BBC Commercial Operations - Culture, Media and Sport Committee Contents


Examination of Witnesses (Questions 168-179)

MR JOHN SMITH, MR ETIENNE DE VILLIERS, MS ZARIN PATEL AND MS CAROLINE THOMSON

18 NOVEMBER 2008

  Chairman: I would like to welcome to the second half of this session the Chairman of BBC Worldwide, Mr Etienne De Villiers, and the Chief Executive, John Smith, together with the BBC's Chief Operating Officer, Caroline Thomson, and Director of Finance, Zarin Patel. I am sorry that we have kept you waiting. I should say that it is not necessary for each of you to answer every single question or we will be here until supper time. Nigel Evans is going to start.

  Q168  Mr Evans: Good afternoon. BBC Worldwide I know is tasked with making money but it also appears to be making enemies along the way. Are there any barriers whatsoever to your operations?

  Mr Smith: It is fair to say that we are obviously in the middle of a debate about Worldwide at the moment and this Committee is rightly looking at it. These debates are cyclical and it does come round from time to time. Indeed the very last time, at the time when the BBC's Charter was being renewed four years ago, much of the debate was centred around a belief in some quarters that the company was underperforming in all sorts of ways, had loss-making businesses and so on. We have spent four years collectively addressing the concerns that were then in the air: that underperformance, that the role of the Chairman and the Chief Executive had not been separated and that there were no non-exec Directors and things like that. Those concerns have all been addressed and the company over the last four years has been growing. That growth has led to an almost doubling of its turnover and a tripling of its profits. Of course success means that we are doing more things now than we were doing four years ago, and the more we do, the more inevitably competitors who occupy similar spaces find what we do a problem. I think there is an inevitability about it. In answer to your question, Mr Evans, about the boundaries, I think the previous session touched on this a little bit but let me just say a little bit more. The key boundaries are those that are very clearly laid out in the Charter. The four commercial criteria that were mentioned earlier—and we can go through again if you would like—are laid out in the Charter as an absolute prohibition on doing anything which is outside of those four criteria. There are other controls obviously. For example, there is a borrowing ceiling imposed on the company by the Treasury which imposes a restriction on the amount of money that can be borrowed and therefore that can be invested. That acts, in a way, as a sort of fifth criterion on top of the four. On top of that, the strategy of the company must be approved—and indeed was approved by the Trust—before we are then able to come forward with any individual proposals for doing anything new. It is safe to say there are quite a lot of controls in that process and they are all laid out in the Charter.

  Q169  Janet Anderson: There was a bit of a discussion in the earlier session about the cross-directorships. You and Mr Smith sit on BBC Executive Board and it is claimed to us that that did not give you an unfair commercial advantage because the Executive Board did not discuss forward schedules in advance and so on. Could you just tell us a bit about what you are privy to on the Executive Board, so that we can have a clearer idea on that.

  Mr Smith: Most definitely. I think the best way of answering this question is to think that there are two relationships that BBC Worldwide has with the BBC. One is a vertical ownership relationship, whereby 100% of the shares of the company are owned by the BBC public service. As you would expect in any group structure with a subsidiary, there are issues to do with that relationship that need to be handled. The other relationship is a horizontal one, in that the BBC provides some of the product which Worldwide then exploits around the world—indeed, the majority but not all of it, as was mentioned earlier—and there are issues around that horizontal relationship. I think the point that was being made earlier is that the crucial thing that the Trust needs to ensure in relation to the fair trading system is that the way in which product is passed over that trading relationship, the horizontal one, is done entirely fairly, with all the appropriate checks and balances, observing the Fair Trading Guidelines, with the independent audit and all those things that were mentioned earlier, such that there could be no unfair advantage given to the company in the acquisition of those programmes, the acquisition of that product, for Worldwide to then exploit around the world with some kind of inherent advantage. On the other hand, as a subsidiary of a company whereby the shares are owned entirely by the BBC, there are issues to do with the BBC wanting to have control of its subsidiary and to know what it is doing, and also wanting the subsidiary to know broadly speaking what the parent is doing. After all, do not forget that both companies share benefit from and build the BBC's brand all around the world. They both have exactly the same brand, and it is very important from that point of view. In addition—and maybe Zarin Patel will say more about this—BBC Worldwide is contributing about 20% of the Group's total turnover. These are quite important relationships as parent and subsidiary, and I think it is for that reason—and it is not my decision of course, it is Mark Thompson's decision—that he has asked me to sit on his Executive Board. In a straight answer to your question as to what we talk about around the Executive Board: we never talk about programming issues. Indeed, in so far as BBC Vision (who produce the programmes of the BBC that we then buy) are going to make any commissioning decisions, their commissioning strategy is published for all distributors and all suppliers, for them all to see at the same time, and we at BBC Worldwide get it when independents or anybody else would get it. That never happens at the Executive Board; it happens in other ways.

  Q170  Chairman: The Head of BBC Vision does not sit on the board of any other independent production company.

  Mr Smith: No. Forgive me, Chairman, I was answering the question about my own position on the Executive Board, although we could talk about that as well. The kinds of things we talk about around the Executive Board, as Mark Thompson said, are strategic. They are about the long-term direction of the BBC, the issues facing it, the long-term funding issues, the role Worldwide will contribute in that regard, et cetera, et cetera. They are that kind of thing. They are not anything to do with individual programming.

  Q171  Janet Anderson: Are you satisfied that that horizontal relationship, as you describe it, is carried out fairly at the moment? Do you think it is done fairly?

  Mr Smith: Yes, I am. I would say, as was said earlier, the panoply of controls that are around it are really very, very substantial. I would love to be judged, personally, based on the performance of a company with people crystal clear that there is no unfair advantage being given, than through some peculiar and rather unwelcome or unwanted help that is given because of that system not working. We have to bid for the rights to every programme that the BBC makes in order to try to win that programme from the BBC. There is a first-look agreement, which we will explain in a minute, but basically we have to bid a market rate for every programme that the BBC is supplying. We pass on some because we look at them and decide we do not want to bid on them—because it will not fit with our catalogue or we do not think we can make any money out of it—but we bid on the vast majority. We do not win all the bids. We lose 15-20% of all the programmes that are offered because we have not bid enough or, alternatively, because we have decided not to bid at all. And then the BBC offers those programmes out to the rest of the market and other people end up getting them. There are plenty of examples of programmes where we are not winning bids, we are not offering a bid that is good enough. That system is designed to ensure that we are regularly tested on the amount of money that we are paying for the individual programmes against the amount that other people in the market-place are willing to invest. Of course there are some times when we overbid and sometimes when we underbid, but, broadly speaking—and I am just going to stray because I think it is important to answer another question that I think the Committee may have—the way of judging whether or not we are paying the right kind of price for these programmes is are we making a decent return? If you look at our annual report—and indeed we are willing to give any more information that is necessary—the return we are making at the moment is 13% return on sales across the entire group. That is a good return in the context of the media industry, and we can only be doing that if we are paying a relevant price for the programmes. We could not do it if we were overpaying for the programmes, as some people were suggesting.

  Q172  Janet Anderson: Zarin Patel, I know you sit on the Worldwide Board. Do you see any conflict there? Do you have any problems with that or do you feel comfortable?

  Ms Patel: I do feel comfortable. My role as Group Finance Director of the whole BBC is to manage financial risk and to control financial risk—the control relationship that John Smith talked about. Worldwide is a significant commercial operation. It has significant overseas revenues, for example, so it has much more risk than, say, the licence fee income would have and therefore it is important that the Group Finance Director is in a position to be able to control the activity. You will also find that in public limited companies where there is a significant subsidiary, perhaps a quoted one, the group CFO will sit on the subsidiary's board. The objective assessment of commercial efficiency is also another part of my role. As a non-executive Director you can challenge that much more from the inside and understanding how the whole company is run, than through papers from outside the company. In essence, I do not take part in the commissioning decisions. I do not take part in the role of the commercial agency which tests market value. Neither do I take part in the initiating or shaping things from the Worldwide perspective either. That is the management team's job.

  Q173  Janet Anderson: In both cases does your remuneration reflect the fact that you sit on both?

  Ms Patel: My remuneration does not absolutely reflect any of my non-executive Directorships within the BBC.

  Mr Smith: My remuneration is determined by the performance of BBC Worldwide.

  Q174  Chairman: As non-executive Chairman, how often do you feel it necessary to rein back John Smith from pursuing various options because you feel they may be straying too far beyond the remit of the BBC?

  Mr De Villiers: As Chairman of any company, and especially this one, I am tasked with the fiduciary duty to shareholders to act with due care and concern and loyalty to those, so I really act to help the Trust in fulfilling that role to the licence fee payers. I do come to this with an independence and an objectivity. I believe it is fundamental that we meet the commercial criteria that we have established and which I believe to be reasonable, and we have very healthy debates. This is an organisation which—I think by virtue of the iconoclastic nature of British education and the BBC—no one is afraid to talk back to the boss, and so we do have very healthy debates. We try to make new mistakes. I think this is a creative industry and people only stumble when they move forward. This is what I did at Disney. I did this for 15 years. We did it by building a small, heavily subsidised international television business of some $16 million turnover in 1986, to north of $1 billion. In doing that we created local programming on a weekly basis of over 250 hours. We spread Disney branded product reaching 250 million viewers. We did that with a far more fragile brand than the BBC brand is. It is very clear from my accent that I am not from these parts, but one of the reasons why I live here and one of the reasons why I love being here is because of what the BBC meant to me as a young South African growing up and listening to BBC World Service and then being exposed to what the BBC stood for in the late 1960s and early 1970s as a student. I get what this brand is and I get what managing brands are. I can say with hand on heart that this is a group of people I am incredibly impressed by. I am impressed by their abilities, I am impressed by their diligence, I am impressed by their kindness, I am impressed by the responsibility that they feel towards the brand and they feel towards the licence fee payer. In answer to a very short question I have given a very long answer, but we have had at least 30 initiatives that we have squelched. Some have never come to the Board.

  Q175  Chairman: We being whom?

  Mr De Villiers: BBC Worldwide.

  Q176  Chairman: Where have the initiatives come from?

  Mr De Villiers: The initiatives have come from within the system. Because the staff and the executives have a very real understanding of "If you do not stand for something you will fall for anything" these people stand for something, so they have a clear idea of what would be compatible, what would be consistent, and what would make sense. I think over 50% of those initiatives were stopped before they even came to the Worldwide Board. Of the number that came to the Worldwide Board, we did debate the number of them and we rejected a number of them. I think it is a very healthy system. There are checks and balances. We have the internal reporting systems which Sir Michael and Mark talked to, but I am comfortable that this is not over controlled. This is appropriately controlled, but it is more controlled than Disney ever was. Disney was monomaniacal about maintaining its brand. It is such a tenuous connection between what their programming stood for and the confidence that mothers and care-givers had when leaving their children in front of the television set. We all make mistakes but hopefully very small ones.

  Q177  Chairman: This is slightly different. The concern here is market distortion and whether or not it is appropriate and whether there is a proper separation between the main BBC and Worldwide, which is not a consideration which applies to an organisation like Disney. The BBC said to us that the non-executive Directors have the right to refer a proposal to the BBC Trust if they have concerns that it may not be compliant with the commercial criteria. Have there been any occasions on which that has happened?

  Mr De Villiers: As you have heard from Sir Michael, one of the four that have been referred to the Trust in the time that I have been there met the threshold, and three of those were referred because there were sensitivities. I know I have that right at any point. If I felt that Worldwide was going down a path that I felt uncomfortable with, I would go and refer to the Trust. In fact, the publishing of the Lonely Planet magazine was an issue that Nicholas Eldred, who is the General Counsel of the company, the BBC, as well as the guardian of the Four C's (the four commercial criteria), felt that the Trust should be aware of and so he went into the system in order to raise it as potentially a concern. In addition to that, the COO of this company will meet on a monthly basis with the Trust Unit to discuss commercial criteria. There is an ongoing formal and informal system, therefore, that ensures that any issues that might be of concern will be raised. None to date is the answer, because we have never got to that point where we felt—

  Q178  Chairman: You have said that the Lonely Planet magazine had been referred up to the Trust.

  Mr De Villiers: It was put into the process. I would need to have Caroline explain the distinction.

  Ms Thomson: It has not, as far as I am aware, been referred to the Trust. When Lonely Planet was acquired, one of the key strategic aims of it, as my colleagues will tell you, was to be able to launch a magazine along with a much revamped website. When the decision to launch the magazine came up to the Worldwide Board, it was felt by one of the public service non-executive Directors, Nicholas Eldred, who is our General Counsel, that it had to have a separate compliance process, which it would not normally have had, to see whether it met the Four C's. So the non-executive Directors on the Worldwide Board invoked a Four C's compliance process, which otherwise would not have happened.

  Q179  Chairman: Has that been completed?

  Ms Thomson: It has been completed. It has not had to go to the Trust because it was completed satisfactorily.


 
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