No 2, 2004, pp 87-111. This article includes the text of the 2003 Act. Back

12   http://www.culture.gov.uk/what_we_do/Libraries/legal_deposit/ Back

13   http://www.webarchive.org.uk; see also Steve Bailey and Dave Thompson, "UKWAC: Building the UK's First Public Web Archive", D-Lib Magazine, Vol 12, No 1, January 2006, http://www.dlib.org Back

14   See http://www.bl.uk/collections/britirish/pdf/modbritcdpwebsites.pdf for the Library's collection development policy for websites. Back

15   http://www.netpreserve.org Back

16   http://www.bl.uk/news/2006/pressrelease20060925a.html Back

17   http://www.rslg.ac.uk Back

18   Currently, for instance, 50 journal titles are participating in Oxford Journals open access experiment to assess the implications for authors, publishers and researchers. Please see http://www.oxfordjournals.org/oxfordopen/ Back

19   http://www.bl.uk/news/2006/pressrelease20060731a.html Back

20   "There are changes in the trends observed for the serials collection. The growth in titles per academic staff member has slowed, and there is increasing diversity between the sectors. The proportion obtained in printed format continues to fall. Information provision expenditure has kept pace with academic book price inflation over the last five years, but not with increases in serials prices." SCONUL Library Statistics: Trends 1994-95 to 2004-05, SCONUL, 2006, Executive Summary, p 2, and see also pp 29-30. Back

21   Securing the Best for Our Museums: Private Giving and Government Support, Her Majesty's Treasury, 2004, http://www.hm-treasury.gov.uk./media/B9D/02/ACF10B6.pdf Back

22   The Collecting Challenge: The Art Fund Museum Survey, 2006, Art Fund, 2006, http://www.artfund.org/news/pdf/Collecting%20Challenge.pdf Back

23   Hansard, Lords, Vol 676, Cols 1109-1111. Back

24   Hansard, Lords, Vol 684, Cols 1540-1544. Back

25   Nicolas Barker, "What Price Our Literary heritage?", Times Literary Supplement, 21 June 2006. Back

26   http://www.bl.uk/news/2006/pressrelease20060821.html Other notable acquisitions during the past year or so include: six Latin and Greek manuscripts collected by Sir Thomas Phillipps; the thirteenth-century cartulary of Otterton Priory; a Flemish book of hours from the early fifteenth century; a unique copy of the first printed mathematical book in English, 1537; My Ladye Nevells Booke of keyboard music from Tudor England; a unique collation of Abraham Ortelius's atlas of the late sixteenth century; the only example of a dramatist's "foul papers" to have survived from Shakespeare's day; Joseph Haydn's music publishing contract, 1796; correspondence of Queen Victoria to 1st Viscount Cross; correspondence of the Victorian philanthropist, Angela Burdett Coutts; papers of the novelist and short story-writer, Angela Carter; correspondence of film critic and writer, Dilys Powell; sketches and drafts of the composer, Sir Peter Maxwell Davies. Back

27   The Library is extremely appreciative of the support which we have received from each of these funds during recent years, but we are aware of the enormous demands placed on them, and we share the anxieties of other collecting institutions about the challenges which Lottery funding may face on account of the 2012 London Olympic Games. Back

28   http://www.friendsofnationalllibraries.org.uk Back

29   Occasionally, but much less commonly than in the past, the Library also receives substantial donations and bequests of collections, recent examples being: the archive of Sir William Henry Fox Talbot, the father of modern photography; and the Oscar Wilde collection formed by Mary Hyde Eccles. Back

30   This is one of a number of areas in the archive domain where we are recognised by The National Archives as having a leadership role for the development of a national collecting strategy. Another example would be the archiving of websites. Back

31   Additional British Library background to this section may be found in: Helen Shenton, "The Future Shape of Collection Storage" and Dawn Olney, "A UK First: An Automated High-Density Storage Solution for the British Library", Where Shall We Put It? Spotlight on Collection Storage Issues, edited by John Webster, National Preservation Office, 2005, pp 4-15 and 58-63 respectively; and Helen Shenton, "Strategic Developments in Collection Storage of Libraries and Archives: Architectural, Technical, Political", LIBER Quarterly, Vol 15, No 3/4, 2005, http://www.webdoc.gwdg.de/edoc/aq/liber/lq-3-05/Shenton.pdf Back

32   It is believed that little more than 10% of the collective holdings of higher education libraries are not represented in the British Library's collection. Back

33   http://www.bl.uk/about/cooperation/whiterose.html Back

34   http://www.curl.ac.uk/projects/CollaborativeStorage/Home.htm Back

35   Conservation: interventive treatment to collection items that have been damaged through use, and/or have deteriorated through chemical and environmental factors. Back

36   Preservation: activity aimed at preventing damage to the collections (such as training in handling, disaster preparedness, collection salvage, and risk mitigation). Also termed "preventive conservation". Back

37   The roundtable resulted in publication of The Future Life of Collections, British Library, 2005, http://www.bl.uk/about/collectioncare/pdf/futurelife.pdf Back

38   The written evidence is available at http://www.bl.uk/about/collectioncare/new.html£houseoflords; or http://www.parliament.uk/documents/upload/st2BL.pdf Back

39   The transcript of the oral evidence given by Dr Clive Field and Helen Shenton is at http:www.publications.parliament.uk/pa/ld/lduncorr/s&tii2504.pdf Back

40   http://www.dpconline.org Back

41   http://www.leeds.ac.uk/cedars Back

42   http://www.si.umich.edu/CAMILEON Back

43   http://www.ucl.ac.uk/Is/lifeproject Back

44   http://www.microsoft.com/presspass/press/2005/nov05/11-21EcmaPR.mspx Back

45   http://www.bl.uk/onlinegallery/ttp/ttpbooks.html Back

46   http://www.bl.uk/news/2006/pressrelease20060926.html Back

47   See above, footnote 4. Back

48   See above, footnote 6. Back

49   http://www.bl.uk/onlinegallery/whatson/whatson.html Back

50   http://www.bl.uk/news/pdf/ipmanifesto.pdf Back

51   See, for instance, http://www.bl.uk/news/2006/pressrelease20060607.html Back

52   http://www.bl.uk/about/policies/bldeaccess.html Back

53   http://www.bl.uk/contentstrategy Back

54   http://www.museumsassociation.org/disposal&-IXPOS-=manews1.4 Back

55   http://www.culture.gov.uk/Reference_library/Publications/archive_2005/rpt_spoliation_advisory_panel.htm Back

56   1970 is now widely accepted as a turning-point in the history of international efforts to curb the illicit trade in cultural property. The date was in effect set by the UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export, and Transfer of Cultural Property, 1970. Subsequently international conventions and UK legislation have recognised this date as the practical threshold. Back

57   For instance, International Council of Museums, Code of Ethics for Museums, 1986, Museums Association, Code of Practice for Governing Bodies, 1994, Conference on Holocaust-Era Assets, Conference Principles on Nazi-Confiscated Art, 1998, National Museums Directors Conference, spoliation section on their website (from 2000, and members continue to publish lists of spoliated material); Museums and Galleries Commission, Restitution and Repatriation: Guidelines for Good Practice, 2000, National Museum Directors' Conference, updated Statement of Principles and Proposed Actions, 2004. Back

58   http://www.bl.uk/contentstrategy Back

59   http://www.rslg.ac.uk Back

60   http://www.rin.ac.uk Back

61   http://www.bl.uk/cgi-bin/press.cgi?story=1231 Back

62   http://www.ahrc.ac.uk/ahrb/website/news/news_pr/2006/new_funding-opportunities_for_uk_museums_galleries.asp Back

63   http://www.bl.uk/news/2005/pressrelease20050613.html Back

64   http://www.bl.uk/endangeredarchives Back


 
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