BBC Commercial Operations - Culture, Media and Sport Committee Contents


Examination of Witnesses (Questions 35-39)

MR TONY ELLIOTT, MS CAROLYN MCCALL AND MS LYN HUGHES

4 NOVEMBER 2008

  Chairman: For the second part of our session, which roughly corresponds to the publishers, can I welcome Tony Elliott, the Chairman of the Time Out Group, Carolyn McCall, the Chief Executive of the Guardian Media Group, and Lyn Hughes, the Editor-in-chief of Wanderlust publications.

  Q35  Mr Sanders: Commercial success achieved by BBC Worldwide obviously reduces the reliance on the licence fee. Why, therefore, should we be concerned by the growth of BBC Worldwide?

  Ms McCall: Could I just say first that the Guardian Media Group is a great supporter of the BBC, of its concept, of the fact that it is licence fee funded, and on its ability to raise additional funds through exploiting its programming and its core content. In answer to your question, we believe the rules surrounding BBC Worldwide's activities have been loosened significantly since 2007, where the BBC Worldwide is creating new brands and they are acquiring businesses; and that is having a detrimental effect on commercial players and, therefore, on commercial plurality. We have made some very specific recommendations because we believe to address these problems the Trust should tighten the rules governing BBC Worldwide; there should be greater transparency about the oversight of Worldwide; and there needs to be a greater separation between the strategic role of the Trust and the regulatory role of the Trust, which we believe is extremely confused and leads to some considerable problems for the commercial sector but also to licence fee payers. Specifically in our submission we have said that we believe BBC Worldwide should go back to the pre-2007 fair trading rules, and that this investment figure of £50 million should be reduced quite considerably, and we can go into that. To your question—which is: is it just about the success of Worldwide?—no, we want Worldwide to be successful; it is simply about the boundaries that are set for Worldwide's activities that we are concerned about.

  Ms Hughes: We have been absolutely passionate about the BBC, and I myself have done a lot of work for the BBC, for the radio in particular, and have always been proud of the BBC around the world; but BBC Worldwide seems to be an out of control juggernaut at the moment. BBC Magazines in particular seems to be totally out of control. It is now the third biggest magazine publisher in the country. It has something like 40% of the children's magazines market. Whereas it used to argue that its magazines were in support of BBC programming, for instance, say, Top Gear magazine, they do not have a Lonely Planet television programme, so why therefore are they launching a Lonely Planet magazine? It has no direct link to any BBC programming at all. How on earth can that be justified?

  Mr Elliott: I would also like to stress my support for the BBC.

  Q36  Chairman: I think in future we will take it as read that everybody supports the BBC and move straight on to the "But", if we may!

  Mr Elliott: There are clearly some real problems with the structure and the remit for Worldwide. In very simple terms, I think where the external agency is exploiting assets that come out of the broadcasting system, it is absolutely straightforward. I think we would all applaud their exploitation of the Top Gear magazine around the world, and they can do whatever they like in terms of the number of programmes with that all around the world; but when they take quantum leaps into areas that have nothing to do with the BBC as a broadcasting entity and a British brand et cetera you have to ask yourself: what is going on here? One example which I would like to get on the record is that they are the co-publishers through a joint venture of Hello magazine, which they license in India. I just do not understand what that has to do with the BBC. They will argue that makes money, and it does; but it clearly is not what they should be doing. I think if you follow that particular strand down the line, they will defend it on the basis that they have a joint venture with The Times of India and that that was "a legitimate thing which the Indians were doing—not us". If you do a joint venture with an Indian publishing company and you want to make a success of it you pour money, resources, talent, reputation et cetera into that; and I think that is a good example of something that is way beyond what they should be doing in the publishing field. I know we will come back to the Lonely Planet question in due course, but that is clearly a very big thing.

  Q37  Paul Farrelly: It is Hello and Grazia, is it?

  Mr Elliott: They do Grazia as well. There are a number of them. You do have to say to yourself: why? I would also like to say, because I think this is important, I do know a lot of people at the BBC and see them and most of them say they do not know what is going on with Worldwide. They all say they do not know what they are doing. There is not a clear enough brief. They will all hasten to say, "But it's great. They make money for us to make programmes with"; but there is deep, deep concern culturally across the whole organisation about the activities.

  Paul Farrelly: I am a former employee of the Guardian Media Group and, if there is any money left in the pot, a pensioner as well!

  Q38  Helen Southworth: I wanted to ask if you could perhaps expand on the governance side of the BBC Trust and on the reference up of the £50 million cut-off point. How do you think that should be changed? What level of scrutiny should the Trust be having, and what sort of mechanism should they have in place to report through to them?

  Ms McCall: I think for us it is extremely confusing to see the Trust as regulator and having a strategic role. I will give you one specific example of that—local video—although I know this is not in the remit of this particular Committee but it is a good example of where this gets very confused. The Trust has made it clear to management that it is a strategic imperative to enter local. They are not really in local video; they are not in it at all, and they plan to spend £68 million on this. When we then engage with the Trust and say, "We have a real problem with local video", who are we talking to, the regulator or someone championing the BBC in local? It is a very difficult distinction to make. The Chairman of the Trust has actually come out and dismissed regional press's issues with this. £68 million is a lot of money; just as £50 million is a lot of money. To give you an example: in local we spent £½ million on a website to do an entertainment website in the north-west, so £68 million is a lot of money. I think the first issue is, there have been lots of options discussed; the Burns Report made an option about separating regulation from the Trust. I think there are so many options that could be discussed, I think the key thing for us is that a regulator should be unambiguously a regulator; that is all they should do—regulate. That is the first thing. On the £50 million, again to give you an example, £50 million is a lot of money. Only the BBC could say £50 million was not a lot of money, because if you are a commercial player, for example, Guardian.co.uk, the leading website in this country for quality newspapers, has probably in eight years not spent £50 million of investment in that site. I think £50 million is a ludicrously high figure for the Trust to have to scrutinise. It needs to be considerably lower than that. I would make the case that it should be benchmarked against other boards, not just plc boards but media boards, because a lot of media, as you know, is not in plc hands; some are and some are not.

  Q39  Helen Southworth: I am sure you will not be at all surprised to know that the Guardian Series newspaper, with its huge impact on Warrington, in my constituency, has been quite keen to make clear to me that they are very anxious to see that there should not be unfair competition. How much of this process needs to be about the BBC guaranteeing that it plays fair with licence fee payers' money and how big an impact could it have if it does not play fair?

  Ms McCall: I think it is a really big issue. A lot of these nascent websites are new businesses, embryonic businesses, that need the oxygen to survive. When the BBC enters any market it enters aggressively; it has deep pockets, it has a big brand, it therefore can decimate competition very easily. The reason the Manchester Evening News in your constituency will have been very vocal about this is that they are fighting for their survival. That is not a dramatic phrase. Margins in the regional press are being squeezed very, very hard and therefore the issue for me is significant, not simply because I am a publisher but because I think this plays to diversity, to plurality and to democracy. I think it is about citizenship in a democracy and I think if you start losing local newspapers, local websites, you will end up having a very strong BBC and nothing else.


 
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