Select Committee on European Union Minutes of Evidence


Examination of Witnesses (Questions 1-19)

Mr David Levy, Mr Matteo Maggiore and Mr Wes Himes

16 OCTOBER 2006

  Q1Chairman: Gentlemen, good afternoon. You are most welcome. I have two apologies, before we get underway. The first one is that we are already nine minutes behind schedule, but, as you may have realised, a vote was called at almost exactly four o'clock and we had about 15 minutes of business to do before we asked you to come in. The second is apologies from our normal regular Chairman, Lord Woolmer, who unfortunately has urgent business outside the House so he has asked me to stand—or sit—in his place, which I will do to the best of my ability, which will not be as good as his, but never mind. Mr Levy, from the BBC. I hope I pronounce your name correctly?

  Mr Levy: Absolutely; yes.

  Q2  Chairman: Mr Maggiore: is it a soft "G"? It is. Mr Himes, have I got that one right—thank you very much—from EDiMA; for the benefit of the transcript, the European Digital Media Association. Would any of you like to make a short opening statement, or are you happy to go straight into questions?

  Mr Levy: Straight into questions.

  Q3  Chairman: As of course you are aware, we are most grateful to both your organisations for the written evidence that you have given us, which certainly we have read. The revised proposals on the Television Without Frontiers tries to bring in almost the emerging media, I know the buzz-word is "platforms", we are not very familiar with that word "platforms" but methods of receipt—would that be roughly equivalent—and of course specifically the Internet. Do you think—I think I know what answer EDiMA is going to give, having read the evidence, however let me put it without any prejudice—that such a wide scope is appropriate, and what advantages and disadvantages might such a regulatory approach have? Mr Levy, would you like to start on that?

  Mr Levy: Thank you. Let me just introduce the two of us from the BBC. I am David Levy. I am Controller of Public Policy. That means I have an overview of our regulatory and political activities here and in Europe. My colleague, Matteo Maggiore, is Head of European and International Policy. In terms of the scope of the Directive, I think our feeling is that this is territory where, whilst being very cautious, in terms of ensuring that we have appropriate levels of regulation for different kinds of services, nevertheless there is an argument for saying that the broadening of the scope as proposed by the Commission is justified, in broad terms. This Directive originates from 1989, when there was a Television Without Frontiers Directive before the Internet was known and when broadcasting was a pretty simple and straightforward business that we could all understand. Since then, as we know, there has been a variety of different methods of distributing audiovisual content, including over the Internet, and, in a sense, there is a parallel structure at the moment. There is an E-Commerce Directive, which has things to say over distribution over the Internet, of services defined as "e-commerce", and there is the Television Without Frontiers Directive which regulates traditional broadcasting. The consequence of that is that BBC programmes, for example, when they are transmitted in linear form over broadcast environments, are regulated under the Television Without Frontiers Directive, but the same programme, made available in on-demand form over the Internet, would come under the scope of the E-Commerce Directive. We can see arguments for extending the scope of the Directive, in terms of ensuring a more coherent approach to regulation of different distribution systems; however, having said that, we are very much in favour of the lightest possible touch approach towards Internet-distributed content. In some way—and my colleague, Matteo Maggiore, may want to add to this—our position is that we see an argument for the extension of scope, we feel it recognises what is happening in terms of convergence, but at the same time we think it is very important that the principle that is within the draft Directive, of a two-tier approach and a much lighter touch approach for certain kinds of services, is reflected in practice.

  Q4  Chairman: Do you want to add anything, Mr Maggiore?

  Mr Maggiore: I think David has covered practically all the ground on this one, in terms of the BBC's position. The only thing I would stress is that the BBC made submissions to the Commission in advance of the publication of the draft in December 2005, stressing that we saw, as David said, an issue about definitions of services and an issue about what kind of regulation you apply to different types of access modes. We were very pleased that the Commission took on board our and other people's views in this respect and tried to go down the path of a graduated approach to regulation, depending on modes of access. Of course, this is a fairly innovative way of tackling regulation and it presents pretty complex problems of clarity in terms of scope and division between linear and non-linear services, but we think that, by and large, this is our preferred route, in terms of covering the necessary scope and also ensuring that on-demand services are regulated as lightly as possible.

  Q5  Chairman: Mr Himes, it is possible you take a slightly different view?

  Mr Himes: Yes; absolutely. I was hoping that, already having thought of my response, you would have absolved me from answering, but I will go ahead and add to that comment. It is of no surprise that the European Digital Media Association is against the extension of scope to non-linear activity, and let me give you a few reasons why. Number one: most of the audiovisual services that we provide currently to customers and consumers online are already covered by the E-Commerce Directive, which was alluded to by Mr Levy and Mr Maggiore. The E-Commerce Directive, or as it is called there the Information Society Services, which allows such services to promulgate online, already contains a number of provisions in relation to things such as protection of minors. Where there are no provisions they are taken up by self-regulatory and, in some cases, co-regulatory codes, taken on by the industry in a voluntary capacity to address some of the public interest issues that are being raised around the debate of this particular Directive. Number two: we see absolutely no evidence of the need for an extension to scope. The evidence is mainly put forward by the Commission that it will strengthen the Country of Origin regime, which currently, as it is passing through the European Council and the European Parliament, raises questions as to whether such a Country of Origin regime will remain intact, in terms of the final piece of legislation which will come out of that legislative process. Number three: we asked if there was any large amount of evidence from online providers that there were problems under the E-Commerce Directive. For instance, did the derogations allowed by Member States to "gold plate" the E-Commerce Directive create a fragmentation that was impossible to sustain for online providers, and therefore the Television Without Frontiers Directive might provide some relief in that regard. We have not seen any evidence, from our members or from third parties, which would say that the E-Commerce Directive is no longer functioning effectively as a regulatory agent for online service providers.

  Q6  Chairman: I am sorry; could you stop there for just a minute? You are saying you do not think the E-Commerce Directive is any longer effective in this respect; is that what you are saying?

  Mr Himes: We believe that audiovisual services, as they are regulated currently for online providers, are covered by the E-Commerce Directive under the definition of Information Society. We feel that framework has served effectively for the provision and regulation of those services.

  Q7  Chairman: And will continue so to serve?

  Mr Himes: We hope so. As I said, we have seen no large amount of evidence which indicates that the E-Commerce Directive is not functioning effectively or regulating this sector, and therefore see no public interest reason for it to move toward an additional piece of regulation which would cover audiovisual media services. The next thing, of course, is we have a great fear that legislation, in a very innovative, fast-paced, high-tech environment, will create an anchor to the construction and development of audiovisual services, in other words, slow down their involvement, and you have seen perhaps in the paper recently the YouTube discussions and the recent takeover by Google. We often wonder, in a Television Without Frontiers environment, as envisioned by this proposed Directive, would a YouTube have been able to get off the ground and create such a successful story as it has to date. We often fear that regulation in this creates a more imperfect market for these services and thus, in fact, encourages legislators to take a precautionary rule when moving in the direction of regulating audiovisual online services.

  Q8  Lord St John of Bletso: If I may ask a supplementary, and I agree totally with your analysis, surely, if the Directives become too draconian, content providers may be tempted to host their servers outside of the jurisdiction, thus circumventing any attempts to control content?

  Mr Himes: Absolutely. My Lord Chairman, it certainly is the effect that overregulating the Internet, in whatever aspect, whether, for instance, it is in the music industry, has caused sites to be established in other jurisdictions outside the European Union in order to satisfy demand which the regulatory environment in the EU no longer allows for catering to. We must always take into account the effect that online regulation is significantly different from off-line regulation. There is a level of control and that level of control has to be a fine balance between allowing consumers to seek what they wish to consume while, at the same time, protecting the public interest. Otherwise, as correctly pointed out, there will be sites which are constructed in other jurisdictions which satisfy that demand, which do not have any levels of control that satisfy the public interest.

  Q9  Chairman: All the evidence we have received emphasises just how fast, technologically, this industry is moving. You barely have to blink and something else has come up and it has got smaller, or more refined, or whatever it happens to be. A question aimed at both your organisations: do you think that the proposals as they stand presently are sufficiently technologically neutral and, to me certainly, even more important, are they future-proofed? If not, the implication, of course, is this is the wrong time to do it; so that prompts a question when is there ever a right time to do it?

  Mr Levy: If I could start for the BBC and then pass on to my colleague, your Lordships will be very conscious of the timescales involved in European legislation and our guess is that this Directive, if there is a Directive, would come into force round about 2009, so the question is absolutely right, in terms of how does one regulate appropriately in such a fast-moving market. I think I would start from the other end, if you like, which is, clearly there are problems about how you have a future proof piece of regulation, but equally well I think the status quo would be a very difficult position to defend. The definition of broadcasting that we have in the 1997 Television Without Frontiers Directive will not make a lot of sense by 2009, so we share the concern of Mr Himes's organisation's about not having excessive regulation of new platforms, but at the same time we do not think that it is realistic to try to defend the traditional definition of broadcasting up to 2009 and way beyond that. Do you want to pick up the future-proofing point?

  Mr Maggiore: If I may just add to what David was saying, I do not plan always to come in after David, if he covers the point, but just to say that the review of the Directive at this point in time was prompted by a desire to lighten the burden of regulation on commercially-funded broadcasters, so there was an intent to deregulate and adapt regulation to a fast-moving technology in the broadcasting sector. Having this desire, as David said, it is very difficult to review this Directive without reviewing the definition of scope, precisely because things have moved on. I think that part of what Wes was saying about threats to the Country of Origin principle is a very important point, but equally the threats to the Country of Origin principle are political, they are not in the context simply of this debate. In other words, there is a sense in a number of Member States that they are losing control of the regulation of the audiovisual environment, and in that context the Electronic Commerce Directive may offer Member States, under the exceptions provided to Country of Origin, more of an opportunity to fragment the regulatory landscape around Europe than a harmonised, or a minimally harmonised, framework across the EU. I just offer a complementary comment on these two points.

  Q10  Chairman: Mr Himes?

  Mr Himes: My Lord Chairman, let me address the two questions which you posed. Future-proofed: as pointed out by this Committee, I concur wholeheartedly that the ability to future-proof in such a highly dynamic and ever-changing environment is very difficult. Let me give you a tangible example. What happens, if I were to create weshimes.com and I were to do my home videos and put them up for compilation on my site to allow my relatives, family friends or, for that matter, anyone to come and learn more about me, and this occurs already in companies like MySpace and Facebook, among others, am I now an audiovisual media service provider? Do I have to comply with the Directive, and if so how do I do so? These are the types of innovative methods that are occurring on the Internet now and you can see where the confusion and sometimes disproportionate response of regulation to that example will take effect. Let me talk about technological neutrality. A case could easily be made for, for instance, the simulcasting, which is the simultaneous transmission of traditional broadcast material on television online, being anything more than simply broadcasting on a PC or broadcasting on a mobile. I think there can be an effective argument that those two, regardless of platform, are the same thing, broadcasting, and I think the Directive is aimed at covering that. However, when you start moving into non-linear, on-demand, we believe, in many cases, that this is a different customer proposition and therefore technological neutrality can be defined only where the two services are substitutional. We think, in many cases, non-linear, on-demand material is complementary to traditional broadcasting, therefore the ability to create that as a technically-neutral issue is somewhat difficult. Those are the responses, I think, to your two questions.

  Chairman: Thank you. If we have time, I would like to come back to those two points because I think they are quite crucial, but I am conscious of the time. You should know, incidentally, that this Committee is remarkably familiar with the Country of Origin principle, having just finished an inquiry on the Services Directive and with all the furore that introduced. Lord Fearn, you wanted to pick up, I think, on the Country of Origin principle?

  Q11  Lord Fearn: You have already touched on it, but in your opinion has the Country of Origin principle benefited your Association and the UK/European broadcasting industry? If I may come in with two others, on top of it, do you consider this principle to be now under threat, one of which I think has been mentioned, and have Member State derogations from the Country of Origin principle, or a threat of such derogations, caused problems in the past?

  Mr Levy: Can I start with the benefit, the first of those questions, and can I deal with the other two points, from the BBC's perspective. The Country of Origin principle has benefited, I think, both UK broadcasters and the BBC, because, in the case of the BBC, it has meant that our services can be relayed, for example, in the Benelux, without additional licensing requirements, and that is also the case in some other parts of Europe. It has also benefited UK broadcasters as a whole. Over the past few years there has been a large number of pan-European broadcasters that have chosen to base themselves and register themselves in London, and that has been partly because of the Country of Origin principle under the existing Directive meaning that registration and licensing in one location has meant that they have been able to provide services across the whole of the EU. We think the Country of Origin principle has been beneficial to us as an organisation and also to the UK in terms of its broadcasting activities.

  Mr Maggiore: To pick up on the question about whether this principle is under threat, certainly we think that there is a lively debate in a number of Member States, and in particular smaller Member States who have large neighbours that speak the same language. They are concerned at a sense of loss of control in regulating their own environment, and this debate, of course, takes new life in the context of the discussion of the Audiovisual Media Services Directive. We think that this debate is the problem and that discussion in the audiovisual media service context is a symptom, if you like. If there were not this review, we fear that increasingly Member States might make recourse to exceptions under the Electronic Commerce Directive and that might lead to further fragmentation, going forward. I agree with Wes that it has not happened so far, but this debate is a symptom that it might well happen, going forward, so there is a problem, yes, and we are very concerned that Country of Origin should remain a principle underlying audiovisual media service regulation. I have no sense that derogations on a Country of Origin principle have harmed the BBC in the past, as far as I am aware.

  Mr Himes: Is the Country of Origin principle under threat? Quite succinctly, yes. Number one: for us, as digital media, particularly on-line digital media providers, the Country of Origin is a great liberating force; we are on the Internet, we are globally available. If we could get a Country of Origin for the globe, most assuredly we would enjoy that. However, and as you point out quite rightly, through your deliberations on the Services Directive vote, the Country of Origin is under considerable and constant threat. When I spoke to the Commission on the Television Without Frontiers Directive I asked the exact question you were asking me today, what is the advantage of this Directive, and the first answer I always received was that it would strengthen the Country of Origin principle to allow the pan-European provision of linear and non-linear programmes. It was supposed to strengthen the Country of Origin definition under the E-Commerce Directive in which the Commission's view has offered too many opportunities for Member States to add additional regulation. We are seeing now, through the process of this Directive, in the European Parliament, in the European Council, the slow erosion of that fundamental principle. Already we have had numerous governments provide input to Council deliberations, and the most recent Finnish Government proposal shows a watering down of the Country of Origin principle. This greatly affects our ability to do business because it fragments what is essentially a streamline market, the Internet market, and we have grave concerns that the supposed one advantage, one large advantage, of this Directive will not come to fruition.

  Q12  Lord Swinfen: I just wonder what you suppose will happen if the Country of Origin principle goes; does it cause complete and unutterable chaos throughout the whole of the Union?

  Mr Maggiore: It would certainly create problems and it would certainly, effectively, take away any benefits that Television Without Frontiers provided the EU since 1989, so, yes, we would be extremely concerned if the Country of Origin principle should go. It would be tantamount to going back to a world of erecting frontiers to the circulation of services at a time when the potential for trans-border and global communications is becoming greatest, so it would have a very bad effect indeed.

  Mr Himes: I can only reiterate what Matteo said. I agree completely. The erosion of the Country of Origin principle will create incredible legal uncertainty for operators, if not technical uncertainty, on how to provide such services. Let me give another tangible example, a question that I do believe the Committee will raise later, concerning European works. What happens if you have different European works regimes in every single Member State? The effect is I can no longer run a dot-com service, I now have to run 25 separate services to adhere to that regulation in each Member State; such would be a travesty to the ability to provide these services on a pan-European basis. That gives you, I hope, a tangible example of what might happen if this Country of Origin principle is eroded to the point that Member States can quite easily add additional regulation and thus create a very difficult market for Internet service providers and digital media providers.

  Chairman: A fairly unanimous reply, on that one.

  Q13  Lord Haskel: Surely the alternative to the Country of Origin principle is harmonisation, and you seem to reject harmonisation, you assume that every country will operate on a different basis. Do you not think that because the technology is international, because the technology does not know frontiers so harmonisation would be a logical consequence?

  Mr Himes: In many cases, that is held out as the Holy Grail of the ability to utilise the internal market. I question the political will of creating a fully harmonised, and that is what we are talking about, a fully harmonised, not minimally harmonised but a fully harmonised regulation to provide for the regulation of audiovisual content. Therefore, I believe that is why the Commission pursued the Country of Origin approach with a regime which supposedly made it difficult to add to that, so effectively offering full harmonisation although providing a caveat for Member States to derogate. I do believe that there is not an appetite politically to reach full harmonisation and I think that is being shown in the deliberations occurring right now on this particular Directive.

  Q14  Baroness Eccles of Moulton: The next question deals really with advertising. Mr Maggiore has referred already to how important the advertising question is to the Directive. The question is, on advertising, do the proposed rules adequately address the emerging business models, the content provision over the new platforms?

  Mr Maggiore: I think the only thing we can say, on the side of the BBC, which is a publicly-funded broadcaster, for the most part, is that we recognise the problem. We have recognised that advertising-funded broadcasters face a very momentous challenge posed by the evolution of technology and new ways of accessing audiovisual content, both on-demand and in a time-shifted way. We want to see a thriving, free-to-air, advertising-funded broadcasting sector, so we sympathise with any effort to make sure that regulation supports the ability by the commercial sector to tackle these challenges, but I would say that beyond this point we are not the best placed to comment on the specifics of the regulation.

  Mr Himes: For our members, the issue of advertising, and of course within the Directive, there is a supposedly lighter regime, certain advertising aspects, for non-linear audiovisual service providers, and of course a different regime for traditional broadcasting. I think one of the biggest problems we find in the advertising is somehow the urge simply to take off-line regulation and attach it to online regulation, because in the off-line world we are used to considering advertising as sort of an in-stream, whether it separates shows or in-between shows, whatever it might be, and to some extent sponsorship. When you get into the online side it does not fit that nice little description. For instance, you often have audiovisual content that pops up when you request it to play, but all around it there will be different advertising, or there will be links to people who might provide such services or products that you have seen on the digital media screen. We find it very difficult to try to transpose those off-line regulations into online regulations, and even if it is a "lighter regime" today I have to think in the future that ultimately it will become a tougher regime or eventually it will be reconciled with the traditional broadcasting side. In that case, I think we are quite worried about making this transfer of rules and what it will mean by the ability of our online companies to be able to monetise and afford the audiovisual media services that they are providing to the customer. Therefore, once again, and I am sure it comes as no surprise, we would like to make sure that the advertising rules are not beholden to online audiovisual media services providers, in terms of the future.

  Q15  Baroness Eccles of Moulton: I think that the next two supplementaries, which are linked, probably do highlight the difference between two methods. Do you support the continued need for the imposition of formatting rules, such as the 35-minute rule, on programme-makers; and are the proposed rules on product placement workable?

  Mr Himes: This is probably somewhat outside the remit of EDiMA members, because these are quite detailed rules. Obviously, a rule like the 35-minute rule is quite difficult to replicate online; would that mean you could not have advertising around the digital media screen for the duration? In terms of product placement, once again this is an issue probably more correctly addressed by the traditional broadcasting industry, because really it involves the ability to highlight products within a stream service. Once again, we are uncertain as to whether that advertising which surrounds online audiovisual media services comes under this Directive, we would prefer it not to be, but I think time will tell on that over the next few months.

  Q16  Baroness Eccles of Moulton: It will be interesting to hear what you have to say about it?

  Mr Maggiore: As I said at the beginning, clearly we support lightening the regulatory burden on the commercially-funded sector. The 35 minutes rule has been debated extensively in the context of the discussion of the Directive; 35 minutes is a very odd number, it is a bit of a political compromise. The original draft by the Commission said 40 minutes, some were pleading for 30 minutes; the final draft said 35. I think currently we have gone back to 30, but 30 minutes certainly would seem to make more sense from a broadcasting perspective. This said, again, there are some among the commercial broadcasters who say that the whole rule should be taken out in its entirety. As outsiders to this particular funding model, nevertheless we have sympathy with the requests of the commercially-funded sector. On product placement, equally, it is not for us to say much about that, except in the context perhaps of the fact that it would be important to decide how product placement is taken to be defined in the context of acquired programming. Also, it would be very important that broadcasters had not had to do something which, in certain cases, might be impossible to do, which is to ascertain whether an acquired programme, which they had not commissioned themselves contained any product placement, because that might not be possible to determine.

The Committee suspended from 5.00 pm to 5.07 pm for a division in the House

  Chairman: Welcome back. The two topics on which I think really the Committee would like to hear evidence are, one, the implementation, and the other is the impact assessment. Lord St John, would you like to go in to bat on implementation.

  Q17  Lord St John of Bletso: On implementation, what do you consider the European Commission's or the Government's and/or Ofcom's proper role to be in this sector? Mr Himes has already touched on my next question, which is on what issues, Mr Levy, do you consider industry self-regulation to be a sufficient or the most appropriate regulatory response? Finally, what limitations are there to reliance on a co- or self-regulatory approach in this sector?

  Mr Levy: In terms of the sharing out of responsibility between the Commission, the UK Government and Ofcom, in our case, what has happened in the past, I think, is a reasonable model here, where you have a framework set at European level and you have national implementation. For example, on the Television Without Frontiers Directive, in the past it has been the Department for Culture, Media and Sport which has reported, for instance, on the performance against the quota provisions of that. I think there are areas where some of the things, in terms of consumer protection, that are within the draft Directive would mean that one would need to interpret those. One would need to have some degree of interpretation at national level whilst at the same time maintaining what has happened to date, which is some degree of co-ordination between national regulators; there has been a contact committee, for example, around Television Without Frontiers. I think that is quite a useful model, in terms of taking that forward, so that you both combine some degree of recognition that, some areas, and I mentioned consumer protection, the interpretation of those may require some degree of national context; at the same time, one does not want that to be a back-door way of creating obstacles to a single market into the Country of Origin principle. In terms of the broad sharing out of responsibility, that is the way I would see it. In terms of the issue of self-regulation, Matteo, do you want to pick that up?

  Mr Maggiore: There is a lively debate about that, as well, to what extent should Member States be allowed to rely on self-regulation for the purpose of implementing the Directive. I hope it has become clear that actually Mr Himes's position and ours are not very different, from the point of view of the fact that we really do not think that this sector, in particular, Tier 1, the rules applicable to all services, should result in an overregulation of a nascent sector. We believe that it will be very important for the Directive to contain clear language, and we do not think that language is clear enough in the Commission's original proposal, stating that Member States should be allowed to make use of self-regulatory schemes in order to implement the pursuit of general interest goals, as stated in Tier 1, so we would like to see clarification in that respect. Recently, Commissioner Reding said, in Rome, I think, in a speech, that she very clearly intended to make sure that the Directive should become applicable through self-regulation, and we thought that was a very helpful statement.

  Mr Himes: Absolutely. I would concur absolutely with Matteo on that comment. We believe that our industry has taken appropriate steps, where needed, to provide self-regulatory schemes, or in some cases co-regulatory schemes, to cover sufficiently, and hopefully mitigate, the public interest risk that may occur in those services. I will give you two or three examples; one is labelling. Audiovisual content that is not fit for consumption by minors is labelled and in many cases, in fact most cases, provides an age identification service to make sure that content is not consumed by minors. Number two: technical measures. I do not know if the Committee is familiar with, for instance, the Internet Content Rating Association, in which any website can register and label their website and then parents can voluntarily download the software which provides the filter on those sites when children try to access them. There is a myriad of technical measures, there is a myriad of labelling programmes, which industry is taking in order to mitigate risk on the consumption of audiovisual online services. I think that role can continue to be fulfilled robustly on a self-regulatory and co-regulatory basis. It has worked very well in the UK and we hope that some of those models will be exported to other jurisdictions should the Directive ultimately support self-regulation and co-regulation. As to the question of the role of the UK Government and Ofcom, I think the main thing is they need to provide a voice at the table during the deliberations of this debate, for the very reason that they have a wealth of experience in regulation. I know already that the UK Government and Ofcom are very active on this, so I am simply supporting the position that they should continue sustaining their involvement in this deliberation. Of course, ultimately, once the Directive is adopted at the European level it will be up to the Government and Ofcom to implement and enforce, and I am sure there will be a whole other debate on that subject matter.

  Q18  Lord St John of Bletso: Do you believe that the Government's and Ofcom's initiatives are appropriate and adequate in the circumstances?

  Mr Himes: In relation to the regulatory climate here or in relation to the Directive?

  Q19  Lord St John of Bletso: In relation to the Directive.

  Mr Himes: I do believe that, through the regular, continual regulator meetings, done by Ofcom and its counterparts in other jurisdictions, they have taken both a general and a detailed look at this Directive and how it cuts across their current regulation, and I believe that they are raising those issues with the Commission and Council, and which we would applaud. We know that Ofcom has been very strident in terms of trying to create a commonsense regulation, moving forward, and we support that effort. I think the same goes for the UK Government and the hard work that the various departments are doing, in terms of trying to create a proper and appropriate framework for the audiovisual online sector, going forward.

  Chairman: Lord Haskel, on the impact assessment.


 
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