The call for regulation
69. DCMS told us that it had held four high level
meetings, "the ticket touting summits", working with
stakeholders across the markets to understand the issues arising
from the growth in the ticket resale market, and identify whether
industry-led solutions could be delivered, or whether Government
intervention was required.[206]
"Summit principles" were agreed by summit members in
April 2006 to underpin the way in which the sector would operate,
and we heard how some practical changes were being made, by both
primary and secondary operators, to improve the market place.
One of the principles was that the ticket distribution industry
should "establish a minimum industry standard where all relevant
distributors are working to a common set of principles and standards
to ensure best practice and consumer care": an action plan
announced by Mr Woodward in July 2006 included a pledge to continue
working with the industry and OFT to draw up an over-arching code
of practice for both primary and secondary ticket sellers.[207]
However, we heard that eBay had been the only regular attendee
of the summits from the secondary market,[208]
and it appears that, such were the differences of opinion, it
was not felt constructive to issue further invitations to the
Association of Secondary Ticket Agents (ASTA) following the first
of these sessions, which was held in November 2005.[209]
70. DCMS told us that it had hoped that the market
place could find solutions but that market-based voluntary agreements
to deal with the concerns did not appear to be working well enough,
citing the example of eBay's refusal to prevent listing of tickets
for the BBC's free Big Weekend road show. [210]
71. The Department told us that its present position
was that it did not propose to legislate to ban secondary sales
in general, but was concerned that the secondary market as it
operates could undermine sporting and entertainment events, consumer
confidence and the country's ability to continue to attract world
class events: it was now considering whether ticketing for particular
events (akin to the "Crown Jewel" events, for which
live broadcast coverage must first be offered to generally available
free-to-air channels)[211]
should be protected, either through voluntary or regulatory means,
with non-regulatory measures such as voluntary agreements between
Government and internet-based sites being investigated first,
and regulatory intervention remaining an option, but only as "a
very, very last resort".[212]
72. Some of the written evidence submitted to the
inquiry suggested that promoters had been under the impression
that DCMS ministers had already concluded that a statutory approach
was necessary.[213]
Promoters' own conclusions were that they, themselves, had done
as much as was within their power to protect events and consumers
from ticket touting, that self-regulation had reached its peak
in the industries and primary markets, and that the impossibility
of achieving voluntary regulation in the secondary market was
already evident, so that statutory regulation of ticket resale
was now needed. [214]
73. Organisers maintained that the legislation criminalising
unauthorised resale of football and Olympic tickets should be
extended to all events, that that legislation amounted to recognition
that touting was "wrong", and that it was inconsistent
to protect some events, but not others, in this way.[215]
The Football Association and Wembley Stadium said that the stadium
hosted various different events with different regulatory structures,
which led to confusion and disaffection among fans:[216]
similar points were made about touting being an offence at Wimbledon
and at Lord's only when they hosted 2012 Olympics events.[217]
The Concert Promoters Association suggested that another option
would be to adopt the Queensland model, which makes it an offence
to resell at more than 10% above face value.[218]
Although the main sporting associations were in favour of legislation
extending anti-touting protection to designated nationally important
sporting events such as the existing "Crown Jewels",[219]
concert promoters were understandably not enthusiastic about simply
singling out sports events for special protection. Clearly, they
said, it was not possible to set out a "Crown Jewels"
of music.[220]
74. Evidence from the organisers showed that they
did not anticipate that extending the criminal offences would
cause increased demands on police resources for enforcement. They
expressed some confidence that self-policing would be easier and
more efficient, opportunist individuals would refrain from selling
which was illegal, and that the trading platforms would no longer
be able to allow such sales.
[221]
75. DCMS acknowledged that there were concerns about
the anomalies created by a two-tier approach, but said that the
existing legislation had been introduced for reasons other than
to prevent profiteering on reselling and any extension needed
justification in its own right.[222]
While the legislation regulating sale of football tickets was
justified by issues of public order and safety, Mr Woodward told
us that the Olympics legislation was required because there would
be huge demand for Olympic tickets, including international demand,
and scope for gross exploitation by a secondary market on a massive
scale as well as exploitation of the brand, which could bring
the Olympics themselves into major disrepute.[223]
He, and Mr Fingleton, the Chief Executive of the OFT, also said
that 90% of the market worked very well, and that trying to regulate
for the other 10% without damaging the part which was working
well would be extremely difficult.[224]
76. We
do not underestimate the difficulty of eradicating abuses of the
market without imposing unnecessary fetters on areas of the market
which cause no problems. As we have observed, there is no consensus
as to what proportion of the market is problematic: the case for
intervention would be strengthened if it were demonstrated that
there were real problems affecting more than a small minority
of events.
77. We
also believe that more can be, and should be done, to seek a voluntary
solution. Since it is the secondary market which gives rise to
the industries' concerns, and regulation of that market (voluntary
or otherwise) which is sought, it is not realistic to expect
to find solutions in a forum where that market is virtually unrepresented.
So long as one contingent seeks the effective abolition of the
other, which is therefore fighting for its very survival, hopes
of agreement must be forlorn.
78. We
agree with DCMS that regulatory intervention should be considered
only as a very last resort. While intervention was justified on
grounds of public order and safety at and around football matches,
and may be an international requirement for hosting some major
sporting events, we have reservations about the criminal law being
used as a way of supporting organisers' efforts to select the
audiences for their events, essentially as an aid to their self-policing
of touting. We are also concerned by the real risk that a convenient
market, which some consumers have grown accustomed to use and
trust, would be driven underground, to the detriment of consumers
and stakeholders. We appreciate, however, that international pressures
may make it necessary for existing legislation to be extended
as a condition of the UK being eligible to host major international
sporting events, but we are not persuaded that it would be right
to legislate more widely at this stage.
79. While
we appreciate that the concept of "Crown Jewel" events
is viewed as a possible interim measure, rather than as a long
term solution, we are not optimistic that this approach would
do more than exacerbate the confusion inherent in the existing
two-tier system. In the absence of a voluntary code, it is understandable
that pressure will continue to extend special protection to the
'Crown Jewel' sporting events and many popular music events. We
urge eBay and other operators in the secondary market to follow
the lead of those marketplaces which already refuse to list tickets
for free events or tickets which have been allocated for specific
groups, such as children, the disabled or amateur sports clubs.
There is no arguable justification for profiteering from these.
A middle way?
80. Shortly after we took oral evidence, we heard
that the Music Managers' Forum had joined with TixDaq, a data
and intelligence supplier to the live entertainment sector, to
devise a "middle way".[225]
The kernel of what was proposed was that entertainment industry
stakeholders should endorse secondary ticket exchanges which complied
with an agreed code of conduct, and agreed to pay over part of
the profit (to be shared between the artistes and organisers of
the event). In this way some part of the extra value would go
back into the creative industries. The proposal would give the
creators rights akin to the "droit de suite" or resale
royalties which entitle authors of original works of art (such
as paintings, engravings, sculpture and ceramics) to a royalty
each time one of their works is resold in a sale involving an
art market professional. That intellectual property right was
created to implement an EU Directive and the provisions came into
force in the United Kingdom in February 2006. The royalty is subject
to compulsory collective management so artists cannot claim their
royalty independently but must receive it through a collecting
society.[226] We note
that the initiative by the Music Managers' Forum has recently
led to the formation of the Resale Rights Society, which will
have two main aims: to introduce a kitemark scheme for ticketing
sites, and to ensure that artists and the live music industry
share in the proceeds of resold tickets. The Society aims to finalise
agreements with online ticketing exchanges by the end of March
2008.[227]
81. It
is encouraging to see a move towards constructive dialogue between
creators and secondary marketeers and we urge all the interested
parties to join in this debate. It could provide the seed for
the co-operation which has so far been lacking between the stakeholders.
As presented, the proposal may be no more than a different machinery
whereby those responsible for providing events would be able to
share in profits which can now be made in the secondary market.
But it does introduce new potential for a recognition of the legitimacy
of the secondary market by the entertainment and sports industries,
alongside an acknowledgment of their moral right to share in profits
made by others out of the events for which they are responsible
and in which they have invested talent, funding and organisation.
At the same time it provides scope for the acknowledged benefits
of the secondary market to the consumer to be preserved and developed,
with added protection for consumers and a real incentive for effective
self-regulation throughout the ticketing industry. For example,
tickets could be sold subject to terms and conditions which provided
that resale through an approved secondary marketplace was permitted
(with an agreed levy passing back to the industry through a collecting
agency), so that consumers could be given more information about
the tickets being offered for sale, without any risk of finding
that tickets have been cancelled because they have been sold on.
Approval would be dependent on an agreed code of practice covering
consumer protection measures as well as arrangements for collecting
levies. A great deal of work needs to be done on the detail of
how such a scheme might operate but, at the least, this initiative
could lead to joint engagement towards a solution in which the
convenience of the secondary market could continue while at the
same time supporting the industries on which it relies. We commend
it and strongly encourage all those involved to consider it seriously.
206 Ev 71 Back
207
"Industry put on notice to sort out the touts" DCMS
press release 100/06 Back
208
DCMS Ev 71 Back
209
QQ 128-9 Back
210
DCMS/DTI Ev 72, 76 Back
211
Ev 72 and Q 154. See also memorandum by DCMS to the Committee's
inquiry into Broadcasting Rights for Cricket: HC 720, Session
2005-06, Ev 49. This definition applies to Group A listed sporting
events . A further category - group B events - may have live coverage
on pay-TV provided that secondary or "highlights" coverage
is offered to free-to-air broadcasters. Back
212
DCMS/DTI Ev 72, Mr Woodward Q 125 Back
213
Five Sports Ev 104, Sports Rights Owners Coalition Ev 91 Back
214
Concert Promoters Association Ev 20 Back
215
Rugby Football Union Ev 2, Football Association Ev 7, All England
Lawn Tennis Club Ev 10, Concert Promoters Association Ev 20, Ticketmaster
Ev 32, Society of Ticket Agents and Retailers Ev 37, Five Sports
Ev 109 Back
216
Ev 7 Back
217
All England Lawn Tennis Club Ev 10, Five Sports Ev 109 Back
218
Ev 21 Back
219
Ev 109 Back
220
Mr Goldsmith, Q 48; see also Mr Ellis, Q 49 Back
221
All England Lawn Tennis Club Ev 11, Five Sports Ev 109, Mr Rob
Ballantine Q 32 Back
222
Ev 72, Ev 76 Back
223
Q 160 Back
224
Qq 125, 128, 151 Back
225
Ev 128 Back
226
The Artist's Resale Right Regulations 2006 (SI 2006 No 346) Back
227
Resale Rights Society press release 4 December 2007 Back
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