Select Committee on Culture, Media and Sport Minutes of Evidence


FOLLOW-UP QUESTIONS

1.   The BBC's in-house factual division was described recently in Broadcast as suffering a crisis of confidence. Have either budget or staff cuts had—or are they likely to have—any adverse effect on the quantity or quality of its output?

  The 2008-09 commissioning process is not yet complete (92% of programmes commissioned so far). However, looking at commissions to date, the quantity of output made by in-house factual producers has slightly reduced as a result of the WOCC.

  The type of content being commissioned has changed, reducing the volume commissioned of more traditional narrative documentaries, affecting both in-house and independent producers. This shift has particularly affected London factual production areas due to their historical specialism in this area and the increasing commitment to "out of London" production in 2008-09.

  There are no indicators suggesting that the quality of in-house output has reduced.

2.   What has been the effect of Window of Creative Competition (WOCC) on your in-house producers? What feedback have you had from independent producers?

  The 2008-09 commissioning process is not yet complete (92% of programmes commissioned so far). The quantity of output made by in-house producers has reduced slightly as a result of the WOCC. The WOCC is designed to be a "competitive space" so it should be noted that BBC Vision would expect that the proportions of business won by in-house/independent producers would change from year to year.

  In-house production has achieved the "In-house Guarantee" level of business and has won some additional business in the WOCC, though this has fallen slightly below commissioning levels in previous years.

  The reduction in the volume of in-house production has had an impact on morale in some areas and some talent loss may be attributable to this.

  Vision Studios are currently embarking on a review of structure to ensure it is in as strong a shape as possible to compete effectively in the WOCC.

  Feedback from independent producers regarding the WOCC indicates that there has been a significant improvement in perceptions of the BBC's editorial and business processes. A recent Broadcast Magazine survey found that, for the first time, the BBC was voted "best broadcaster to work with". The same survey also found that the BBC was also voted "worst broadcaster to work with", though the percentage of respondents voting the BBC "worst" was lower than in previous years.

  The PACT Census 2007 also reported that "54% of respondents judge that the BBC offers the best opportunities for the future, compared with 22% choosing Channel 4 and just 9% selecting ITV".

  All WOCC-related specific complaints made by independent producers have been resolved at early stages of the escalation process.

  BBC Vision will work to ensure that any future budgetary or structural changes do not have an adverse impact on quality.

3.   The licence fee bid included figures for additional income from household growth as part of the BBC's "self help" initiatives. Are those figures still valid, or is the BBC projecting that they will be reduced due to the licence fee collection problems referred to in oral evidence (for example at Q 17 and Qq 27-29)? If so, by how much?

  Those figures are still valid but they are not without risk. The key risks are:

    —  that household growth will not materialise at the rate expected;

    —  that it will be extremely difficult or uneconomic to collect the licence fee from a proportion of new households due to the problems referred to; and

    —  some households may, over the period, move only to consume television services in such a way that a licence will not be required (eg video-on-demand). This could impact either existing households or new households.

  The BBC's Licence Fee Team seeks to mitigate these risks through innovative collection techniques.

4.   The Director General acknowledged a dip in programme spending in Scotland in 2006-07. He then said that he expected network programme figures for Scotland to look much better in 2006-07 than in 2005-06 (Q 840): did he actually mean the forthcoming year, 2007-08, rather than 2006-07?

  Yes: the BBC anticipates that network spend in Scotland will be higher in 2007-08.

5.   The Director-General said (in answer to Q 21) that it was necessary to preserve confidentiality regarding individuals' salaries (including presenters) at the BBC, other than normal disclosure of senior executive employees such as those on the Executive Board. Would the Trust be prepared to publish figures that are not attributed to named individuals, in the form of tables disclosing the number of employees per salary bracket—for example, the number of employees earning £5m+ per annum, £1m-£5m, £750k-£1m, £500k-£750k, £250k-£500k—and to do so on a separate basis for programme talent and other employees, and in a way which makes payments via third party companies transparent?

  The Trust aims to exercise rigorous scrutiny of public money and to ensure high standards of openness and transparency. In considering what information the BBC publishes about talent and other employee costs, the Trust must give due regard to issues of commercial prejudice and to the BBC's duties under the law to protect personal information.

  The Trust recognises that the level of fees paid to on-air and on-screen talent (eg presenters) is an area of concern to some licence payers. The BBC's strategy for talent must support the delivery of quality programmes that create maximum value for the public. The Trust is therefore commissioning an independent review of talent costs and how the BBC operates in the market which will cover talent across all forms of contract (freelancers, via third party companies, and BBC employees).

  The Trust accepts the BBC Executive's position that disclosing talent costs, even if grouped in bands, is likely to cause commercial prejudice to the BBC. It could provide the BBC's competitors with valuable pricing information, inflate costs, and deter individuals from working with the BBC as against other broadcasters. Disclosure may also expose the BBC to actions for breach of confidence. The Trust is also mindful of legal advice regarding protecting personal data and is therefore not seeking a change in the BBC's publication policy at this time. The Trust will be publishing the findings of its value for money review in spring 2008 and will take a view then as to what ongoing reporting may be appropriate.

  With regard to other employee costs, the BBC already publishes information about Executive Board salaries, remuneration policy and total employee costs; and makes available on request further information about its employee profile, including salary data. While continuing to be mindful of confidentiality issues, the Trust has asked the Executive to give consideration to publishing additional information about employee remuneration, including by salary bracket, to improve transparency to licence fee payers.

6.   The Trust Chairman, in exchanges about BBC3, said that each of the service licences would at some point in the next five years "be going through a very exacting test about whether the channel lives up to the original vision" (Q 52). When does the BBC expect that such assessments will be made for BBC3 and BBC4? Does it accept that there is doubt about whether BBC3 and BBC4 do indeed live up to their original visions?

  The Trust has not yet taken a decision on when to review BBC3 and/or BBC4. It expects to take decisions on its next service reviews (following bbc.co.uk which has already started) later this year. The Trust expects to review every service every five years. Its primary reason for reviewing a service will always be that it is in the "public interest".

Has the BBC made an estimate of viewing figures for BBC3 and BBC4 if repeats of popular BBC One programmes are excluded?

  The total weekly three minute reach of BBC3 in 2006, amongst its target audience of 16-34-year-olds, was 27%: of this, 23.4% watched digital originated programmes while 10.2% watched terrestrially originated programmes (such as narrative repeats of Eastenders from BBC1). The numbers do not sum to 27% because some viewers watched both digitally and terrestrially originated programming.

  A comparison with channels targeting a similar audience shows: of ITV2's 24.9% reach, 21.4% watched digitally originated programmes and 9% terrestrially originated, while for E4's 26.9% reach, 11.4% watched digitally originated programmes but 22.5% terrestrially originated programmes. The figures for the whole audience are similar to those for the target audience.

7.   Pages 21 and 22 of the BBC Trust Annual Report describe perceptions of the BBC's impartiality as remaining stable over time; yet audience research suggests that the proportion of people rating the BBC as "fair and impartial" declined from 57% in 2006 to 53% in 2007, while the proportion perceiving bias rose from 16% to 18%. How does the BBC Trust justify its judgement that perceptions of the BBC's impartiality are "stable", given the audience research which suggests a decline in confidence in impartiality?

  The narrative statement quoted in the Trust Annual Report reflects the long term trend however the figures quoted gave the year on year comparison. The figure for 2006 was the highest over the past three-year period. However this research comprises part of a long term tracking survey and it needs to be considered in that context. When looking at the data from the past three years there is no discernible decrease in perceptions of the BBC's impartiality and the trend appears stable with fluctuations both up and down over the period. This is only the second year that such figures have been included in the Annual Report. In the light of the Select Committee's question the Trust will consider carefully the context in which they are quoted in future reports.

8.   Nearly £70 million of licence fee payers' money was spent on BBC Jam before the plug was pulled. Why didn't the BBC change or suspend the service at an earlier stage in light of the compliance problems that were known?

  The BBC did not accept that it was in breach of any applicable requirements and had sought to defend its position with the Commission over a considerable period. At the end of 2006 the Commission proposed that the Trust conduct an early review to address complaints that it had received from the commercial sector. This review would have been in addition to the review that Trust was in any case committed later in 2007 under the service's approval conditions. After careful consideration the Trust concluded that two consecutive regulatory reviews would seriously hinder the effective delivery of the service. Doing nothing however, was not an option, because the Trust faced the prospect of the Commission opening a formal investigation and seeking the suspension of the use of licence fee funds for the service. In the circumstances therefore, the Trust felt that it was in the best long-term interests of licence fee payers to suspend BBC Jam and bring forward a fresh proposition, building on the successes of the service and taking into account changes in the market for online educational materials since 2003 when consent for jam was granted.

Are there any other complaints about BBC activities currently under consideration by the European Commission?

  The BBC has not been notified of anything by the Commission (or the Government).

9.   Now that the BBC's Freesat proposition has been approved, when will it launch? What is its annual budget, and what will it cost consumers for the equipment and installation?

  Freesat will launch in spring 2008. For reasons of commercial confidentiality it is not possible to disclose the annual budget of the joint venture company. The Freesat company will not make or sell receivers itself therefore cannot control retail prices, however it hopes that there will be a range of price points for consumers from launch.

10.   Does the Trust believe that the BBC should have discounted access to spectrum compared to other public services such as defence and the emergency services? Does the Trust believe that HDTV will provide greater social and economic value than using digital terrestrial spectrum for mobile TV, wireless internet and other applications?

  The Trust does not believe it is appropriate for it to comment on the relative merits of different public services in terms of which ones are more deserving of spectrum than others. The Trust made its provisional PVT ruling on the HDTV proposals by considering the public value that might be created and any impact on the market place of the specific BBC service proposals. In doing so it considered the options for the BBC's use of its own spectrum.

  The answers to questions 5, 6 (first part), 7, 8 and 10 have been provided by the BBC Trust and the answers to 1, 2, 3, 4, 6 (second part) and 9 by BBC Management.

October 2007





 
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