Select Committee on Culture, Media and Sport Ninth Report


1  Introduction

Why we are publishing this Report

1. At the opening of the 2007-08 Session of Parliament, the Government announced an intention to publish in draft a Bill to enable the United Kingdom to accede to the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its two Protocols. On 7 January 2008, the Department for Culture, Media and Sport duly published a Draft Cultural Property (Armed Conflicts) Bill, together with Explanatory Notes and a Regulatory Impact Assessment.[1] Although the Department did not announce a formal consultation exercise on the draft Bill,[2] the Foreword by the Minister with responsibility for culture and heritage said that the Government would welcome any comments on it during the pre-legislative period. The Government's Draft Legislative Programme for 2008-09, published on 14 May 2008, confirmed that the provisions of the draft Bill would be brought before Parliament in the 2008-09 Session, as part of a bill whose main purpose will be to reform the heritage protection system in England and Wales.[3]

2. We welcome the principle of publishing bills in draft and inviting pre-legislative scrutiny by Parliament; and we therefore announced an inquiry into the Draft Cultural Property (Armed Conflicts) Bill on 31 January 2008. We have undertaken a similar inquiry into the Draft Heritage Protection Bill, published in April 2008, on which we expect to report shortly.

3. The terms of reference for our inquiry were simple: we sought views on the overall aims of the draft Bill and on?whether the Bill was structured and drafted in a way which enabled those aims to be met. The Report is aimed primarily at the Department for Culture, Media and Sport, which will sponsor the Bill when it is introduced into Parliament and which may decide to amend the draft Bill before introduction in the light of this Report. However, we believe that our recommendations and the evidence which we are publishing with the Report will also inform debate on the Bill as it proceeds through the two Houses.

4. We held a single oral evidence session, on 10 June 2008, at which we examined individuals and bodies with specialist knowledge of cultural property and its protection during armed conflict. We also sought the views of those who would be subject to new legal obligations if the Bill were to be enacted: HM Forces and representatives of the British art market; and we discussed the drafting of the draft Bill with a specialist in international law. We wish to record our thanks to those who submitted written evidence and who gave oral evidence before the Committee. Several witnesses provided valuable further information and advice informally, and we are particularly grateful to our Specialist Adviser on built heritage, Mr Bob Kindred, for his contribution.

What the Bill is designed to do

5. In the words of the accompanying Explanatory Notes, the Bill "is designed to enable the United Kingdom to ratify the 1954 Hague Convention for the protection of cultural property in the event of armed conflict and to accede to the Convention's two Protocols, drawn up in 1954 and 1999". Parties to the Convention "are required to respect both cultural property situated within their own territory and cultural property within the territory of other Parties, by refraining from using it, or its immediate surroundings, for purposes which are likely to expose it to destruction or damage in the event of armed conflict, and by refraining from committing any hostile act against the property". The 1954 Protocol sets out undertakings for the protection of cultural property in occupied territories; and the Second Protocol clarifies terms and obligations under the Convention and, amongst other things, identifies five offences as being "serious violations" of the Protocol.

6. The draft Bill extends to 31 clauses and five schedules, giving effect to the Convention and the two Protocols:

—  Part 1 of the draft Bill defines the main terms used;

—  Part 2 incorporates into UK law the offences set out in Article 15 of the Second Protocol, constituting "serious breaches" of that Protocol;

—  Part 3 provides for controls over the use of an emblem to signify that any item of cultural property (whether moveable or immoveable) deserves protection under the Convention;

—  Part 4 establishes an offence of dealing in unlawfully exported cultural property; and

—  Part 5 provides for immunity from seizure or forfeiture of cultural property removed for safekeeping.

The Convention and the Protocols themselves are reproduced in the Schedules to the Bill.

Why ratify the Convention now?

7. The original Convention was adopted to protect cultural property from armed conflict, in the light of "massive destruction" which had taken place during the Second World War.[4] Yet the United Kingdom will not sign the Convention until 2009 at the earliest, 55 years after its adoption. In all, 118 other countries have currently signed the Convention, including Russia, India, China, Canada, Australia, almost all European countries, Israel, Iraq and Iran. Fewer have signed the two Protocols: current tallies are 97 and 48 respectively.

8. We queried the delay in signing the Convention. Mr Garraway, International Law Adviser for the British Red Cross, suggested that the Cold War had been a disincentive;[5] but dissatisfaction with the terminology used in the Convention has also been a factor. The Government states in the Regulatory Impact Assessment which accompanies the draft Bill that the UK "decided not to ratify the Convention when it was first drafted because, along with a number of other countries, it considered that certain terms were too imprecise and that it did not provide an effective regime for the protection of cultural property".[6] The Government adds, however, that the adoption in 1999 of the Second Protocol (which defined offences as well as clarifying the concept of "imperative military necessity") removed those concerns.

9. It may also be that the actions of certain elements of Coalition forces in Iraq during the 2003 invasion left the UK exposed—rightly or wrongly—to allegations that its armed forces were not demonstrably working to the same standards as others in respect for cultural property during operations. Professor Peter Stone supplied us with a copy of his book The Destruction of Cultural Heritage in Iraq, which includes chapters by Iraqi archaeological experts on damage to sites in Iraq before, during and after the invasion in 2003. A member of the Iraqi State Board of Antiquities describes in detail damage to the city of Babel caused by Coalition forces digging defensive trenches, scraping and levelling ground, covering flattened areas with sand and gravel, constructing earth barriers at entrances to and within the city, and erecting barbed wire emplacements. Similar destruction took place at Ur, where Coalition troops were described as frequently visiting the archaeological remains "without any restraint", driving heavy military vehicles across the site, damaging the landscape and "almost certainly" destroying or damaging unexcavated artefacts and buildings.


1   Cm 7298 Back

2   A consultation on implementation of the legislation to give effect to the Convention and its Protocols was held in 2005 Back

3   See Cm 7372, pages 36 and 37 Back

4   Ministerial Foreword to the Draft Bill Back

5   Q 68 Back

6   Cm 7298 page 84 Back


 
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Prepared 22 July 2008