Select Committee on Innovation, Universities and Skills Minutes of Evidence


Examination of Witnesses (Questions 41-59)

HIS HONOUR JUDGE FYSH QC SC, MR IAN FLETCHER, MR EDMUND QUILTY AND MR ANDREW LAYTON

28 JANUARY 2008

  Q41 Chairman: Thank you very, very indeed for coming along. I think you were here for the first part so you have seen the formalities of the whole situation; you are very welcome to say what you like. I will ask you first of all to introduce yourselves.

  His Honour Judge Fysh: My name is Michael Fysh. I am the Judge of the Patents County Court for England and Wales. I have a science background but, like all the patents judges, we regard ourselves rather as failed scientists, nonetheless we do our best. I am also Chairman, of course, of the Copyright Tribunal, a job that I have had for just over a year now. I have had a number of cases, one major case which might interest the Committee is the Downloading Case which yielded a decision of some 70 or 80 pages and that was delivered at the end of last year. I have a couple of cases sub judice and one of them affects one of the sections which is very much part of the discussion.

  Mr Fletcher: I am Ian Fletcher; I am the Chief Executive of the Intellectual Property Office.

  Mr Quilty: I am Edmund Quilty; I am Director of Copyright and Enforcement in the Intellectual Property Office.

  Mr Layton: I am Andrew Layton; I am Director of Trade Marks and Designs in the Intellectual Property Office.

  Q42  Chairman: Thank you very much. Let me lead off with the first question about the Copyright Tribunal operating under rules which were described in the IOP Report as "pernickety, repetitious, at times otiose and restrictive". Did you write that?

  His Honour Judge Fysh: No, I did not; I disagreed with it. We have a judge's report which you may have seen. I was asked by the Chancellor and Lord Justice Jacob and a few other judges to take their opinions and to write not in any way a counter-blast but a report of our own. The rules have evolved over the years. My predecessors and the deputy chairmen have worked on these rules—I worked on the last lot before I actually took over—and they have, like other tribunal rules (for example the Asylum and Immigration Appeals Tribunal with whom I share a court building), evolved specifically to cater for the needs and aspirations of those who are our punters and our clients. It may appear pernickety in some ways in detail; they undergo constant revision; we look at them, the deputy chairman and I, and we tweak them and improve them as we go along. I do not agree that they are so characterised.

  Q43  Mr Boswell: Could you just comment on any difficulty in transferring the formal jurisdictional sponsorship of your Tribunal to the Department of Justice? Clearly there is an important input and I think there has been a centralisation of most tribunals. There is no difficulty in that that you see provided the budget transfers with it.

  His Honour Judge Fysh: I see no immediate difficulty but historically this Tribunal has always been different. We have always been with the Patent Office for historical reasons and I think frankly that is the way we would like to stay.

  Mr Fletcher: I think the history of this is that the Copyright Tribunal was looked at as part of the package of reforms or the package of work that led up to the tribunal reforms in 2003 and it was seen as a tribunal in those days which dealt with a specialist jurisdiction and it dealt with cases, as we were hearing before, where the parties were generally representative bodies with UK-wide coverage and a good level of representation. As Judge Fysh has said, resources were provided by the Patent Office, as then was, and there was a sense that this was not a problem that needed to be fixed.

  Mr Quilty: This is not a question with a yes or a no answer; there is no right answer. There will obviously be some reasons you could develop for moving it and there are other reasons why it stays where it is. I do not see there is anyone making a critically compelling argument for moving it now.

  Q44  Chairman: Somebody in your organisation made those comments about it being pernickety, otiose and restrictive; who was it and why? Do they stand by it?

  Mr Layton: I think those comments were written by the two inter-parties hearing officers. They are hearing officers in the Trade Marks Tribunal who were commissioned to review the operations of the Copyright Tribunal. I think what they were talking about there were the rules that underpin the Tribunal. The point I would like to make is, as Judge Fysh has said, the rules are subject to incremental change and have been since 1988. They have not prevented the operation of the Tribunal but, as with all legislation, it is a good idea to subject them to regular review to ensure that they remain fit for purpose. I think a number of areas were identified during the review where the rules perhaps were not fit for purpose and could be tidied up. We would support a review of the rules.

  Q45  Chairman: Do you think the Copyright Tribunal hearings are in general fair or do they seem biased in side of one favour rather than the other? Judge Fysh, you obviously think it is fair.

  His Honour Judge Fysh: Certainly, sir. I noticed that and reject completely the notion that there is bias. I had never heard such a complaint and I did appear before the Tribunal as a barrister. I do not know where it came from.

  Q46  Chairman: Where did it come from?

  Mr Layton: I do not think anyone is saying that the Tribunal is unfair in our reports. What they are seeking to preserve is the balance of the Tribunal and they came up with a number of recommendations that they thought would help do that.

  His Honour Judge Fysh: The origin of this was, because the references are made in the way they are, the referee was always looked upon as the bully, in other words the collecting societies were felt to be the cause of all the trouble and hence we had to redress it. I think that is where it started, but I have never heard of a complaint in action of the Tribunal being unfair.

  Q47  Chairman: So you were pretty incandescent when you saw it, were you?

  His Honour Judge Fysh: I thought it was wrong.

  Mr Fletcher: I think there are two or three separate things here. The Review that was published in 2007 looked at the Tribunal's rules and, as you have heard, that has triggered a debate about what those rules ought to be and Judge Fysh's own contribution is absolutely central to that. Where we have got to is that there is also a wider question about the scope of what the Tribunal does which is quite significant as we look at the relevance in keeping the copyright framework of the UK up to date.

  Q48  Chairman: What is the record of the Tribunal? Can you give you give us some quantitative idea of what happens? How many cases have there been since time immemorial and what has happened to them?

  Mr Layton: Since 1988 there have been 106 references to the Tribunal. A case might involve, as I understand it, more than one reference, but there have been 106 references. Ninety-five of those references have been dealt with in one way or another and 11 references are still outstanding. Of the 95 dealt with, 44 were withdrawn, 28 were resolved after a hearing, 14 were settled before a hearing, eight were dismissed and one was struck out.

  Q49  Chairman: Are there any waiting in limbo?

  Mr Layton: There are 11 outstanding cases.

  Q50  Chairman: How long have they been outstanding?

  Mr Layton: I do not have the detail for that but we can send it to you.

  Q51  Chairman: Weeks? Days? Hours?

  Mr Layton: I cannot say.

  His Honour Judge Fysh: I am adjudicating one that started a year and a half to two years ago; I am writing the judgment for it now. There are a couple that are sitting on my desk that are at the evidence stage and they are moving along, albeit somewhat slowly.

  Q52  Chairman: What is it like being Chairman of this Tribunal? It is just a side job really; it takes a lot of time, you do not get paid for it.

  His Honour Judge Fysh: I do not get paid for it, no.

  Q53  Chairman: Why do you do it then?

  His Honour Judge Fysh: Because my life has been in intellectual property and I actually enjoy adjudicating these disputes. I find it intellectually stimulating—those are the usual reasons—and I do most of this work in my spare time.

  Q54  Chairman: That seems very rare for the world we live in.

  His Honour Judge Fysh: A busy court like my Patents County Court takes most of my time.

  Q55  Chairman: I have to say I am getting incandescent with frustration here, Judge Fysh. There was a review of the organisation 12 months ago which, in fact, made swingeing criticisms of the organisation and said an awful lot of things had to happen. You basically said to us in evidence that all is absolutely perfect; that is how I sum up what you said. There are cases that have been standing for at least three years without a decision; that seems to be inefficient to put it mildly. Out of 106 cases that Mr Layton said had actually come to the Tribunal only 20 have actually had a decision. There have been 15 directions and there are 71 where either people have withdrawn them out of sheer frustration or indeed there has been nothing happening at all. That is a record which I would not like to be proud of.

  His Honour Judge Fysh: With great respect that is simply untrue and wrong. They have not been withdrawn, to take one point, out of sheer frustration; there are complex machinations going on between the users of music and other intellectual property rights and the big organisations, the collecting societies, of which we only see the tip of iceberg. They are complex, on-going discussions involving lots of people and lots of interests. We, in the Tribunal, get given a fait accompli. The references have been withdrawn. An order is made; I get presented with the order drafted by the parties, "Would you kindly put your moniker on the top" and I do. It is not out of sheer frustration. Yes, it takes a long time but you must appreciate, with great respect, that we are seeing here the combination of the British common law legal process coupling, if you like, with this discipline of copyright IP adjudication. I have to abide by the common law system. If I make an order that evidence has to be delivered within six weeks and the parties agree that they cannot in due course possibly meet this and they want six months—which has happened—then that is the way it is. The evidence in my Downloading Case was over three metres high; this is an enormous amount of work. I certainly push them on. We have case management conferences, as we do in the court; I push people on, I try to put limits down. They miss the limits, we come back again.

  Q56  Chairman: I always hear this from the legal profession, with the greatest of respect; there is always a reason why things cannot move more speedily. Surely that is your job as the Chairman of the Tribunal to make sure they do move quickly. We do not have a case that we had with T-Mobile where 15 parties were involved in a relatively simple case; 20 days of witnesses were brought before the Tribunal. That is alright for big companies like T-Mobile, but for the small person actually coming to the Tribunal it just simply gets squashed aside. I would jump in the Thames.

  His Honour Judge Fysh: I agree with you; it can be devastating for a small person. I had a funeral parlour owner who telephoned me recently saying he had been presented with a bill for playing no doubt Rachmaninov or something suitable in his parlour; he could not possibly pay it and what was he to do. I explained to him about how you made a reference and so on. He asked how much that would cost and you can imagine his reaction. I have full sympathy with that, but what can I do? These are huge organisations; it is a quasi-legal proceeding and we cannot say, as some continental judges can, "Okay, I've got the general idea; I'm going to give a decision now". We have to give a rational decision. If you look at my 70 or 80 pages in the Downloading hearing it is hugely complex. We have professors come in; there are people called forensic accountants who are hideously expensive, they give very complex evidence, maybe 30 or 40 pages of evidence with 200 exhibits. What is the next stage? The next stage is the professor of statistics; he comes in to answer that, he is an even bigger one. In no time we have this amazing multiplication of evidence. I cannot stop it. I can look at it and say, "What is the relevance of that?" and I do. Sometimes I say, "I don't want to hear that".

  Q57  Chairman: Surely one of the key roles that you have as Chairman—indeed that Ian has as Chief Executive—is to actually speak out about that, to say that this is unacceptable and something has to be done about it, and to make some recommendations as to how that process can in fact be simplified because that has been going on for 20 years. Simply saying, "Woe is us, I've got six metres more work" is not the answer, is it? What should we do?

  His Honour Judge Fysh: With respect, you want to see the last couple of paragraphs of my last judgment; when I discovered the costs had exceeded £12 million I blew my top.

  Q58  Chairman: For one case?

  His Honour Judge Fysh: There were a lot of lawyers involved, a lot of forensic accountants, a lot of professors; we even had some lawyers over from Brooklyn. I gave permission for a New York team to address the Tribunal.

  Q59  Chairman: With all these hundred-odd cases, what do you think that adds up to?

  His Honour Judge Fysh: I do not know; it is awfully difficult to say.



 
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