Select Committee on Culture, Media and Sport Minutes of Evidence


Memorandum by The Art Fund

  1.  The Art Fund is the UK's largest independent art charity, with 80,000 members. It enriches public collections by giving grants and distributing gifts and bequests, and campaigns widely on behalf of museums and their visitors.

  2.  This supplementary memorandum follows on from the written evidence submitted by The Art Fund to the Committee's inquiry into "Protecting and Preserving our Heritage" in January 2006 (copy enclosed).[17] Our original submission addresses the role that UK museums and galleries play in preserving our heritage and funding issues, particularly funding for acquisitions. This supplementary memorandum focuses on disposal policies.

WHY MUSEUMS HOLD MATERIAL IN STORAGE

  3.  Museums have many objects that they do not regularly display. In some cases there are good reasons for this. Museums have a duty to preserve material for the future, and act as guardians of our heritage. Many items are not suitable for display, but are vital as a resource for research and scholarship. Other objects are too delicate for permanent display—for example, textiles and works on paper—and so are exhibited on rotation or at rare intervals. It is a grave error to suppose that all material could or should be permanently displayed, or that museums should cease to develop their collections as they have "too much stuff".

  4.  However, it is estimated that up to 80% of permanent collections are in storage at any one time. Although we recognise that many museums and galleries lack sufficient space to show more than a small proportion of their holdings, we still believe this figure is too high. Museums must become more efficient and flexible at using what they already have, and if objects are in storage for no good reason they should offer them to other public collections.

CURRENT POLICY ON DISPOSALS

  5.  The rules of the Museums, Libraries and Archive Council's (MLA) Accreditation Scheme state that disposals should not be undertaken with the principal aim of generating funds.

  6.  Additionally, museums are required to abide by the Museums Association's Code of Ethics for Museums (together with more detailed guidelines on disposals) which state that there is a "strong presumption against the disposal of any item from a museum's permanent collection". The Guidelines give preference to disposal through free gift or transfer to another registered museum, recommending sale only once it has been established that no other museum is willing or able to take the object(s).

  7.  The Museums Association, with input from The Art Fund, is currently revisiting its advice and will publish new guidance on disposals in early 2007.

  8.  As the Committee begins its inquiry, Bury Metropolitan Borough Council has consigned a painting from its museum collection (A Riverbank by L S Lowry) for sale at auction in order to plug a gap in the Council's finances. Treating a museum's collection as a financial asset is contrary to the Council's obligations to safeguard the collections in its stewardship for current visitors and future generations. The Art Fund, along with the Museums Association and the MLA, has contacted Bury Council to object to the planned sale.

DISPOSALS IN THE FUTURE

  9.  Museum collections need to be continually renewed to keep them fresh and interesting. The Art Fund believes that the current "presumption against disposals" is too restrictive, and acts as a deterrent to museums developing proper collections management strategies to use their collection to the best effect.

  10.  Any disposal of objects from the permanent collection must only take place as an integral part of a museum's collections management strategy, alongside active collecting.

  11.  Some museums are not fully aware of what material they hold in their stores. Museums should know what they have in their collections, before taking any decisions on disposals.

  12.  Museums should also explore the possibility of loans and touring exhibitions on a temporary basis as an alternative to disposal.

  13.  If disposal is considered, retention of the objects within the public domain must be the priority.

  14.  Museums wishing to dispose of an object should first offer it for free transfer to another UK public collection. Once they have tried and failed to transfer material in this way, museums should consider offering the object for public display elsewhere, providing appropriate levels of security and conservation can be achieved; examples of such places might include schools, hospitals or council offices.

  15.  If no such transfer to a public space can be achieved, museums should be free to sell objects on the open market provided that funds raised from such disposals should be ring-fenced for spending on acquisitions.

  16.  Disposal through sale to another museum would not normally be acceptable.

  17.  Objects acquired through gifts and bequests must be treated differently from objects acquired through purchase. In these cases, the wishes of the donor must be taken into consideration. If a museum wishes to dispose of a gift, surviving donors should be fully consulted and any expressed wishes laid out in wills taken into account.

September 2006





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