Culture, Media and Sport Committee
Written evidence
CONTENTS
Written evidence submitted by New Writing
North (arts 01)
Written evidence submitted by Derbyshire
County Council (arts 02)
Written evidence submitted by the Association
of Festival Organisers (arts 03)
Written evidence submitted by Tyne &
Wear Archives & Museums (arts 04)
Written evidence submitted by Peter Collins
(arts 05)
Written evidence submitted by the West Yorkshire
Playhouse (arts 06)
Written evidence submitted by APRS (arts
07)
Written evidence submitted by the Foundation
for Community Dance (arts 08)
Written evidence submitted by Turner Contemporary
(arts 09)
Written evidence submitted by Horse + Bamboo
Theatre (arts 10)
Written evidence submitted by Mind the Gap
(arts 11):Submission made on behalf of the organisation by Julia
Skelton, Administrative Director and Tim Wheeler, Artistic Director
Written evidence submitted by Carousel (arts
12)
Written evidence submitted by the Campaign
to Protect Rural England (CPRE) (arts 14)
Written evidence submitted by the Contemporary
Glass Society (arts 15)
Written evidence submitted by the National
Maritime Museum Cornwall (NMMC) (arts 16)
Written evidence submitted by South East
Dance (SED) (arts 17)
Written evidence submitted by Robin Jacob
(arts 18)
Written evidence submitted by sporta (arts
20)
Written evidence submitted by North East
Regional Renaissance Board (arts 21)
Written evidence submitted by Northamptonshire
Museums Forum (arts 23)
Written evidence submitted by the University
Museums Group (arts 24)
Written evidence submitted by the Royal Shakespeare
Company (arts 25)
Written evidence submitted by Midlands Federation
of Museums and Art Galleries (arts 26)
Written evidence submitted by the PRS for
Music Foundation (arts 27)
Written evidence submitted by OYAP Trust
(arts 28)
Written evidence submitted by Birmingham
Museums and Art Gallery (arts 29)
Written evidence submitted by Sue Grace,
Sarah Bridges, Jane Seddon, Carrie Carruthers, Louise Tyrrell
and Grace Kempster, Northamptonshire County Council (arts 30)
Written evidence submitted by Andrew Welch
(arts 31)
Written evidence submitted by Dance UK (arts
32)
Written evidence submitted by Christopher
Gordon and Peter Stark (arts 34)
Written evidence submitted by the Greater
London Authority (GLA) (arts 35)
Written evidence submitted by &Co (arts
36)
Written evidence submitted by the Heritage
Tourism Executive for the North West (arts 37)
Written evidence submitted by Camelot UK
Lotteries Limited (arts 38)
Written evidence submitted by Dr Alana Jelinek
(arts 39)
Written evidence submitted by Sherborne House
Trust (arts 40)
Written evidence submitted by Cornerhouse
(arts 41)
APPENDIX 1
Written evidence submitted by the Association
of Local Government Archaeological Officers for England (ALGAO:
England) (arts 42)
Written evidence submitted by Artists Interaction
and Representation (AIR) (arts 43)
Written evidence submitted by Southwark Arts
Forum (arts 44)
Written evidence submitted by Mission, Models,
Money (MMM) (arts 45)
Written evidence submitted by engage (arts
46)
Written evidence submitted by Newcastle City
Council (arts 47)
Written evidence submitted by Film London
(arts 49)
Written evidence submitted by Faceless Company
Ltd (arts 50)
Written evidence submitted by London Arts
in Health Forum (LAHF) (arts 51)
Written evidence submitted by the British
Federation of Film Societies (BFFS) (arts 52)
Written evidence submitted by Oxford University
Museums (arts 53)
Written evidence submitted by English Touring
Opera (ETO) (arts 55)
Written evidence submitted by the Institute
for Creative Enterprise (ICE), Coventry University (arts 56)
Written evidence submitted by Wiltshire Music
Centre Trust Ltd (arts 57)
Written evidence submitted by Partnership
for Urban South Hampshire Quality Place Delivery Panel (arts 58)
Written evidence submitted by Museum of South
Somerset (arts 59)
Written evidence submitted by Luton Culture
(arts 60)
Written evidence submitted by Craftspace
(arts 61)
Written evidence submitted by Exeter City
Council (arts 62)
Written evidence submitted by the Royal Albert
Memorial Museum & Art Gallery (RAMM) (arts 63)
Written evidence submitted by Prescap (arts
64)
Written evidence submitted by Edward Schlesinger
(arts 65)
Written evidence submitted by the Farnham
Theatre Association Ltd (arts 66)
Written evidence submitted by The Greenwich
Foundation for the Old Royal Naval College (arts 67)
Written evidence submitted by the London
Borough of Southwark (arts 68)
Written evidence submitted by Strange Cargo
(arts 69)
Written evidence submitted by Trestle (arts
70)
Written evidence submitted by the Association
of British Jazz Musicians (arts 71)
Written evidence submitted by Merseyside
Dance Initiative (MDI) (arts 72)
Written evidence submitted by Hardish Virk
(arts 73)
Written evidence submitted by the Nautical
Archaeology Society (NAS) (arts 78)
Written evidence submitted by Accentuate
(arts 79)
Written evidence submitted by Hall Concerts
Society (Arts 80)
Written evidence submitted by Orchestras
Live (arts 82)
Written evidence submitted by Wayne McGregor
Random Dance, Akram Khan Company, Jasmin Vardimon Company, DV8
Physical Theatre, and Hofesh Schechter Company (arts 83)
Written evidence submitted by Northern Ballet
(arts 84)
Written evidence submitted by Cultural Learning
Alliance (CLA) (arts 85)
Written evidence submitted by the Royal Court
Theatre (arts 86)
Written evidence submitted by the British
Library (arts 87)
Written evidence submitted by the Crafts
Council (arts 88)
Written evidence submitted by the City of
London Corporation (arts 89)
Written evidence submitted by Ivan Cutting
(arts 90)
Written evidence submitted by Jazz Services
Ltd (arts 91)
Written evidence submitted by Peterborough
Attractions Group (arts 92)
Written evidence submitted by Creativity,
Culture and Education (CCE) (arts 93)
Written evidence submitted by UK Music (arts
94)
Written evidence submitted by the Department
of Culture at Manchester City Council (arts 95)
Written evidence submitted by Fiona Macalister
(arts 96)
Written evidence submitted by the Opera and
Music Theatre Forum (arts 97)
Written evidence submitted by East Midlands
Museum Service (arts 99)
Written evidence submitted by Dr Kevin Fewster
(arts 100)
Written evidence submitted by The Royal Institution
of Cornwall (arts 101)
Written evidence submitted by Jonathan Platt
(arts 102)
Written evidence submitted by Chard and District
Museum (arts 103)
Written evidence submitted by the Musicians'
Union (arts 104)
Written evidence submitted by Dance Consortium
(arts 105)
Written evidence submitted by The Place (arts
106)
Written evidence submitted by Artsadmin (arts
107)
Written evidence submitted by the Incorporated
Society of Musicians (ISM) (arts 108)
Written evidence submitted by Maritime Greenwich
World Heritage Site (arts 109)
Written evidence submitted by National Historic
Ships (arts 110)
Written evidence submitted by Amber Film
& Photography Collective (arts 111)
Written evidence submitted by Modern Art
Oxford (arts 112)
Written evidence submitted by Oxfordshire
Theatre Company (arts 113)
Written evidence submitted by the Association
of Independent Museums (AIM) (arts 114)
Written evidence submitted by Equity (arts
115)
Written evidence submitted by London Borough
of Richmond upon Thames Arts Service (arts 116)
Written evidence submitted by the Society
of Antiquaries of London (arts 117)
Written evidence submitted by Freedom Studios
(arts 118)
Written evidence submitted by The Fitzwilliam
Museum, University of Cambridge (arts 119)
Written evidence submitted by Salisbury Playhouse
(arts 120)
Written evidence submitted by Oxford Playhouse
(arts 121)
Written evidence submitted by First Light
(arts 122)
Written evidence submitted by the Portable
Antiquities Scheme (PAS) (arts 123)
Written evidence submitted by Apples &
Snakes (arts 124)
Written evidence submitted by Museums Association
(arts 126)
Written evidence submitted by The Reading
Agency (arts 127)
Written evidence submitted by the UK Overseas
Territories Conservation Forum (arts 128)
Written evidence submitted by Voluntary Arts
England (arts 129)
Written evidence submitted by Martin Thomas
(arts 130)
Written evidence submitted by North Kesteven
District Council (arts 131)
Written evidence submitted by New Deal of
the Mind (NDotM) (arts 132)
Written evidence submitted by StopGAP (arts
133)
Written evidence submitted by Aldeburgh Music
(arts 134)
Written evidence submitted by London Councils
and the Chief Leisure and Cultural Officers Association of London
(CLOA London) (arts 135)
Written evidence submitted by The Young Vic
Theatre Company (arts 136)
Written evidence submitted by the Country
Land and Business Association (arts 137)
Written evidence submitted by Netribution
Ltd (arts 138)
Written evidence submitted by Robert Groves
(arts 139)
Written evidence submitted by Murray Weston
(arts 140)
Written evidence submitted by Axis (arts
141)
Written evidence submitted by Paul Clark
(arts 142)
Written evidence submitted by Iain More Associates
Ltd (arts 143)
Written evidence submitted by VAGA, The Visual
Arts and Galleries Association (arts 144)
Written evidence submitted by Rosalind Riley
(arts 145)
Written evidence submitted by Screen England
(arts 146)
Written evidence submitted by Michael Ohajuru
(arts 147)
Written evidence submitted by Regional Cities
East (RCE) (arts 148)
Written evidence submitted by Northern Rock
Foundation (arts 149)
Written evidence submitted by TYA-UK Centre
of ASSITEJ, the International Association of Theatre for Children
and Young People (arts 150)
Written evidence submitted by Renaissance
East of England (arts 151)
Written evidence submitted by the Big Lottery
Fund (arts 152)
Written evidence submitted by the National
Music Council (arts 153)
Written evidence submitted by ZENDEH (arts
154)
Written evidence submitted by Renaissance
South West (arts 155)
Written evidence submitted by Dance Digital
(arts 156)
Written evidence submitted by the Institute
for Archaeologists (IfA) (arts 157)
Written evidence submitted by Renaissance
East Midlands (arts 158)
Written evidence submitted by The Blake Museum
(arts 159)
Written evidence submitted by Liverpool Biennial
of Contemporary Art Ltd (arts 160)
Written evidence submitted by Lifelong Learning
UK (LLUK) (arts 161)
Written evidence submitted by sinfonia ViVA
(arts 162)
Written evidence submitted by Cause4 (arts
163)
Written evidence submitted by The Sage Gateshead
(arts 164)
Written evidence submitted by CapeUK (arts
165)
Written evidence submitted by Natalie Watson
(arts 167)
Written evidence submitted by the Design
and Artists Copyright Society (DACS) (arts 168)
Written evidence submitted by Film and Video
Umbrella Ltd (FVU) (arts 169)
Written evidence submitted by Culture Service,
Royal Borough of Kensington and Chelsea (arts 170)
Written evidence submitted by Northwest Regional
Development Agency (arts 171)
Written evidence submitted by the Joint Nautical
Archaeology Policy Committee (arts 172)
APPENDIX 1
Written evidence submitted by Leicester City
Council Cultural Services Division and also as Lead Partner for
Renaissance East Midlands (arts 173)
Written evidence submitted by South West
Screen (arts 174)
Written evidence submitted by the National
Association For Literature Development (arts 175)
Written evidence submitted by Paul Kelly
(arts 176)
Written evidence submitted by Renaissance
in the Regions (South West) (arts 177)
Written evidence submitted by Sue Cheriton
(arts 178)
Written evidence submitted by Hoipolloi Theatre
(arts 179)
Written evidence submitted by Dorset County
Council with contributions from Dorset Strategic Partnership Culture
Theme Group (arts 180)
Written evidence submitted by The Society
for Nautical Research (arts 181)
Written evidence submitted by the Almeida
Theatre Company Ltd (arts 182)
Written evidence submitted by RESCUE: the
British Archaeological Trust (arts 183)
Written evidence submitted by the English
National Opera (arts 184)
Written evidence submitted by the Historic
Towns Forum (arts 185)
Written evidence submitted by the Association
of English Cathedrals (AEC) (arts 186)
Written evidence submitted by Newcastle Gateshead
Cultural Venues (arts 187)
Written evidence submitted by Paul Graham
(arts 188)
Written evidence submitted by Stephen Boyce
(arts 189)
Written evidence submitted by The Archives
& Records Association (arts 190)
Written evidence submitted by Havering Council,
Culture and Leisure Services (arts 191)
Written evidence submitted by the Society
of London Theatre and Theatrical Management Association (arts
193)
Written evidence submitted by a-n The Artists
Information Company (arts 194)
Written evidence submitted by the Art Fund
(arts 195)
Written evidence submitted by the National
Museum of Science & Industry (NMSI) (arts 196)
Written evidence submitted by the Royal Opera
House (arts 197)
Written evidence submitted by Making Music
(arts 198)
Written evidence submitted by High Peak Community
Arts (arts 199)
Written evidence submitted by the Federation
of Museums and Art Galleries of Wales (arts 200)
Written evidence submitted by Surrey County
Council (arts 201)
Written evidence submitted by William Poel
(arts 202)
Written evidence submitted by Renaissance
Yorkshire Museums Hub (arts 204)
Written evidence submitted by Take Art and
the National Rural Touring Forum (NRTF) (arts 205)
Written evidence submitted by the Board of
the South Western Federation of Museums & Art Galleries (SWFMAG)
(arts 207)
Written evidence submitted by BECTU (arts
208)
Written evidence submitted by the National
Association of Local Government Arts Officers (NALGAO) (arts 209)
Written evidence submitted by the Arts Development
Officer for Gloucestershire County Council (arts 213)
Written evidence submitted by the Chief Cultural
and Leisure Officers Association (CLOA) (arts 214)
Written evidence submitted by Southbank Centre
(arts 216)
Written evidence submitted by the National
Theatre (arts 217)
Written evidence submitted by Nottingham
City Council (arts 218)
Written evidence submitted by the Joint Museums
Committee, University of Cambridge (arts 219)
Written evidence submitted by artsNK (arts
220)
Written evidence submitted by Crewkerne &
District Musuem & Heritage Centre (arts 221)
Written evidence submitted by Dr Simon Jenner
(arts 222)
Written evidence submitted by the Independent
Cinema Office (arts 223)
Written evidence submitted by Musical Theatre
Matters UK (arts 224)
Written evidence submitted by Creative Scotland
(arts 225)
Written evidence submitted by the Royal Society
for the Protection of Birds (RSPB) (arts 226)
Written evidence submitted by the Association
for Industrial Archaeology (AIA) (arts 227)
Written evidence submitted by MITA—Moving
Image Training Alliance (arts 228)
Written evidence submitted by Richard Griffith
(arts 229)
Written evidence submitted by Marc Sidwell
(arts 230)
Written evidence submitted by the Authors
Licensing and Collecting Society (ALCS) (arts 231)
Supplementary Written evidence submitted
by Peter Stark and Christopher Gordon (arts 236)
Written evidence submitted by the New Vic
Theatre, Newcastle under Lyme (arts 239)
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