Select Committee on Communications Minutes of Evidence


Examination of Witnesses (Questions 325 - 339)

WEDNESDAY 25 JULY 2007

Ms Helen Boaden, Mr Nigel Chapman and Ms Sian Kevill

  Q325  Chairman: You are very welcome. You know, I think, that the Communications Committee have launched an inquiry into Media Ownership and the News. What we are looking at is essentially the impact of the concentration of media ownership on the balance and diversity of opinion, but we are also looking at a whole range of associated points—how and why have the agendas of news providers changed, how has the process of news gathering changed. It is with that in mind that we would like to open our questioning today. We have got very full biographies of you all, most of which doubtless you will deny, but we know exactly who you are so I will not ask you to introduce yourselves. We were going to meet previously but we were very glad that Alan Johnston was released. Perhaps I could turn to events which are not quite so happy for the BBC and the reputation of the BBC. Do you think you have suffered a blow because of what has been happening with these radio phone-in shows?

  Ms Boaden: Radio and television, yes, I do think we have suffered a blow. I think the way we are trying to deal with it should mitigate that blow, but undoubtedly a lot of our staunchest supporters—and I talk about family and friends here—are shocked and disappointed. They expected more from the BBC and for whatever reason they feel let down. That is the kind of thing you have to build up over a period of time to renew the trust. Up to now our trust ratings have been higher than anybody else's and it will be interesting to see in the long term, depending on how we respond to this current crisis, whether that trust is restored, but I do not think we can dodge the fact that people feel let down.

  Q326  Chairman: What do you think the causes were? What do you believe the root problems were?

  Ms Boaden: I think they are probably multi-faceted. As you know, we are doing an investigation into each one of the specifics and I am not going to pre-judge those because clearly disciplinary action may be involved and it would be very unfair on an individual to talk about those things. However, somewhere in some parts of the BBC "the show must go on" became the cultural norm at any cost. It is very interesting to read the Ofcom report on the Blue Peter phone-in fiasco, which I did, because I wanted to see if there were lessons for News in it, and actually I think there are. Although this was entirely about the phone-in programme and a relatively young researcher, what surprised me was that when she did her strategy, using a child as the winner who was not a real child because the phone lines had gone down, this was her planned contingency. This was not something sparked off; this was a little girl thinking, "If it all goes wrong this is what I will do", and I think the lesson there is that if you manage any kind of team you have to make enough space for junior people to be able to ask awkward, difficult questions or rather simple and naïve questions, and if they are not coming forward you have to think through all the things that could go wrong so that someone does not find themselves in that position. You have to create a culture where people can say, "If it goes wrong what do I do?", not, "If it goes wrong I will just do this thing that is not actually truthful". It was very revealing, and I said to my team, "This is the lesson we have to take from the Blue Peter incident, that we have to create a managerial culture where boundaries and values are perfectly clear but where there is enough scope for rather inexperienced people to be able to ask questions about process and procedure if things go wrong".

  Q327  Chairman: In our inquiry we are dealing with the provision of news. We do not want to go into all the detail of the phone-in competitions unless it is relevant, but just let me ask a question on journalism. We all heard this morning that the Managing Director of GMTV has resigned following an investigation by BBC's Panorama. It is a bit ironic, is it not, that similar things were happening in the BBC?

  Ms Boaden: If you saw that Panorama programme, we were very tough on Blue Peter, very, very tough. It was one of the case studies and I was extremely happy with that programme because we did not spare anybody. In fact, there was some debate in other parts of the BBC that perhaps we had been over-harsh on Blue Peter. I do not think we were harsh at all on them. I think we dealt with them fairly in the way that we dealt with each of these cases, so in terms of a piece of journalism at that point the only case we knew of was the Blue Peter case and it absolutely had a central part in Panorama.

  Q328  Chairman: You have half answered my question, but what would be the process if Panorama came to you and said, "We have got wide suspicions that the BBC is cutting corners in this particular area"? Would you say, "Fine. You go in and investigate it"?

  Ms Boaden: You would have to put it in terms of public interest, "Is this a minor infringement or is this something absolutely scandalous?". If you remember, we did throughout the Hutton experience report on ourselves very freely and fairly and with great discomfort to parts of BBC management. The John Ware Panorama and the way the BBC handled the Hutton investigation was extremely uncomfortable for some members of senior management at that time, so I think that is proof that we are capable of examining our own failures with the same scrutiny and rigour that we would examine anybody else's.

  Q329  Chairman: So if evidence was picked up by Panorama or any other BBC investigative programme that something was going wrong in the BBC, you would expect them to investigate it?

  Ms Boaden: I would expect them to investigate it. Clearly I would have to decide then if I were, as it were, editorial director or manager, because you have to have clear lines. What happened during the Hutton experience, when that Panorama was going on, was that the managerial structure was kept entirely separate from the editorial processes. That is what you have to do if you are examining yourself, but yes, clearly, if there was a scandal within the BBC that it was in the public interest to reveal and our people got it first, I think it would be obligatory on us to at least investigate and see if there was a programme in it.

  Mr Chapman: Can I just make a point about transparency and culture, which is what you are driving at, I think, is that we have to make sure that our producers and our editors understand that in live television and radio, and we do thousands of hours of live television and radio, things do go wrong and there is no loss of face to say to audiences, "Right: we need to change what we are going to do now. That particular facet of the programme in which we were going to bring you in in five minutes we are going to have to delay or postpone until next week", because that sense of transparency is the right thing to do and it is also in a culture where audiences increasingly understand how media works and they are often the creators of content themselves, so they do understand this in a way that I think perhaps audiences did not before, and if you can bring that about then that temptation to cut corners, to keep the show on at any cost, will be watered down. I think Helen is right: that is the tension that we have discovered in the last few weeks.

  Q330  Chairman: The point I am really getting at is that we had the Editor of The Times here last week and we asked him about the newspaper's policy on reporting BSkyB, a part of the News Corps company, and I think his reply was basically that he would that as he would regard any other company, and I think what I am asking you is, if you found or suspected that there was something going wrong in the BBC World Service, and Nigel Chapman is sitting next to you, you would feel no compunction in ordering an investigation into that?

  Ms Boaden: Yes, I would have no compunction if it was in the public interest to do that. If anyone saw the way we reported last week's horrible time for the BBC, the six cases coming out and Mark Thompson, we led the Ten O'Clock News on it and we were open, tough and challenging of the BBC.

  Q331  Chairman: But that is after it has happened, that is after it has been revealed, is it not? What I am wondering is whether you would do the investigative bit and reveal.

  Ms Boaden: Yes, I think we would. The down side of it being our company is that people can get very insular and start to think that something in the BBC is more important than it actually is to the rest of the world. We are very self-centred often in large organisations. But if we did find prima facie evidence that something scandalous was going on and it was in the public interest for Panorama to investigate in the BBC, yes, of course. That is why we get the money.

  Q332  Chairman: It has very little to do with our focus but in fact the World Service has been one of the companies, has it not, with your World Service programme White Label?

  Mr Chapman: Yes, that is right.

  Q333  Chairman: How did that come about? What happened?

  Mr Chapman: Put very simply, White Label was a half-hour programme that went out every week which looked at new record releases from the United Kingdom and elsewhere. It was a pretty simple format, to be honest, and it has now been discontinued. It stopped broadcasting in 2006 but it was obviously caught as part of the trawl and the trawl ran from 2005 up until the present day. This show asked its listeners to send in short reviews of records they had heard from the previous week and then normally the show would talk about one of them; they would effectively read them out. On occasion they either had too few sensible reviews to read out or they had reviews coming from the same sort of people, like a sort of club, and they wanted to widen the group, so I am very sorry to say, to our great dismay when we discovered it, that not very often but on more than one occasion the producers made up the review and ascribed it to a fictitious name, which is clearly deceiving the audience and clearly wrong and clearly damaging. When I heard about it at the end of last week I was really shocked because it is just inexcusable.

  Q334  Chairman: And this was not an outside company? This was actually being done inside the BBC?

  Mr Chapman: This was being done by the BBC Audio and Music team, who make many programmes for the World Service. Obviously, the news programmes are made by BBC News but they make quite a lot of factual programmes, they make music programmes, they make—

  Q335  Chairman: Is it a bureaucratic operation?

  Mr Chapman: It is a BBC operation, yes. It is quite wrong and it is an example of people getting into a mindset, getting into a sort of format in their head which is, "We need a review this week of this particular record and we are going to have it by hell or high water. If we do not get it legitimately occasionally we have to make it up". To be honest, this programme was on the fringes of the World Service; it was not its core activity, but that does not excuse it in any way, it does not excuse it one iota. It just brings home to me that every output of the World Service has to live up to the highest standards and any less than that is completely unacceptable. I do not know what the damage is going to be in terms of the brand over time. The trust reputation of the World Service around the world is very high. I hope people will see it as an aberration, not a trend or a pattern, and we will move on, but the staff are very dismayed about it.

  Q336  Chairman: When did you yourself discover it?

  Mr Chapman: I first got an inkling of it about ten days ago, and obviously it was confirmed in its details two days before Mark Byford and the Director General went to the Trust and talked about the six incidents. The trawl deadline was coming and, to be fair to staff who worked on it, they confessed. We would not have found out otherwise but one of them came forward and said he had something he wanted to share with his senior management about something which had been going on in the past, and obviously we then talked to other members of staff—it is a small team, three or four. They confirmed it had been going on and then we felt, because there was a competitive element there because the good review winner got a CD, so it fitted with the criteria of the other findings, and therefore it was entirely proper and appropriate to come clean about it.

  Q337  Lord Hastings of Scarisbrick: You have been remarkably candid, honest and transparent in your responses so far. One of the things that people are asking about is the assertion by the Director General that all BBC staff are now going to be trained in ethics and independence. If we think back to a time when I was with the BBC not too long ago, under the previous Director General, there was the creation of the BBC values and one BBC culture, which have been referred to, and that the foundation value of the BBC was trust. What has happened to that?

  Ms Boaden: What, people misunderstanding trust? I think it is very important to remember that most people in the BBC behave honourably and transparently and most people are incredibly upset and ashamed and angry about what has happened. It was very interesting. I went round the newsroom on the day of Mark going to the Trust and there was a real sense of sadness in the room because people knew the BBC brand, as it were, had been let down and these examples had let down people's connection to the BBC, so my instinct is that fundamentally BBC staff have a very strong commitment to maintaining that trust and now it has been damaged. Repairing it, as much as you could ever repair damaged trust, is a tough thing to do.

  Q338  Lord Hastings of Scarisbrick: But that was very much a cultural drive that the previous Director General, Greg Dyke, put in place and some would say that that drive has been somewhat abandoned in the course of the last couple of years. Are there any links between the absence of eternal ethics training over the last period of years and these seven incidents which have come out?

  Ms Boaden: We have to remember that we had no ethics training until Greg Dyke started it. It was sort of in the DNA of the organisation. We did not even articulate our values until the Making It Happen programme. It was the first time we had said, "We have got these values and we are going to put them down on a piece of paper", which is what we did, and everyone said, "That is a bit obvious", but until you articulate them it is not obvious and you do not know what you all share. I think there have been a lot of other things going on. You have to remember the transition from Greg Dyke to Mark Thompson was unexpected. We then went through a very powerful value-for-money process which absorbed a lot of time. I do not think commitment to the values disappeared in any way, shape or form, but I think self-awareness and talk about them probably did diminish, except, of course, in journalism, where, because of the Hutton situation, we went through a great deal of training about honesty, ethics and transparency. Every single person in BBC journalism went on a compulsory course, which was a fantastic course, called Stories, Sources and Scoops, where a real-life scenario was played to a mixed group of people, I did it too, and through different stages they had to work out what judgments they might have made and people came to very different judgments. The point was to get people to think, and you cannot dip people into honesty, ethics and integrity. You have to do it like you do with doctors. You have to go into scenarios, you have to get them to think about their judgments, you have to get them to be open-minded about other people's information and experience so that they will make a journey, as it were, and that is what the new course will be. At the moment it is not everybody in the BBC; it is everybody involved in content, and it is going to be quite a challenge to develop, we were talking about it yesterday, because finding scenarios that work for people in journalism, real scenarios because they have to be credible, and also for people who work in comedy is not necessarily as easy as it sounds, so it is a tough call.

  Q339  Lord Hastings of Scarisbrick: Should you not also include people who are involved in the interpretation of content, such as the recent instances to do with the Queen?

  Ms Boaden: Yes, I do. Eventually I suspect we may apply it to everybody but we are starting with people directly involved with content, which includes commissioning and also includes, as far as we can, the independent sector. Ethics training is always interesting and challenging and many professions do it as standard, and in journalism we do it as pretty standard, but clearly we need to expand that.


 
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