Select Committee on Culture, Media and Sport Minutes of Evidence


Examination of Witnesses (Questions 680-691)

MR SHAUN WOODWARD MP AND MR JON ZEFF

14 JUNE 2007

  Q680  Helen Southworth: It has a role, so can we focus on that role.

  Mr Woodward: It is quite hard to be prescriptive, is it not, about telling a programme-maker what kind of programmes they should make? I think there is a danger, and I say this again to myself as this sad, old, 48-year-old parent, that it is quite hard for me to predict the kinds of programmes that my children are going to want to watch. What tends to happen is that they tend to draw my attention to what they like watching. Part of the problem that organisations in broadcasting have is that you do reach an age whereby it is quite difficult to actually be producing content for young people because you are actually no longer in touch with quite a lot of them and that is because of the diverse way in which this content is being made. I think one of the difficult things for us is to get our heads round producing some sense of public service broadcasting obligations in this on-demand age of increasingly user-generated content. One of the problems, and I think it refers to the children's television programming issue more generally in ITV, we recently organised a seminar at BAFTA when we tried to bring together the major players in this and Michael Grade made a very important observation, I think, about ITV in relation to children's programming. He said that you also have to look at the opportunity costs because, "If we schedule on ITV at five, six or seven o'clock children's programming, actually in this multi-channel, multi-platform age in which much is viewed on demand, it will get a very small audience. It might be a very high-quality programme, but we will then suffer a very significant, disproportionate impact on our advertising revenue", so I think there are ways to look at this which may not be saying that you want to see ITV go up from five hours or six hours up to ten hours, say, but recognising that there are other digital platforms out there, including ITV2, 3 and others, where you might like to see these programmes being made and scheduled. I think that is what we need and that is why the Ofcom review is so important in relation to this area and certainly Ofcom will take note of your questions to me in this Committee and I think it is something that they might want to address. I am not sceptical, I am just slightly cautious about how you could actually describe what I think is behind your question in a way that actually could be meaningful and measurable about the public service obligation for the future because you have been tending to lapse into actually prescribing the kind of programming you want made and I think, quite rightly, ministers should not get into programme-making, unless of course they want to abandon their careers and go back into television.

  Q681  Helen Southworth: But can you say anything about having a target audience which is children and adults together?

  Mr Woodward: Again, we are moving into programme-making and the specific kinds of programmes that might be made. There are things, there are films, for example, that families like watching together. If you think about a film like The Pursuit of Happiness with Will Smith recently, a great film, families watch that together. I have to say, I find it quite difficult watching endless episodes of The OC with my teenage children, it is a bit repetitive, but for my kids, they love it, and The Teletubbies. There is a limit to how much I want to watch of this stuff, but it appeals to a certain audience. One of the things that a multi-channel age gives is the opportunity to serve different kinds of markets and different kinds of interests and recognising that television at the moment basically divides children's programming into three groups of children, the pre-school, the five- to 12-year-olds and the 12-16-year-olds and they have got different tastes and different demands. I think parents should sit down with their kids and watch some of the stuff that their kids watch, not least because they ought to know what their kids are watching, just as they should with computer games know what they are playing, just as they should with sites that their kids call up, but I am just nervous of saying that I think there is a way of ending up with prescribing into guidelines the kind of programming that you might want the programme-makers to make in relation to some kind of programme that everybody might sit down and want to watch together, not because it is not a noble and laudable aim, but I just do not know how you do it. It just reminds me of my time in television when I was the editor of That's Life! and we had 18 million viewers a week and the BBC came along and said, "Look, we need to do audience research on your programme". Esther said, "Well, why?" and they said, "Well, we need to see if we can make it better", and she said, "Of course that would be a good idea, but what are we going to do with the research at the end of it?" and they said, "Well, it may lead to us changing the programme". We went away and we did it and the truth is that the audience came back with all sorts of views about what the programme should be like but it would have been utterly untransmittable. I say that not in a sense of undermining what the public were telling us. A very useful anecdote was given to me recently by the Comptroller of BBC Wales about Dr Who, a programme that I love and try and persuade my children to watch and, of the four, two watch it and two think I am completely demented for wanting to watch it. BBC asked their audience five years ago did they want Dr Who brought back. 80% of the BBC's audience said "No", they had a memory of what Dr Who was like and they did not want it trampled on. BBC Wales decided to commission it. A happy concatenation of people in Wales, Russell T Davies and others produced a format which today sells in 45 countries, contributes more than £50 million a year to BBC network and is one of the BBC's top ten programmes. I am not saying that audiences and their views should be ignored, of course I am not; I am saying though that the public can only know what they know. The useful lesson I draw from that is that you can get the public to have a view about the programme that has been made but the public are not programme makers and getting them to prescribe the programme they would like made to achieve what you would like a programme for all the family to be able to see, would be quite hard. They rightly leave it to programme makers, I think politicians should be even more cautious.

  Q682  Helen Southworth: Is that not the whole point, though, that visionary programme making and huge quality of creativity of programme making has to be available for children and we need to make sure the BBC is not going to be the sole generator of that and that it also gives us a huge business opportunity when we get that quality content to sell it around the world? We need to make sure that our industry is positioning itself in that place.

  Mr Woodward: Let us take a programme like the X Factor, that is a programme which we all watch, the youngest 10-year-old through to this sad 48-year-old. We watch it as family viewing and we talk about it. We vote on it; we disagree on it. I think that mirrors many families up and down this country. I am not sure that as politicians we could have come up with that as a public service obligation. We probably could have come up with something which would have been watched by an audience of three, but whether or not it would have been watched by an audience of eight million and produced a format which is sold around the world, and which does provide good family entertainment and has given rise to all kinds of other formats, whether it is Andrew Lloyd-Webber's programme to find Joseph or whatever, that is good family viewing.

  Q683  Helen Southworth: I do not think I was proposing that we as politicians should be doing this. What we are asking you is, should not programme makers other than just the BBC, programme commissioners other than just the BBC, be doing this?

  Mr Woodward: They are doing it. These kinds of formats can find big audiences and that is one of the things they want, to improve their advertising review. I do not think it is a choice between us being in a position where it is not happening to finding a situation in which it can happen, the question is could we in some way find a way of formatting that into a set of obligations, and I am just not sure we would be very good at it. I do not entirely share a view which fails to recognise that it is not already happening, I think it is already happening.

  Q684  Paul Farrelly: We have been talking about children's programming and I just wanted to use that to ask a question on setting and enforcement of public service obligations. First, can I say I welcome seeing more of the health campaigners like Jamie Oliver highlighting what goes into a Turkey Twizzler and anything which stops the incessant pestering by my children for new super-improved Honey Nut Loops or Frosties is to be welcomed because it is quite evident when you go abroad to France, Italy, Spain and Germany there is not enough focus here on healthy eating because there they have a great emphasis on local produce, here we have great national advertising campaigns for processed foods that the Government believes to be relevant. It clearly has costs and Michael Grade has already made clear to the Committee that he does not see a future for children's programming on ITV, in pretty short order actually, but nevertheless there is a public service obligation on them. At the same time, Michael may be coming to the Government and Ofcom to try and have the advertising regime restrictions relaxed. People are also concerned about the level of regional programming, regional news, which we have not discussed, on ITV. The question is really when Michael Grade comes to have the advertising restrictions and that regime relaxed in this new media world, will the Government adopt a quid pro quo approach in terms of stiffening or insisting that children's programming or regional news programming remains a public service obligation rather than treating each issue in isolation?

  Mr Woodward: I am not going to pass the buck on this but I am going to say that the reason we have got Ofcom there is to reach these judgments. One of the institutions that I have found in the course of my work in the last 14 months in this job that has respect around the world is Ofcom. We have to be mindful of the fact, and this partly picks up the point that Philip was making earlier, you cannot just produce an endless set of obligations and somehow think that people can continue to make the programmes you want. We have to find a balance here. Undoubtedly, the impact of banning junk food advertising on children's programmes has had a significant effect on revenue. We have to be mindful, therefore, I know Ofcom are mindful when they are making their judgments, that there is no magic here. If you take £30/40/50 million out of revenue, it has to be found from somewhere else, there will be things you cannot make. Therefore, when Michael Grade makes his case and makes his arguments, Ofcom have got to balance that against a requirement that we made from ITV last year, but I do not see it necessarily, and I do not think you are suggesting this either, as quite so black and white. That is why Ofcom reaching a balanced judgment over a period of time based on consultation, with no precipitate haste, is absolutely essential. There is a case when ITV talk about wanting to reduce the number of hours of children's indigenous programme making on ITV against the problems they face about revenue and programme sharers but equally ITV have the advantage of having ITV 2, 3 and other places where material can be screened. Therefore the point that Michael Grade makes about opportunity costs in relation to ITV 1 is a valid one but I do not see that necessarily it stands as a broad principle, and exhaustively so, across the full spectrum of the ITV offer. There may be ways that we will want to encourage broadcasters to think creatively about this rather than in black and white terms but, again, the vital organisation we have in this is Ofcom. I am not suggesting the Committee has ever thought otherwise but I think that Ofcom has been an extraordinary success in the Communications Act reaching balanced sensible views based on very careful consultation and keeping responses proportionate and timely.

  Q685  Paul Farrelly: You are not entirely ruling out the Government taking, in certain instances, potentially, a different view? Everyone is concerned about public sector obligations get set up and then they get chipped away.

  Mr Woodward: Of course Government could but if you create an institution like Ofcom, and charge it with this responsibility and give it the independence it has from Government, you should be pretty cautious in Government of saying "We are only happy with the referee so long as the referee produces the result we like". The referee may sometimes come in with results we do not like, I do not think it follows because you have got the wrong result you should disagree with the referee and the rules. That is why I am so impressed by Ofcom and you can really see it in relation to the way they have tackled an issue like Channel 4. The issues are being considered a long time before it is a crisis and that is how I think they should approach the children's programming review. There is not a crisis in children's programming in this country, it is the reverse. The figures I offer the Committee in comparing ourselves with Canada instance that. However, there are problems along the route, just as there are with ITV regional news, regional programming, but it is no longer about ITV only having a single station to offer the public. As we get into digital switchover and we see all of the public having access to huge numbers of channels, as we see broadband going into more and more people's homes and more and more possibility, I think we have to look at the fact that the content is going to come from so many different sources that we have to have some careful evaluation across the piece to measure alongside just, say, ITV's obligations. That is why, again, Ofcom is the best institution we have got to do that. I have no reason to think so far when you say, "If they reached a different judgment from what the Government felt would we disagree", the fact of the matter is it has not happened and I do not anticipate it happening. I have every confidence that Ofcom will guide us to the right place.

  Q686  Chairman: You have been extremely complimentary about Ofcom and do not anticipate disagreeing with them. Can I ask you, therefore, how you regard their present proposal of the public service publisher to provide new media content?

  Mr Woodward: First of all, it is an example of how Ofcom think ahead. I am complimentary about them but I have no reason not to be. We have plenty of reasons in politics to be unhappy with institutions and things but I have to say I have no reason to be. It is not praise given for the sake of it, it is as I find it. I think their concept of the PSP is an interesting one. Again, as we move into this multi-platform digital age with 300 channels and on-demand services and the new media, the idea of there being a public service publisher which is a distinct entity from what we currently perceive as the public service broadcaster is a useful contribution to the debate. Their original stabs at what it might cost, how it might be funded, have already evolved. As to what form the public service publisher should take I think now is a matter of discussion. This Committee will have views about what form it might take in the long term. What we can be certain about is that the concept of public service publishing is bound to play an important place in the future but what we can be less certain about is what form it should take and how it should be financed. I do think it goes hand-in-hand with an overall conception of wanting to look into the medium to long term, by which I mean five to ten years from now, about what public service broadcasting and public service publishing should be. It is a good thing to put it on the table now. It is a useful thing for all organisations to have a view about and I do not think, for example, there is any natural conclusion which ends up with the BBC believing that it should be the public service publisher. I think that is one of the issues of public service broadcasting and publishing that is out there for the future and there should be a lively and healthy debate about both the form it should take and the funding it should have over the next few years.

  Q687  Chairman: We would agree with that. On the other hand, you have said you do not see the real debate taking place about the future of public service broadcasting until about the time of digital switchover. Some people are arguing that is leaving it rather too late and we need to start it earlier than that, we need to start it now. Would you envisage bringing forward the Government's intention to examine these issues?

  Mr Woodward: Certainly I could envisage we would bring it forward. What I was referring to was the original timetable that had been set out was one which had envisaged that this review would take place towards the end of the current licence fee settlement. I do not think that is likely to hold, mainly because of the speed of transformation that is taking place in media, new media, linear, non-linear services. Therefore, Ofcom's review of public service broadcasting and public service publishing, I think our intended review, could well be brought forward but I cannot reach any conclusions about that because it is a fast moving target. Had we found that Channel 4 had faced financial difficulties earlier than 2010 that would have precipitated almost a certain case for bringing forward that review of the wider issues of public service broadcasting. My instinct is that it will come earlier but I cannot tell you for certain and that will be a decision made by the Secretary of State.

  Q688  Chairman: When the review does take place, will the option of providing public funding to other broadcasters, outside the BBC, be one of the options on the table?

  Mr Woodward: All the options have to be on the table but, equally, they have to be done in the context of recognising how we have a BBC which has continued through an extraordinary period of change and transformation to remain the institution that it is with the respect that it has not only by the domestic consumer but by those abroad. As you know, whilst we got the licence fee settlement a bit like Goldilocks "absolutely just right", the fact of the matter is that I cannot think of any other tax that the public pay which from the research that we have had showed they would have been prepared to pay more. In striking the balance for the right amount of money for the licence fee payer, getting value for money and what the BBC wanted to make, and therefore striking it as we did, we struck the right balance. In saying that all the options would be on the table, I add the very important caveat that we also begin with a very strong admiration and commitment to the quality and standards and institution of the BBC. It would be misleading if people thought that a review of public service broadcasting and the options for the future, whilst looking at all the options, did not start with a very, very strong sense of what works and therefore it does not necessarily follow in all the options that you would abandon what works in favour of some extraordinary experiment and see what happens.

  Chairman: Minister, I know you have got to get away shortly but, very briefly, Paul Farrelly.

  Q689  Paul Farrelly: I just want to touch very briefly on the issue of the digital dividend review and the approach being taken by Ofcom in line with Government policy on the auction spectrum. You will know there is a big, well-funded campaign, HD for All, which is seeking to persuade us that high definition television services should have a claim on that spectrum release. Do you think their arguments stack up?

  Mr Woodward: I think they are strong arguments. One of the things that Ofcom has to be mindful of, and I have no reason to think that it will not be mindful of this, is that just because somebody is mounting a very strong lobby therefore it follows that is the way to go. What the high definition television lobby is being is extremely effective at making its case. The allocation of spectrum is extremely important for a whole range of services and the obvious one that springs to my mind is mobile television. At the moment, mobile television is a service in its infancy but if, for example, when you look at the preparations that are being made in China in relation to the Games for next year, China envisages its consumer market accessing those Games through mobile television. Again, if you look at the television industry in the United States and look at what they are doing to prepare not just an adapted form of programme making for mobile television but a whole new strand of programme making for mobile television, I think there is a need to anticipate the consumer demand for mobile television and therefore the spectrum it is going to need. It happens that mobile television as a lobby is not as organised as high definition. There are other applications for spectrum which need to be placed into the equation. For example, radio mikes, we have to look at the fact that at the moment the spectrum auction that would inevitably take place as a result of switchover is going to raise this as a rather crucial issue. West End theatre could be very adversely affected if there were not a mechanism put together which would enable them to take part in bidding for spectrum in which they were up against the weight of the telecommunications industry. This is a very complex process. Again I am mindful of the fact that Ofcom are very open to the lobby that comes from high definition television but they have shown me every sign that they appreciate it is a well organised lobby and does not have an exclusive right to its voice being the only one that is heard. That does not mean to say that high definition television does not have an important place to play in the future of allocation of spectrum but I suspect it will be one of a number of players and not the exclusive player.

  Q690  Paul Farrelly: You have already said quite clearly that you do not anticipate disagreements with Ofcom because Ofcom's record has been good so far. You have mentioned radio mikes, that is one potential exception to the principle of the highest bidder takes the spectrum. Do you see other exceptions?

  Mr Woodward: Yes, for example community radio community television but, again, a bit of caution here. Three months ago I was being persuaded that the solution to the issue of radio mikes, community television, community radio was interleaved spectrum. In the last three months Microsoft have come along and suddenly started showing huge interest in interleaved spectrum because they can see it as a way of enabling domestic hubs in wireless set-ups to be developed. Now the other thing we have to add into this mixture, therefore, is not just new applications for the spectrum but also the advances in compression technology, and therefore what might currently be needed, we may only need a fraction of it in as little as two years' time, let alone at the end of the switchover period. Again, part of the difficulty here is we are trying once again to see round corners and you cannot. Therefore, that is why I think, with some caution, I listen to the high definition lobby, not because it is not important, not because we will not need to make some allocation, almost certainly we will need to see allocation for it, but I do think we need to recognise that many of the applications there, and you asked me what I can envisage and I gave you some examples, some of them we do not even know yet. That is the nature of the digital revolution and that is the nature of Britain's role in the digital revolution which happens from the work we are doing on the creative industries to reveal that we are better at this than any other European country. We will have the best shot at knowing what is coming compared with anybody else but certainly I cannot sit here and tell you today that here is the list of what those applications might be because, as I say, some of them do not even exist yet.

  Q691  Chairman: Minister, I am conscious you are due in the Chamber shortly.

  Mr Woodward: For the Digital Switchover Bill.

  Chairman: We could go on for much longer but I think we should probably finish there. Thank you very much.





 
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