Select Committee on Science and Technology Minutes of Evidence


Examination of Witnesses (Questions 355-359)

Mrs Lesley Morris, Dr Frank O'Connor, Dr Tracy Bhamra and Ms Clare Brass

5 FEBRUARY 2008

  Q355  Chairman: Good morning. Thank you very much for coming. I wonder if we could, perhaps, start off with, Dr Bhamra, introducing yourself and then just working your way along the line, as it were.

  Dr Bhamra: I am Tracy Bhamra, I am a Reader in Sustainable Design in the Department of Design and Technology at Loughborough University.

  Ms Brass: I am Clare Brass, from the SEED Foundation—Social Environmental Enterprise and Design.

  Mrs Morris: Hi, I am Lesley Morris, I am Head of Design Skills at the Design Council, which really means that I work with all of the education and skills development training through the education system and professional development.

  Dr O'Connor: Chairman, I am Frank O'Connor, Director of Ecodesign Centre, Wales, a Welsh Assembly Government funded organisation based in Cardiff, Wales.

  Q356  Chairman: Thank you. We would like to start this morning with the area of designers' education and attitude. To what extent do designers consider the "cradle to cradle" concept and waste reduction when developing new products? Do you often get the feeling that: "If only somebody had thought about this they would never have done it this way", when you are trying to get rid of something? Who would like to start on this one?

  Dr Bhamra: It is probably true to say that there is a bit of an ad hoc approach, at the moment, to cradle to cradle. There are some examples of designers thinking about issues of, maybe, recycling or, maybe energy consumption, but I would not say it was a general approach that most designers adopt. There are examples of companies who, maybe, try and encourage their designers to do that, but they are few and far between. The same with design consultancy; there will be examples where people are thinking about it, but there is no structured approach to encourage all designers to consider cradle to cradle.

  Ms Brass: Our consideration about cradle to cradle thinking is that it is very beautiful and a very healthy approach to design, but unless you have the infrastructure in place that can allow cradle to cradle thinking to actually become a reality it is very difficult for designers to impose cradle to cradle thinking, especially if they are locked into a client-designer relationship where the clients are unlikely to be asking for it.

  Mrs Morris: Some evidence on that front is that we have just been doing some work looking at the skills that professional designers need, and it is very interesting that when we asked them about particular issues and trends for the future, sustainability in any shape or form was just not one of their priorities. Most of them reflected that, in a sense, if their clients do not ask for that to be addressed then they do not provide it, because they are working, obviously, mostly, as consultants. Obviously, there are designers working in big businesses, and if those businesses are driving that agenda then they will be much more equipped and much more prepared to address the issues, but a lot of designers are working, as I say, as consultants, and there needs to be that whole shift in terms of what they are being asked to do, what they know about and what they can provide. That links back into the whole education system.

  Dr O'Connor: We tend to focus purely on small businesses because up to 99 per cent of businesses in the UK are small businesses, and basically from a small business perspective it is very difficult to implement cradle to cradle. The infrastructure has been mentioned already; the key thing is you can design a product from a cradle to cradle perspective but if the end-of-life recovery, recyclability and collection facilities are not there then it is not necessarily going to have the impact one would like. At the moment, from an evidence point of view, we are working with a small business in Wales looking at how cradle to cradle could be feasible from a full life cycle perspective. So we will have evidence this year on that. The key thing here is that for small businesses, from a resource point of view and a cost point of view, it is not feasible at the moment to undertake a full cradle to cradle analysis, and a lot of small businesses would also not have the design capabilities.

  Q357  Lord Howie of Troon: I am a civil and structural engineer and I am wondering, when we talk about designers, just who we are talking about. As an engineer, design means something to me very specific. On the other hand, there are designers who are essentially stylists, and somewhere in-between there are industrial designers who are engineers. Just who are we talking about when we use the word "design" in this context?

  Dr O'Connor: I would say we are talking predominantly about industrial product designers in this context; designers who control the industrial aspects of a product development. So that would be designers doing graduate programmes in BA or BSc product or industrial design.

  Mrs Morris: When I was talking about designers I think it is a wider group, for sure. It would cover the sort of designers that I think the Design Council has a connection with, ranging right through from fashion and textile through to digital and communication as well as product industrial design and all of the three-dimensional areas of design. There is the need to have a very broad view of the types of designers that are contributing to all of the products and services that are made. Yes, of course, there are engineering designers, on one hand, and there are, as I say, branding and communication designers on the other hand. I think they all have a part to play in this debate.

  Ms Brass: I would like to say that your question flags up a very important issue—a very critical issue—to do with design education, and that is that we are still considering and training our designers in silos. We are still training designers in very specific fields, and the complexity of the issues that we are required to address now means that designers should be exposed to other areas of design and, indeed, to other professional capacities while they are still studying. It is a critical issue.

  Dr Bhamra: I agree that it is product and industrial design, mostly, but also engineering design. It is a wide discipline and designers need to start broadening their horizons in order to address these issues.

  Lord Howie of Troon: It is a word which is very slightly used, especially in the press. That is not a question.

  Q358  Lord Lewis of Newnham: In the text that we have, I was very interested to see that in point of fact you imply that designers are a speciality group, as it were, which are not necessarily the same as the manufacturers, and that there is interaction between those two. Very often these are relatively small groups of people who can, perhaps, influence in some way or other the manufacturing process. How far do manufacturers specify the type of design that they want, in making a request? It is very clear from what you are saying that the whole problem of this concept of cradle to cradle analysis is falling down because of the interface between these two groups of people. What can we do to rectify that, because, ideally, of course, this must be a major factor for any future policy?

  Mrs Morris: One of the issues here is about how early in any research and development process, for whatever product is being developed, designers are involved. There are lots of cases now where it is becoming earlier but it is still often not at a very early stage. So there is a lot of work that is done, perhaps, by manufacturers and by the science and technologists, who are looking at what a product might be, and the designer is only brought in at a fairly late stage to actually look at the interface, to create the actual end product. That is where, certainly, there is a missed opportunity in terms of bringing designers in at a much, much earlier stage to end up with the right use of materials, the right type of product and the right way to actually get those design ideas in at an earlier stage. We are doing some work at the moment with some universities, looking at how designers can really help, at a very early stage of research, in the application of the technology and the research; really, even thinking about: "What sort of product service should this be? Is it necessary? Is it going to fulfil a purpose and be what customers want", as well as thinking about: "What should it do and what should it be made from?"

  Dr O'Connor: The point you have raised is very important and it goes back, particularly, to business strategy. Design is not just an add-on process; it needs to be part of the overall business strategy for any organisation. What we are looking at, in terms of trying to inspire businesses to consider environmental and social issues in parallel with economic issues, is the overall brand and business strategy. That is the key to moving forward. If businesses can be inspired to do that (build into business strategy) and they can get results that demonstrate it is economically viable as well—it has got to be economically viable in terms of waste reduction and environmental issues—it should become part of their business activities on a day-to-day basis. That is crucial.

  Q359  Chairman: Mrs Morris, you raised the question of materials. This is something on which we would be interested to hear the views of the panel. Can material producers influence manufacturers of products to use their materials in a sustainable way, or even substitute one material for another? What sort of awareness are you conscious of, of that sort of approach?

  Mrs Morris: You are right, I think there is a real gap in knowledge here between designers and, perhaps, the scientists and technologists who are developing materials. That is part of the issue here. It links to what Clare was saying, I think, a little bit about education silos. It is very difficult for students to actually cross over different subject areas, different boundaries to work with different types of subject areas and professionals to find out about this sort of area. They might know about particular materials within their own programme, if they are product and industrial designers, but there is a whole load of development work, obviously, going on in other engineering faculties and in other science areas which they might not come across at all. There is a real opportunity here to try and find ways to break down some of that and connect students and tutors at that stage so that they have greater interaction and are aware of things that are happening. Then I think there is obviously an area within the profession that needs to be addressed, and a part of the Materials KTN at the moment, but there is a huge job to be done to get professional designers to be aware of resources like that that are available. We have to be quite clever about how we get that information and those messages out.

  Ms Brass: I would like to add to that that there is also a great value in exposing students and professionals of other professions to design expertise. Designers can add a different approach rather than, for example, a scientist, and can complete a picture which a scientist may not necessarily have. It is as much to do with the people who are at the receiving end of that scientific development.

  Dr Bhamra: Also, I think it is the confidence of the designer to use new materials. They will use the material that they think and know will work in the way they would want it to. Being introduced to new materials is fine, but they need the confidence to know it will perform in the way it should. Unfortunately, the way information is presented to them at the moment does not give them the confidence that, actually, it will perform in the way that they want, so they will probably be safe and stick with what they know.

  Dr O'Connor: Can I add one point to that? It is important, obviously, to have a partnership approach, or a team approach, and people have to work to their strengths. That is why it has to be a life-cycle partnership approach. Designers have a role, as do manufacturers and suppliers and other stakeholders—but people have to work to their strengths. That is really important.


 
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