Select Committee on Culture, Media and Sport Minutes of Evidence


Examination of Witnesses (Questions 560-579)

MR ED RICHARDS AND MR TIM SUTER

15 MAY 2007

  Q560  Helen Southworth: Somebody has got to start it.

  Mr Richards: That is attractive. That is a very attractive audience profile. It is slightly different, for example, to Newsround or specific children's programming. In some ways it is more attractive. Whether you have got a range of broadcasters who believe it is their purpose to try and provide that kind of mix of family, educational, informative, entertainment, get that blend which brings people to watch but is also meeting those public purposes, is again one of the central questions.

  Q561  Helen Southworth: ITV obviously do not think it matters too much?

  Mr Richards: ITV will have to comment for itself, but I think it is the right question in the sense that we do want more than one broadcaster who feels it is their mission and purpose to engage with those public purposes and to try and find mass-reach programming which breaks through while meeting those public purposes. No-one is interested in having a model of public service broadcasting which is about things no-one wants to watch. No-one is interested in that, or, if they are, then we are not interested in that. You need to have that challenge of meeting the public purposes but also reaching audiences. That is at the heart of what public service broadcasting is about and has been about at its best and I believe will be about in the next decade as well, but that means you need organisations and individuals who are making decisions, who feel that that is their mission and that is what they wake up in the morning to do. That is the best way of delivering it.

  Mr Suter: One of the great promises of broadcasting is that it can ride that balancing act of public service broadcasting, it can ride the balancing act between providing programmes that appeal to specific groups and providing programmes that appeal to wider groups, of doing both the specialist and the general, of appealing to the family audience but not ignoring the specific interests of the child, and that is one of the great balancing acts that broadcasters have to do and they have to keep those things in tension with each other. Undoubtedly, there will be an attraction in providing programmes that appeal to a large mass family audience; that must not be at the expense of programmes that are tailored to meet the child audience as well.

  Q562  Helen Southworth: In terms of the review, are you going to be looking specifically at the older children and trying to establish this quality and engagement process for older children as well? There seems to be a drift in the focus on the up to sevens?

  Mr Richards: What we have done, excuse the term, but we have segmented the children's audience. What you see is that there are three clear groups. There are nought to six, seven to 12-year-olds and 13 up, and they have different needs and they have different interests and there are different challenges. So provision amongst nought to seven-year-olds, particularly because you have CBeebies but you also have provision by Channel five, is not bad. There are a lot of dedicated children's channels as well. For six to 12, it is a much less rosy picture. The challenge you get to when you are looking at 13-year-olds up, as many of you will know, is that they have discovered the media by then. Their media consumption habits are much more diverse, they are online, they understand more than you do about operating the EPG, they are interested in what we would regard as adult programming as much as they are children's and it is a very different, much more challenging environment. I think for those people you are looking at ensuring that the kind of cross-generation programming is there just as much as dedicated children's programming, but also, by the time you get to that age (and I want to underscore this), they are online nearly as much as they are on television, and it is all sorts of different online content that they are interested in, but they are not sitting there looking at BBC News online and reading the headlines, they are looking for rich audio and video as well as all sorts of other things. So, those two worlds are coming together, and to appeal with public service content to that generation we are going to have to ensure that there is a public service presence of real significance both in the broadcast domain and in the online domain.

  Q563  Helen Southworth: Can I ask you about your conviction that the ban on television advertising for foods that are high in fat and sugar and salt is going to cost over £20 million to the industry? Are you convinced that that is a long-term issue? Are you convinced that this is specific to the ban rather than the change over that is happening in the change over with digital and what do you believe the impact is going to need to be in terms of looking specifically at developing children's television?

  Mr Richards: We took a very, very considered decision in relation to advertising restrictions and we did not take it lightly. There were two things that we were trying to balance. One was our concern as the communications regulator for children's programming in particular, but also the knock-on into adult programming, because a lot of children watch adult programming as well, and we were concerned not to introduce measures which essentially sounded the death knell of children's programming in the UK. Twenty plus million pounds is a lot of money. A full pre water-shed ban, we think, would have had an impact in excess of £200 million, and clearly that is a different order of magnitude. That is one of the reasons we came out where we did. Equally, we had to recognise, and were asked to recognise, the increasing concern about obesity and clearly it is rising. We did the research, as you know, we identified a modest direct effect and an unquantifiable indirect effect and on that basis we took the view that there did need to be some restrictions placed within television but always said—and you will forgive me, but I take every opportunity to underline this—if you want to tackle obesity, measures in television advertising will not do it alone. It is not a silver bullet, and we have never pretended it is, but we are happy to implement it on the basis that this was one measure amongst what would need to be a series of measures which would tackle the problem. How will we know it has succeeded, will we know it is working and what will we do? We are planning a review in 18 to 24 months' time. That review clearly will not be able to determine whether obesity has fallen as a result of these changes because there are too many other factors, but what we can do though, and what we will do, is identify whether that policy which we introduced was effective within the confines of what it was trying to do. Have children been exposed to less junk food advertising? Have food manufacturers sought to circumvent the proposals by using brand advertising rather than specific foods? All those sorts of questions. What impact did it have on programming budget? We will try and strip that out from the effects of digital switchover. We plan to do that in 18 months to two years' time and that will give us a good idea about whether it is being effective or not and, indeed, whether the impact has been the one we expected it to be or not.

  Q564  Helen Southworth: I think certainly one of the things we will be looking at is whether the producers of those foods have decided to lower the fat, sugar and salt contents because that would keep us all happy.

  Mr Richards: One of the reasons we chose the approach we did was because we felt it had strong incentives, it had strong incentives for food manufacturers who want to advertise. They are a curious group actually because sometimes they tell us that it is all a ridiculous policy because advertising does not make any difference and then on another day they tell us that it is outrageous we should be introducing it and they should have the freedom to advertise and those two things do not quite stack up to me. We will see whether the incentive properties work but hopefully they will and we will see some reformulation and then they will be free to advertise.

  Q565  Chairman: Can I ask you very quickly about your decision in relation to the Sky stake in ITV. Six months ago Sky acquired a 17.9% stake which is clearly below the level the Communications Act sets for a permissible stake by another broadcaster. Nevertheless, you decided to tell the Secretary of State that you thought there were public interest issues in relation to the plurality of news provision. We have heard from ITV, Michael Grade told us that he did not think there were any concerns in relation to news provision. ITN said that they might have had a "frisson of concern" originally but now they have none at all. Sky have told us that they intend "simply to be a supportive shareholder, but in a passive way". Given all of those people have said there are no concerns about news provision, why did you make a reference to the Secretary of State?

  Mr Richards: We were asked to make a reference is the first reason; he sought our advice and we were obliged to provide it and we did so. We too have had submissions from various parties and I am just trying to recall whether they will be made public. If they are, that will be very interesting indeed.

  Q566  Chairman: I have had the same submissions, I think I know who they are.

  Mr Richards: I hope they can be made public. Forgive me, Chairman, but I need to be very careful and limited in what I say because our report is with the Secretary of State. All we have done is announce the absolute headline of our recommendation. He will be publishing the report in full when he is ready to do so, so I do not think it is right for me to go into great detail. The core underlying reason for our taking the view that we did was that the Act requires us and, indeed, the OFT have expressed their own concerns about whether there is material influence with that level of shareholding. The premise is if there were to be material influence with an assumption that there was. As soon as you make that assumption, we looked at the evidence around news and we concluded that there was a concern we wanted to register with the Secretary of State. I do not think I should say anymore than that at this stage. It is a full report and will be available as soon as it is published by the DTI.

  Q567  Janet Anderson: We have been told by many witnesses that there is already a substantial amount of public service content available on new media and that barriers to entry are low and there is little evidence of market failure. If this is the case, why do you believe the Government needs to intervene to establish a public service publisher?

  Mr Richards: I think there are two ways of answering that question. The first is where we began with this, which is a position I would absolutely defend, is we looked at the analogue model, which I described earlier, and we described its decline, so that mix of public service broadcasting which gave us the competition for quality, which I think has been so valuable in this country, was clearly set on a path that would make it very different and unsustainable in the way we have known for the last 20/30 years. We then made a very simple observation which is where are audiences going? We have talked a lot about children, in particular older children today, and we said if we want to re-imagine public service broadcasting for a digital Internet age, if we want those public purposes and characteristics which we described at the start of the session to be met in the digital and Internet age, how would you go about doing it? The answer seemed to us not necessarily to be, "Well, you do it through analogue broadcasting", because the audiences are going to be there but they are going to be in other places as well and the other place they are going to be is on line. Your starting point is to say, "If you want to re-imagine public service content for that age you should embrace the on line world, the broadband world, as well as conventional broadcasting". That was a very simple starting point and we emerged from that saying, "Why do we not consider creating an organisation or an institution", which we named for the sake of anything better the PSP, but the core insight was very straightforward. We are moving to that Internet/digital age. Our public service content at the moment is all rooted in broadcast provision, would it not be fantastic and exciting to create something else which reflected the age we are moving into which rooted an organisation or an entity in new media in the broadband/on-line world and gave them the mission of meeting those public purposes but starting in the new media on-line world to complement the broadcast provision that we already had. We feel it is not a fully worked out idea or proposal, and we would not claim that it is, but it is that core insight that the digital and Internet era is going to be different and viewers, listeners and surfers are going to want something different. If we want public service content and we want the competition for quality in public service content, we want to meet those public purposes in the digital age as we have in the analogue age, then that is the kind of initiative, the kind of innovation, we need to think about.

  Q568  Janet Anderson: Do you not think perhaps that kind of intervention could, in fact, inhibit innovation and new entry rather than encourage it?

  Mr Richards: You need to think about that risk. Let me take the market failure argument for a second in a different way. If we were starting with broadcasting today and we said to ourselves, "Are we worried about inhibition of the market? Are we worried about distortion of the market? Are we clear about the market failure arguments?", I am pretty convinced that we would not create the BBC, we would not create a publicly owned Channel 4 and we would not put regulatory obligations on ITV or Five, we would not choose to do that because we would start by groping around for technical market failures to justify the intervention and yet what is clear, and I think well recognised, is that the mix of public provision and private provision has given us the quality of broadcasting in this country that we have. We get wonderful things from the commercial sector and we get wonderful things from the public sector, from the public service providers, and it is that rich mix, that complementarity, which gives us the quality. I think in the on line/broadband world there is a real danger of not recognising that core insight and not translating it to the on line/broadband world because if that is where audiences are going to mix broadcast with on line and we do not re-invent and we do not re-imagine how we deliver public service content for that world rather than analogue broadcasting, I think we will be making a very serious strategic error.

  Q569  Chairman: What you are suggesting is essentially a sort of venture capital body to commission new media content, is it not? Why does the Government need to be doing that when so many other people are already doing it?

  Mr Richards: One answer to that, Chairman, as I say, is if you started from broadcasting today you would pose the same question and you would come to a conclusion which says, "Well, we really don't have to do anything". I think the answer lies in why we do it in broadcasting and why we want to continue to do it in broadcasting. These media are coming together. The on line/broadband distribution model is going to substitute for and complement television. People are watching video and listening to audio over the Internet and using their broadband connections now. Televisions will have broadband in the back of them and in the future people will not know whether what they are watching is by broadcast TV or whether it is coming over a telecommunications fibre optic or copper line. They will not know, they will be indifferent. The question is what sort of public service content do we want in that world. In our view the public service content in that world needs to embrace that on line/broadband world as much as it does the traditional conventional broadcasting model, and there are wonderful opportunities for it. If you start by saying, "Meet these public purposes" and you do not have to be confined to a half hour slot on television because that is what convention tells you it should be or that is what advertising breaks tell you it should be, if you start with public purposes and you find the right people and then say, "Meet those public purposes in a creative, innovative way for the digital Internet age using the tools, instruments and the interaction which is possible in that world", I think it is fantastically exciting. I think it is fantastically exciting in particular for those older children because that is where they are. If we want public service content to be meaningful in that future we have to be there with public service provision. I do not believe the commercial market will be deleteriously affected by that. Let me give you some evidence for it. I do not believe it is deleteriously affected in the commercial market place in aggregate. If you look at the spend in this country on subscription and pay-TV despite the presence of the BBC, despite the presence of Channel 4, you will see that it is as high in this country as in any other country. That does not give you evidence of any kind that there is crowding out of commercial provision. On the contrary, it tells you that commercial provision can prosper alongside public service provision and that is at the heart of what we need to achieve for the next age as well as the one we have been in.

  Q570  Chairman: When you originally came up with this concept it was specifically designed to address the problem, which essentially is at the core of our inquiry, of how you maintain plurality on commercial broadcast, or at least an alternative voice to the BBC, but what you are now proposing is something completely different. It has evolved into a totally different idea which is that you are going to be commissioning content for new media in an area where there are already thousands of providers. There is no difficulty in sustaining plurality in new media.

  Mr Richards: No, first I recognise our thinking has evolved. This was a very radical idea when we put it out, most people thought we were mad, but what has happened since that, and it is literally only three years, is people have said, "Crikey, Ofcom were on to something when they said on-line and broadband are going to become a hugely important distribution mechanism. They were on to something when they said that public service broadcasting in the analogue model was in decline. They were on to something when they said that audiences were going to behave in a different way. Maybe it does not look so bizarre". In those days people were not spending hundreds of millions of pounds to buy YouTube, people were not spending hundreds of millions of pounds to buy MySpace because those conventional media companies have understood the significance and importance of this new media, so our thinking has evolved as well. It was always rooted in the idea that we would need to offer public service plurality and content in the on line/broadband world as well as the conventional analogue broadcasting world. Where does that plurality or how does that plurality manifest itself in competition for the BBC? One of the best things the BBC has done of recent years is get into the on-line world successfully and providing some wonderful service, of which there is not strong evidence that it is crowding out commercial provision or provision elsewhere, maybe at the margin, but by and large the commercial provision of on line content looks pretty healthy despite major investment from the BBC. As that on line provision becomes richer in audio and richer in particular in video you are going to see the two media merge and you are going to get into the kind of conversation we had earlier. Let us talk about children again. Who will be making children's drama in the future? Who will be making children's factual entertainment in the future? Where will it be offered? Will that content, if we can get it made, be offered just in a conventional linear television channel? Of course not, it has to be offered on both, it has to be a mix which allows audiences, in this case children, in particular older children, to find it wherever they want to find it, to use it, watch it, view it and interact with it when they want to, when it is convenient to them, whether it is at the PC or on the television. The idea of the PSP really is to drive our thinking in that direction. It could easily be an organisation or an entity which partners with a broadcaster to get the best of both worlds. There are many different models or variants of it and, as I have said, we would not claim to have the perfect solution. I think the question for everybody here is the underlying insight in do we believe public service content and a plurality of public service content needs to be on line and broadband as well as conventionally broadcast. If you accept that argument, then we are going to have to have a mix of institutions, a mix of mechanisms for delivering content which crosses platforms. Whether we call it a PSP or something else, I do not care, the question I care about is having that plural competition for quality in public service content across platforms in the future.

  Q571  Chairman: You have not yet expressed any preference as to how this should be financed?

  Mr Richards: There are only four ways it can be financed. You could fund it out of general taxation, you could hypothecate spectrum funds as a communications source of money, you could have a very, very small industry levy or you could use an enhanced licence fee. Those are the four ways; I cannot see any other ways. We have expressed no preference for any of those four. If you wanted to pursue something of this kind, clearly you would have to go down one of those roads, but I do not start there, I start with is this something of real value which is something we should be really thinking hard about as we think about what public service broadcasting or public service content should be like in the digital age. Then when we have our ambition and our vision for that era ask ourselves what we can afford and what the source of that funding should be. You have got to start with whether you think it is a good idea and what kind of public service content and public service broadcasting you would want in that era.

  Q572  Chairman: When you came to see us last April you said you were talking to the OFT about the Contract Rights Renewal mechanism for ITV. You will be aware that ITV have expressed extreme concern about the impact of that to us. Do you think it does now need to be reviewed?

  Mr Richards: We are still talking with the OFT about this. Again, Chairman, if you do not mind, it is an OFT decision and, therefore, I think in the spirit of the very good co-operation we have with the OFT it is right and proper for me to let them make a judgment about that in public when they are ready to do so.

  Q573  Chairman: You are not willing to say whether or not Ofcom's view is that there should be a review?

  Mr Richards: I am not willing to do that in public because we are talking with the OFT in private about it and I want to respect that private dialogue.

  Q574  Philip Davies: I am sure, Chairman, you will be proud that I did not continue my crusade against this nanny state ban on junk food and advertising during this session. You have just admitted that the public service publisher is only a partial solution to the problems for the broadcasting market and you gave some other options as to how they would pay for this. Just to pick on one in particular, would you support the licence fee being distributed more widely than the BBC in order to produce some of the public service content?

  Mr Richards: I do not think we have a definitive view on that. When you look at the funding of public service broadcasting going forward that is a question one will have to look at and, as you will be aware, the Government in its conclusion of the BBC licence fee settlement left that possibility on the table open for, I think, four or five years' time. One has to think very, very carefully about doing it and there are pros and cons; some of the cons are important to recognise. There is an argument that the licence fee is very closely associated with the BBC and there is a unique one-to-one relationship between the BBC and the licence fee payer and I think that is a relevant factor one would have to take into consideration, it is a non-trivial argument. The questions on the other side, of course, will be: how important do you think plurality is? Are there other sources of funding available? If not, how attractive would a division of the licence fee be? I think there are arguments on both sides of this and we have not reached a definitive view on that.

  Q575  Philip Davies: You would be open-minded about looking at that in the future?

  Mr Richards: Given the changes taking place in the system of public service broadcasting, which we have described this morning and talked about, over the period everyone should be open-minded about the model we should emerge with for the post-switchover period. I would not want to go any further than that. I think it is important to be open-minded about that and particularly in our position.

  Q576  Philip Davies: The report you commissioned from LEK into Channel 4's finances found that Channel 4 is likely to face financial difficulties and become loss-making beyond 2010. Other broadcasters disagree wholeheartedly with that view. ITV said, "Channel 4 remains a broadcaster in rude good health", and Sky said that the, "claim by Channel 4 that it faces commercial difficulties in providing public service broadcasting is neither plausible at present nor likely to become so in the future", so why are they wrong and LEK right?

  Mr Richards: Let us draw a distinction between the two. We are in receipt of submissions from Sky, ITV and others and we are considering them at the moment. Sky and ITV clearly have a particular corporate interest. The reason we asked LEK for a review and a report was because as far as this is concerned they have no corporate interest. We asked them for an independent view and they have given us an independent view. I think it is important to start at that point. There are a whole variety of reasons as to why people might take a different view. There are a number of variables, the level of advertising that is going into television, the cost of programming, and so on and so forth. One of the things we will be asking ourselves as we consider those submissions is do we know enough at the moment? When will we know enough to make a clear judgment? You will also be aware—I am sure ITV and Sky have made those opinions clear to you—that Channel 4 think the LEK report is far too optimistic and were pretty unhappy about it. There are two sides to this coin and our responsibility is to seek independent advice and then make an independent judgment. In this instance it will be a judgment which manifests itself in the form of a recommendation because the real decisions in this area are, of course, for government rather than for us.

  Q577  Philip Davies: From what you have said, do you accept that Channel 4 will need further funding in the future?

  Mr Richards: That is what we are considering at the moment; we have reached no conclusion about that. The LEK report and the response to the consultation to the report are what we are looking at at the moment, so we have reached no conclusion of any kind on that at the moment.

  Q578  Philip Davies: When will you be coming to a conclusion?

  Mr Richards: We will publish something responding to the LEK work and the views of others which we have had off the back of it before the summer and we will let our position be clear at that point.

  Q579  Chairman: Can I ask you on two slightly different issues but both of which have considerable public interest. The first is Celebrity Big Brother. When are you going to publish the findings of your investigation into the complaints?

  Mr Suter: Our process is continuing. We are now actively considering the final stages of that process and I hope to do so shortly. It is important that broadcasters have the opportunity to present to us the full facts as they would have us know them and that we have an opportunity to consider those carefully before coming out with our judgment.


 
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