Select Committee on the Crossrail Bill Minutes of Evidence


Examination of Witnesses (Questions 7800 - 7819)

  7800. The other concern raised by the Petitioners relates to, I think, groundborne noise and vibration. These are premises which will benefit from the installation of special track form, floating slab track, throughout the studio land in Soho, and our prediction is that that should cause the levels of noise experienced from the operation of the railway beneath these premises to be certainly no higher than the low 20s dB(LA)max, and our discussions this morning while we have been outside in the corridor have touched upon those matters.

  7801. The other matter that I think Reverend Adam Scott, who is appearing on behalf of the Petitioners today, may raise before your Lordships concerns the ability of the trustees to secure compliance with undertakings and assurances given to the Trust in the very unlikely event that in future years of operation of the railway the then appointed nominated undertaker should experience some financial difficulties or become insolvent or something of that kind. I will not say anything more about that at the moment; I think it is best if he sets out what his concerns are in relation to that and then I shall explain what our position is in relation to that when your Lordships are clear as to the nature of those points. Unless there is anything else at this stage, I think that is sufficient to introduce you to this Petition.

  7802. CHAIRMAN: That is a very useful introduction and I hope that has been helpful to the Petitioners. Would you like a break now?

  7803. MR SCOTT: We have provided some pictures which start in 12 of a walk-through from Manette Street to Soho Square, and it may be helpful if I take you swiftly through.

  7804. CHAIRMAN: By all means.

  7805. MR SCOTT: This photograph shows the Chapel from the outside.[5] It is very unusual in having a floor plan, derived from the abbey of Montmajeur near Arles in France which dates from 1017, although this chapel was not built until the 1860s. It is currently providing a home to the Macedonian Orthodox Church, who find it very congenial because it is very Byzantine in its look. If we go inside to the next one it shows the sanctuary, and then if we step back and look up, Hitler did not like some of the features of the Chapel and tried adjusting them so it had to be restored in the 1950s.[6],[7] Going through, we are very blessed in having a garden in Soho and we attract quite a lot of interest.[8] At the last open weekend two thousand visitors came, which almost overwhelmed us.

  7806. In terms of history, if we go to the next photograph, we are the building where Sir Joseph Bazalgette designed the sewers, and he wrecked this Georgian room by putting in this wall so the plan for the sewers of London could be placed behind them and, although that spoils the Georgian room, it is a wall of some historic significance.[9]

  7807. This is the plasterwork about which you have heard in the main hall.[10] The cantilevered staircase runs up to that, and we can see the fine plasterwork in this silk hung bedroom, and in the first floor Council Room.[11],[12] It is not easy to see her but the Rococo plasterwork on the ceiling there is one of the finest features, and no doubt you will be hearing or asking more about that in a moment. We use these rooms to make money for the charity by holding events in them.

  7808. If we go to the last of the pictures, this is the view from Soho Square.[13] In structural terms you will see that we do not have support on these two sides, we are a corner building rather than being in the middle of a terrace, and the station platform is immediately below that building and offset, as you have seen from the previous diagram, from the Chapel.

  7809. So that is a quick walkthrough and I will hand over now to my fellow Petitioner, David Monro.

  7810. CHAIRMAN: Are you ready to go ahead, then?

  7811. MR SCOTT: Yes.

  7812. CHAIRMAN: Good. Let's do so.

  7813. LORD JAMES OF BLACKHEATH: I have a question: looking at the pictures you have just put up, I am intrigued by the variety of floors. You have gone from one of what looks like very fancy ceramics to one that looks as though it is a late replacement wooden floor for something which has been destroyed previously. Could you exactly explain those floors and what vulnerability they have, and how did the wooden floor come to be there because what was there before got destroyed, and why?

  7814. MR SCOTT: I think Richard Garnier may be in a better position than me to answer this. Some of the floors have got superimposed modern flooring in that in the Chapel the ceramics were partly damaged during the 1939-45 War, though large areas of them are intact.

  7815. LORD JAMES OF BLACKHEATH: I should perhaps state that I am a sort of minor authority on medieval ceramics, so start from there!

  7816. MR SCOTT: This, remember, is a Victorian interpretation --

  7817. LORD JAMES OF BLACKHEATH: Rather in the manner of Winchester Cathedral, would you say, where they took out all the originals and put in their modern monstrosities instead. Have you done the same?

  7818. MR SCOTT: As far as I am aware what you are looking at there is the original Victorian floor.[14] It is partly damaged, though it is probably impossible for you to see the damage there. I know where some of the damage is.

  7819. LORD JAMES OF BLACKHEATH: The thrust of my questioning is to establish if there is anything of his significant historical value which may come under risk from this left in the building now?



5   Committee Ref: A39, The Chapel in Manette Street (WESTCC-36_05-013) Back

6   Committee Ref: A39, Mosaics in the Sancturary Apse (WESTCC-36_05-014) Back

7   Committee Ref: A39, Post-War Glass and Crucifix (WESTCC-36_05-015) Back

8   Committee Ref: A39, Chapel from the Garden (WESTCC-36_05-016) Back

9   Committee Ref: A39, Sir Joseph Bazalgette's Room (WESTCC-36_05-017) Back

10   Committee Ref: A39, 1750s Plasterwork in the Hall (WESTCC-36_05-018) Back

11   Committee Ref: A39, Plasterwork in the Bedroom (WESTCC-36_05-019) Back

12   Committee Ref: A39, First Floor (WESTCC-36_05-020) Back

13   Committee Ref: A39, The House from Soho Square (WESTCC-36_05-021) Back

14   Crossrail Ref: P53, 1 Greek Street-Phase 3 Stage 1 Iteration Reports, p1201 (WESTCC-36_05-005) Back


 
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